Juan Manuel Bernal
Ernesto, a Cuban actor who decides to audition in Mexico, is stranded in the gigantic city when he fails to achieve a leading role in an important play. Facing the dilemma of returning defeated to his home, he accidentally meets Belén in the subway, a spontaneous actress who tells stories or lies in exchange for some coins.
Veracruz, year 1683. With the intention of restocking his ship, a mysterious and refined captain arrives to the Governor's house, introducing himself as Lorenzo. No one knows his ulterior motives, although they don't take long to surface.
1931, a year of nationalisms and excesses: The Chinese are expelled from Sonora; the US deports Mexicans and closes its borders. Twelve desperate people cross the Sonoran desert in a 1929 Chrysler, hoping to find peace in Baja California. As their sojourn exposes both the best and the worst of human nature, racism, greed, and paranoia prove as deadly as the merciless landscape around them.
A desperate photographer kidnaps his own newborn daughter after his deceased fiance's ex-husband manipulates the law to gain custody of the child.
Felix (56) a criminal boss in the south of Mexico, has always wanted to go to San Francisco so see how drawbridges rise for ships to go through. Misela (23), whose romantic partners die if they make her cry, seeks comfort in her mother and wants to know where she is buried. They are father and daughter, and one must betray the other in order to go on living.
Claudia and Antonio have been married for 15 years. After so many years of marriage they have lost track of each other. One night, after a strong argument, the unusual alignment of the planets Venus, Earth and Mars causes a magical transformation: Antonio's soul is trapped in the body of Claudia and Claudia's in Antonio's body.
A tale about the fragile lives of four characters during a month of their lives. One of them, Ana, is waiting for a kidney donor.
After the strange death of her boyfriend and beloved ones, one by one, Clara lives terrified and mistrustful, suspecting revenge from a famous writer she worked with ten years ago. A circle that will only close with the seventh victim.
The fictional Father Ángel de la Cruz is based on Legion of Christ founder Marcial Maciel, whose long history of child abuse was not addressed until 2006 and only publicly acknowledged in 2009. But director Luis Urquiza chooses to structure his film through the largely uncomprehending, wondering eyes of 13-year-old Julián, who travels from the arms of his loving pastoral family into the austere, hallowed halls of the seminary. Singling out the boy as his intimate disciple, installing him in his palatial private quarters and redubbing him “Sacramento Santos,” Father Ángel begins Julian’s instruction into the mysteries of “perfect obedience,” whose cardinal rule is: Never question a superior’s actions.
Four stories about love and self-acceptance: An eleven year-old boy struggles to keep secret the attraction he feels towards his male cousin. Two former childhood friends reunite and start a relationship that gets complicated due to one of them’s fear of getting caught. A gay long lasting relationship is in jeopardy when a third man comes along. An old family man is obsessed with a young male prostitute and tries to raise the money to afford the experience.
As Mexico prepares to host the 1968 Olympics, students and civilians are uniting on the streets to protest the authoritarian government. Tensions are running high and the eyes of the world are on Mexico and President Gustavo Diaz Ordaz. Ana Maria, a student photographer and daughter of a high-ranking official, finds herself embroiled in the movement and is swept off her feet by Félix, a working-class architecture student. This film remembers the events that led to one of the darkest chapters in Mexico’s recent history: the massacre at Tlatelolco, 10 days before the opening of the Olympic Games.
Mexico’s half-forgotten B-movie master, “involuntary surrealist” Juan Orol (1897–1988), receives a pitch-perfect tribute in this deft, irresistible love letter to a self-made man of showbiz whose career spanned half a century and nearly 60 films. Abetted by an all-pro cast, del Amo’s brilliant interpretation of Orol’s life exudes a droll underdog charm, and almost every frame is an infectious homage to the golden age of cinema, the wiles of memory, and the art of fantasy.
The story of four teenagers: Negus, Chale, Sapo and Chata. Childhood friends living in public housing in a rundown area of Mexico City, search to trump idleness. They toy with the idea of robbing a movie theatre. Afflicted by their past and present stance, each find the motivation to complete the deed. The adventure pushes them to face their own realities and jeopardizes the only valuable possession: friendship
Butch Fenton, major of American army, comes for Villa's head and he's gonna get it. The "Punitive Expedition" proved to be the last major campaign of the U.S. Cavalry. Mexican revolution is the first social movement of the century.
Cristobal sees Mariana with new eyes after the summer vacation since both love singing. The mexican version of the Disney musical.
Shot during a three year period, this true story views the separation process of the pop music group OV7 (previously Onda Vaselina), whose seven members worked and shared each other's lives for 15 years, from the age of nine until they turned 24.
Based on a real event, where the municipal president, in order to clean the image of his people before a politician's visit, "throws" a group of mentally ill people into the desert.
A romantic comedy about a young interior decorator who, as a result of a romantic disappointment, becomes the female counterpart of Don Juan. The misadventures of the manizer make her rediscover the value of love.
A pawnbroker clerk meets a very peculiar old man, who brings an Olympic medal to the store to get some money and, at the same time, has a great and exciting story to tell.
U.S Marshal Mike Donovan has dark memories of the death of his first love. He keeps peace between the Americans and the natives who had temporarily adopted and taken care of him. The evil actions of a white sorcerer lead him to confront the villain in the Sacred Mountains, and, through shamanic rituals conquer his fears and uncover a suppressed memory he would much rather deny.
Orlando (Juan Manuel Bernal) is a neurotic dubbing director of series B that desqui-ta of all your frustrations and anger with their coworkers. Orlando lives with Sonia (Mariana Gaja), a woman "new age" in quest for inner peace. He, in crisis, stifled by the love of So-nia and tempted by the novelty of another woman, can not desci-FRAR the complicated language of life as a couple of young people, and going from flower to flower revealing its inability of being alone. On the other hand we have to Mauritius (José María Yazpik), a young and awkward to relate hermit who loves and despises while René (Cecilia Suárez), a beautiful woman "postmodern"
A retired man that used to work for the National Electricity Company fight with his sons who want to get his money.
Heated tempers, frustrated desires and dashed hopes plague a diverse group of individuals whose lives cross paths in Mexico City. There is the bar-owner's son, Chava, who yearns to emigrate to America. A poor barber, Abel, is madly in love with the gorgeous Alma, who eventually becomes a high-class prostitute. Finally, there is Susanita, the desperate spinster who pursues many love affairs in hopes of finding a husband.
A house is to be demolished to make a parking lot. In the process, the children of an orphanage and the old people of an asylum, both neighbors of the house, invade it secretly searching for a new place to stay. In spite of their differences in age and personality, a strange complicity arises between them, creating strong bonds of friendship.
La calle de las novias is a Mexican telenovela produced by TV Azteca and Zuba Producciones. Directed by Jaime Humberto Hermosillo, it stars Silvia Navarro and Juan Manuel Bernal as protagonists.
