Judith Malina
Italy, 1970. An increasing legion of harmless warriors begins a peaceful struggle for sexual freedom through pornography, shaking and shocking religious authorities and conservative political institutions. They are ironic, happy, crazy. They are dreamers, defenders of definitive communion between body and soul. But they were censored and humiliated. They were mistreated and arrested for demanding loud a new cultural renaissance.
The Living Theatre is an experimental company founded in New York in 1947 by Julian Beck (New York 1925-1985), painter and poet, and the actress and stage director Judith Malina (Kiel 1926), a student of Erwin Piscator. From the very beginning the group’s activities bore the stamp of social and political commitment, imbued with a strong libertarian matrix. A video montage of films and videos from The Living Theatre Archives.
The story of legendary New York City disc jockey Bob Fass who pioneered free expression on the airwaves with his long running FM program 'Radio Unnameable'.
A visceral examination of the social contract between the governed and the government, the play explores Leopold von Sacher-Masoch's Six Houses of Bondage: Love, Money, Property, State, War and Death, with a seventh meditation on Revolutionary Change. "Seven Meditations..." was created in 1973 by Julian Beck, Judith Malina & Friends.
After fishing out coins from a water fountain in Italy, cynical New Yorker Beth Harper finds herself being wooed by several ardent suitors. As she deals with the attention, Beth tries to figure out whether a charming reporter really loves her.
In this filmic memoir, German director Rosa von Praunheim returns to New York, a city he knew and loved in the woolly 1970s, to see what he might find and also to check in on the colorful protagonists of his 1989 documentary, Überleben in New York. Both a personal journey and a historical survey, New York Memories captures a transformed city by charting the shifting course of gay life, from Warhol Factory figures to the AIDS ravaged, within it.
In this entrancing documentary on performance artist, photographer and underground filmmaker Jack Smith, photographs and rare clips of Smith's performances and films punctuate interviews with artists, critics, friends and foes to create an engaging portrait of the artist. Widely known for his banned queer erotica film Flaming Creatures, Smith was an innovator and firebrand who influenced artists such as Andy Warhol and John Waters.
Documentary about the life of avant-garde filmmaker Maya Deren, who led the independent film movement of the 1940s.
Music From Another Room is a romantic comedy that follows the exploits of Danny, a young man who grew up believing he was destined to marry the girl he helped deliver as a five year old boy when his neighbor went into emergency labor. Twenty-five years later, Danny returns to his hometown and finds the irresistible Anna Swann but she finds it easy to resist him since she is already engaged to dreamboat Eric, a very practical match. In pursuit of Anna, Danny finds himself entangled with each of the eccentric Swanns including blind, sheltered Nina, cynical sister Karen, big brother Bill and dramatic mother Grace as he fights to prove that fate should never be messed with and passion should never be practical.
British director Peter Brook talks about his theatre experience from his first directing gigs of Oxford to the foundation of a company of international actors coming from different acting schools and cultures.
A chronicle of an eccentric Italian-American family in New York City in the 1950's and 60's. Young Teresa dreams of joing the convent, over the objections of her family.
When an evil doctor finds out Uncle Fester has been missing for 25 years, he introduces a fake Fester in an attempt to get the Addams family's money. Wednesday has some doubts about the new uncle Fester, but the fake uncle adapts very well to the strange family.
Dr. Malcolm Sayer, a shy research physician, uses an experimental drug to "awaken" the catatonic victims of a rare disease. Leonard is the first patient to receive the controversial treatment. His awakening, filled with awe and enthusiasm, proves a rebirth for Sayer too, as the exuberant patient reveals life's simple but unutterably sweet pleasures to the introverted doctor.
Belgian director Chantal Akerman avoids her usual "real time" technique in Histoires d'Amérique. The anecdotal nature of the subject matter compels Akerman to fragment her narrative, rather than offer it in one, uninterrupted continuum. Still, another Akerman trademark -- permitting the "drama" to emanate from the actors rather than the situations -- is very much in evidence. This informal history of Jewish life over the past 100 years is related in a series of eyewitness accounts, re-created by a group of largely unknown actors. Also known as American Stories, the Belgian/French Histoires d'Amérique began building an audience when it was shown at the Berlin Film Festival.
A ghostwriter finds himself romantically involved with his current wife, a married woman and his long-vanished wife.
The Narrator tells us how the radio influenced his childhood in the days before TV. In the New York City of the late 1930s to the New Year's Eve 1944, this coming-of-age tale mixes the narrator's experiences with contemporary anecdotes and urban legends of the radio stars.
Teenage lovers Tony (Richard Panebianco) and Tyan-Hwa (Sari Chang) tip the balance of power in New York's Little Italy and Chinatown.
Brantley Foster, a well-educated kid from Kansas, has always dreamed of making it big in New York, but once in New York, he learns that jobs - and girls - are hard to get. When Brantley visits his uncle, Howard Prescott, who runs a multi-million-dollar company, he is given a job in the company's mail room.
A compilation of avant-garde artwork and talent of the mid to late 20th century hosted by Ryuichi Sakamoto.
Signals Through the Flames is at once a history and a celebration of the Living Theatre. Founded in the late 1940s by husband-and-wife performers Julian Beck and Judith Malina, the Living Theatre was for many years the predominent American outlet for the avant-garde movement. There were occasional self-imposed exiles to Europe in the 1950s and 1960s, but the group returned full-force during the Aquarius Age to entertain a new generation of theatregoers.
Shot in 1967 but not released until 1975, actor Pierre Clémenti’s acid-infused experimental whirlwind of colour and music featuring a who’s who of the French 60s underground.
Based on the true story of would-be Brooklyn bank robbers John Wojtowicz and Salvatore Naturale. Sonny and Sal attempt a bank heist which quickly turns sour and escalates into a hostage situation and stand-off with the police. As Sonny's motives for the robbery are slowly revealed and things become more complicated, the heist turns into a media circus.
An epic portrait of the New York avant-garde art scene of the 60s.
A stripped-down account of a young man's existential reckoning. "As dust hides a mirror, lust hides the self," reads one of the film's Vedanta-sourced intertitles. And indeed, while the Pierre Clementi protagonist's inner life remains obscure, the Saint-Germain-des-Pres neighborhood that offers his temptations appears in harrowing detail.
Series of three short 'Pop Films' directed between 1966 - 67 for French television by Philippe Garrel. Includes footage of The Living Theater in rehearsal, interviews with Julian Beck and Judith Malina, Donovan in concert and The Who in the studio recording 'Pictures of Lily'. Re-broadcast on INA in 1984.
Leonardi's film about the Living Theatre is less concerned with a straight documentary presentation of the exile theatre group from New York, but rather is concerned with the specific atmospheric factor which is indicated by their name, and which constitutes the highly suggestive effect of their playing. Cutting, for Leonardi, is the most decisive aesthetic device. The result is a wonderfully composed furioso of pictures. The hand-held camera catches rehearsals, conversations without sound, bits of theatre and daily life actions (which, for Living Theatre people, is very often intermixed).
Filmmaker and artist Jack Smith described his own film as a “comedy set in a haunted movie studio.” Flaming Creatures begins humorously enough with several men and women, mostly of indeterminate gender, vamping it up in front of the camera and participating in a mock advertisement for an indelible, heart-shaped brand of lipstick. However, things take a dark, nightmarish turn when a transvestite chases, catches and begins molesting a woman. Soon, all of the titular “creatures” participate in a (mostly clothed) orgy that causes a massive earthquake. After the creatures are killed in the resulting chaos, a vampire dressed like an old Hollywood starlet rises from her coffin to resurrect the dead. All ends happily enough when the now undead creatures dance with each other, even though another orgy and earthquake loom over the end title card.
The Queen of Sheba Meets the Atom Man" is a high art underground film made on a super-low budget, silent, and in black and white. Filmmaker Ron Rice announced it as a three-hour epic, but the longest cut of the footage works out to 108 minutes and that was not achieved until 20 years after the film was made. Taylor Mead completed the film in 1982.
