Judy Marte
Three gutsy kids from a rapidly gentrifying Bronx neighborhood stumble upon a sinister plot to suck all the life from their beloved community.
A once-abused woman devotes herself to ridding victims of their domestic abusers while hunting down the one she must kill to be truly free.
Nasty Baby centers around a Brooklyn couple, Freddy and his boyfriend Mo, who are trying to have a baby with the help of their best friend, Polly. Freddy is an artist, and his latest work is all about babies – it’s clear he’s dying to be a father. Polly is a family practitioner who is more interested in having a baby than having a man. Mo is hesitant about the entire idea, especially when Polly isn’t having success with Freddyʼs sperm and the donor responsibility shifts to him. Set almost entirely in the multicultural vibrancy of Fort Greene, Brooklyn, the trio navigates the idea of creating life, when they are confronted by unexpected harassment from particularly aggressive neighborhood man, nicknamed The Bishop. The Bishop is bothersome in small, yet persistent ways, with a hint of danger. As their clashes become increasingly aggressive, someone is bound to get hurt.
.Ana (Judy Marte) is a young woman trying to reimagine her life after her mother’s death during the course of one California spring. Filled with resentment over her father’s mistakes, Ana feels disconnected from herself and everyone around her. Swept up by new romance (Brian Rieger) and a warm reunion with her half-sister (Lauren Fales), Ana is so taken by the newfound support and love in her life that she sets out to find someone—anyone other than herself—to help. She finds a volunteer project in Maria (Karen Black), a reclusive hoarder who has alienated her own family with her compulsive behavior. As the two become unlikely friends and confidantes, Ana finds herself in an emotionally complex relationship that reveals some uncomfortable truths about herself.
NYC 22 follows six diverse NYPD rookies as they patrol the gritty streets of upper Manhattan. With unique backgrounds, personalities and reasons for being on the force, the new cops will make their share of rookie mistakes while they figure out how to relate to their boss, each other and the people they swore to protect.
Alienated and cold, The Mortician (Method Man) processes the corpses with steely disregard. He is lonely and isolated. He is introduced to his new employee, Noah, (EJ Bonilla) by the morgue boss (Edward Furlong). Noah is a volatile youth working as part of his parole.Noah brings the notorious gangster, Carver (Dash Mihok), and his crew to the mortuary door. The Mortician's attention is pricked by the tattoo of Botticelli's 'Birth of Venus' inked on the body of a murdered woman (Judy Marte), that arrives at the morgue, triggering a series of haunting dreams from his childhood. Discovering a scared child, Kane (Cruz Santiago), fleeing the morgue, he's forced to act. They become reluctant allies, struggling for redemption as they run. Through his awkward heroism, the Mortician reconnects with his long forgotten past, and finds the answers he's been searching for. He find redemption and peace.
Relationship issues arise between a researcher with a theory to explain away all his failed dating experiments, a player who wants out of the game, a deejay whose head spins with thoughts of God, a hoodrat with no street cred, a poet not-so-well-versed in the art of love, and a womanipulator of men.
Follows the choices made by three young women - one a drug dealer, one an addict, one a pregnant teen - in Jersey City.
The film follows Victor, a Lower East Side teenager, as he deals with his eccentric family, including his strict grandmother, his bratty sister, and a younger brother who completely idolizes him. Along the way he tries to win the affections of Judy, who is very careful and calculating when it comes to how she deals with men.
