Julian Bucio
Marta used to be a recognized and successful psychic, but after a dramatic experience, she loses faith in her gift and develops agoraphobia. She couldn't see the devilish side of her rapper, Mario, and now, Marta is afraid that Mario will stalk her again. As soon as she released from the asylum, she moves to Monica's uncle apartment. There, she feels safe. But soon, she has trouble with her crazy neighbors. And if this wasn't enough, a spectrum starts to haunt her, making her life impossible. Marta will have to fight against all these difficulties and manage to get her gift back before Mario finds her.
Three college students, Phil, Ed, and Henry take a road trip into Mexico for a week of drinking and carefree fun only to have Phil find himself a captive of a group of satanic Mexican drug smugglers who kill tourists and whom are looking for a group of new ones to prepare for a sacrifice.
1) globalization of violence, violence of globalization? 2) serial killers, social killers? 3) a mine in brazil some murders in new york others in miami how are they connected? 4) "who's putting dynamite at the head of the century" asks tom zé -singing- at the end of the film 5) "cobrador - in god we trust" is an invitation to search the answers to these questions. "cobrador - in god we trust" is an attempt to find the answers to these questions
Two corporations compete for illicit 3D manga pornography, sending spies to infiltrate each other's operations.
A psychotic criminal couple kidnaps a random teenage couple. The woman rapes the male captive, and lets him watch his lover being raped by the man. They then plan to sacrifice the couple
An android fighting-machine (Mario Van Peebles) is charged with destroying a small brigade of rebels in a Latin American war who are fighting to maintain their freedom and protect their village. Contrary to his programming, Peebles decides to stay and assist the rebels in their plight. Having gained this information, his "creators" develop a more powerful android to try and defeat him.
