Jung Jae-jin
An old man spends every day exactly the same way. A walk in the park, a cup of coffee, then back to the room where he lives alone. In order to make a living, he cleans a public bath, but one day he has an accident.
After the death of his wife, Jong-Sub (Kang Shin Sung Il) raised his son alone. He lost his son in a car accident. Since the death of his son, Jong-Sub lived all alone. He retired from his job as a principle. Jong-Sub is then diagnosed with colon cancer and learns he has only 6 months left to live. All his desire to live is gone, but he still wants to keep his dignity. Jong-Sub tries to hire a caregiver. A woman named Yeon-Hwa (Bae Seul-Ki) comes to him. She is beautiful, but looks sad. Watching Yeon-Hwa, Jong-Sub sees his dead wife. He is shaken by her and wants to live more with her. Jong-Sub realizes he loves her and faces a truth he can't believe.
A robot with artificial intelligence is at a monastery claiming to have achieved Buddhist enlightenment. The corporation that created the robot sends a young technician to investigate whether this is the truth or if the robot is actually experiencing a strange glitch.
Jae-jun (K-pop band TVXQ member Hero) delivers letters to heaven from those who can't get over the loss of their loved ones. One day Ha-na (Han Hyo-joo), who writes to her late boyfriend, discovers Jae-jun's secret identity. He offers her a part-time job assisting him, and they set off on a 14-day journey.
Jun-seo is tired of the relationship he is in with Mi-yeon. But one day she is in an accident and falls into a coma. Then, unbelievably Mi-yeon visits him the next day just like any other ordinary day. He starts searching for other traces of Mi-yeon and realizes how much he loved her. Will he discover the love he has never realized, which has always existed close by him?
Mrs. KWON has spent lifetime building a small home-made soup business into an empire with her bare hands. Now a retiring millionaire, she’s distributed most of her wealth among her children and is enjoying her life as an independent, tech-savvy granny. A band of less-than-professional criminals kidnaps her in a hope to make an easy fortune but their naïve plan goes all wrong, when the family of their difficult hostage is reluctant to pay the modest ransom of 50,000 dollars. Infuriated by this, Mrs. KWON takes the matter into her own hands and leads the pack in making the biggest kidnap case in history. Will she and her kidnappers be able to get their hands on the 50 million dollar ransom?
Fantastic Parasuicides is an omnibus film consisting of three short films that come together under the common theme of suicide. The three stories are Hanging Tough, Fly Away Chicken and Happy Birthday by indie directors Chang-ho Cho, Sung-ho Kim and Soo-young Park.
Based on the long running play by Jang Jin, the story is set in Korea during the Korean War in 1950. Soldiers from both the North and South, as well as an American pilot, find themselves in a secluded and naively idealistic village, its residents unaware of the outside world, including the war.
Based on the novel 'Les Liaisons Dangereuses,' this film is set in aristocratic 18th-century Korea at the end of the Chosun Dynasty. The irresistible temptress Lady Cho asks her cad of a younger cousin, Jo-won, to deflower the innocent young Soh-ok, who is to become her husband's concubine. But, his attentions soon shift to the graceful and aloof Lady Sook, who lives according to her convictions as a Catholic. Jo-won becomes obsessed with seducing this chaste woman who has remained celibate for nine years since her husband's death. However, conquering the most virtuous woman in the land proves to be more difficult than Chosun's notorious playboy expects.
A traumatized young man abducts Korean leaders, believing they're toxic reptilian aliens - a fifth column launching a takeover of beloved Earth. Stumped law enforcement geniuses half-seriously hire a disgraced, disheveled private detective with a long-ago history of super-crime solving. The alienated South Korean youngster Lee Byeong-gu builds an isolated basement command post/torture chamber/film studio to force the awful truth out of the slimy, uncooperative politicians and businesspeople, then alert the public. Byeong-gu is helped by his devoted girlfriend, who buys his theories, but wonders if his horrible childhood has colored his thinking.
The events that precede and follow, for each of those present in turn, when a young woman is asked for verification of her identity one time too many, in this case when presenting a check at a convenience store. Despite the repetition of the central scene the personal stories and consequences are interestingly varied and unpredictable. The problem for the central character is that her country allows her no usable identity following her change of sex. This was true for the lead actress, South Korea's most famed woman of transsexual history, Ha Ri-su, but that is about as far as the plot bears any resemblance to her actual life. Since the film was released the actress became, by a landmark court case, the first in her country to to be allowed proper recognition and papers. There are of course many other countries which still impose the same difficulties on similar young women. Probably the best fictional portrayal yet of a woman of transsexual history, anywhere.
