Kaj Holmberg
Under the Trump administration, USA is a deeply divided country. One side feeds populism and religious rectitude in a monochromatic landscape, painted white, lamenting for a past that never will return. The other side fuels diversity and multiculturalism, a biased vision of a progressive future, quite unlikely. Both sides are constantly confronted, without listening to each other. Only a few reasonable people gather to change this potentially dangerous situation.
A convicted murderer holds the world hostage with a year 2000 virus in all the world's major computer systems.
Brecht′s 100th birthday is being celebrated on 10 February, 1998. A good enough opportunity to examine his life closely again. The film director Jutta Brueckner is mainly concerned here with the question of the kind of person Brecht was. We have known him until now as the brilliant author and theatre director, through his plays themselves; we also know him as the cultural flagship of the GDR along with his world-famous Berliner Ensemble.
Based on Franz Kafka's famous novel, director Jaakko Pakkasvirta created this interpretation of the woebegone Josef K., who is trapped in an ever-increasing labyrinth of double talk and bureaucratic nonsense in his efforts to reach the castle. As Josef seeks to make an appointment to see the ruler Herr Klamm inside his inaccessible abode, he becomes enmeshed in abuse from lowly villagers and bureaucrats alike. His endless false starts toward the castle's enigmatic interior are partly offset by a few sexual encounters but nothing alleviates his role as a victim of forces beyond his control.
Hese, the shy owner of a video company, travels on a moped to film a commissioned Christmas party. From the steps of his office, Hese finds an anonymous Christmas present, a Hese slipover, and begins to find out who it is from.
