Kani Kusruti
Jasmine returns to her childhood home on her brother's death. Is the house now haunted by spirits or by living beings trapped by emotional bonds?
A billionaire learns there is something money can't buy, a lower-caste couple attempts to build a new life, and a corrupt city cop finds himself far outside of the law in Nair's slyly biting triptych on class in contemporary India.
The year is 2031. In a New India - of towering smart holograms and drone superhighways - hard-boiled Cyber Crime detective Saajan Kundu is called out of retirement when a self-driving taxi is hacked and ordered to kill an anonymous human victim. Saajan begrudgingly joins forces with estranged partner Laxmi Suri, a whip-smart AI scientist, to comb the modern backwaters of Goa for the killer.
A political drama set in Bihar of 1990's. With its caste arithmetic, traditional satraps and the emerging voice...will an illiterate woman Rani Bharti (Huma Qureshi) survive this? Rani Bharti (Huma Qureshi) is a homemaker and the wife of Bihar's chief minister Bheema (Sohum Shah). All she cares about is her house and her husband. She wants to pack her bags and go back to the village after her husband resigns from the post of Bihar's CM. But her life takes a turn when her husband and Bihar's CM is made to announce the name of his successor. While his party members look excited to hear who has been anointed, he makes Rani his successor, leaving everyone surprised.
The movie chronicles the life of Khadeeja, a married muslim woman confined within the four walls of the household, forced to conceal her desires in the name of religious and societal norms. When fate brings her to an abandoned life, she chooses a different way of financially and sexually liberating herself- to be a sex worker; soon to realize that her soul is still dissatisfied. Finding a new way of hope, she decides to give back to the forces that pushed her to live an orphaned life of humiliation and misery.
The protagonists, Dilip, Aruna and Swaminathan, a trio of independent filmmakers, look for a last-minute replacement to their nameless “Dalit character”.
Kora and his brother Onan gather four men to go on a gaur hunt in order to make some quick money. Their journey progresses through their dreams, desires, fears, fantasies and struggles.Distanced from their families and loved ones, sharing stories help them remember and appreciate their inescapable pasts and make bonds. When the real and imagined nature turn out to be larger than their will and strength could handle, they learn the harsh realities of the endeavor they have taken up.
A cop, who is on leave, is asked to re-open an old case that deals with the death of a young boy and girl. As his probe hits a brick wall, he reads his wife’s short story that curiously resembles the lives of those he has been investigating.
In a city overflowing with buildings and slums, Smita must find herself a house to rent. She is hard-working, honest and respectful - the ideal tenant - except for one glaring flaw. She is a middle-class Indian woman without a husband. An intimate perspective on the identity of the 'Ideal Indian Female' in urban India of today.
Sampath is an expert in car, seizing, and works for Atul Kulkarni, who is a financier in North Madras. Burma aka Parandhaman works under Sampath for peanuts and the moment he comes to know the true colors of his boss; he makes his crooked intelligence to show the jail for Sampath and eventually gains the trust from Atul after creating his own brand for siezing cars. Sampath comes back from the jail and secretly plans the downfall of Burma. Burma gets an opportunity to seize 28 cars and he has completed 99% of his job without any fuss only to get stuck on the last car. What happens to Burma and to the rest of lead characters forms the rest of the story with parallel stories layered like a double decker sandwich.
Oru Indian Pranayakatha is about the life of a young political leader and his association with a woman who comes unexpectedly into his life.
Hotel California is an 2013 Malayalam action comedy film written by Anoop Menon and directed by Aji John, starring Jayasurya, Anoop Menon, Honey Rose, Maria Roy and Aparna Nair.
Harikrishnan is a geeky software professional who suffers from an obsessive compulsive disorder. A harthal day sees him travelling to Trivandrum for a conference, and in the midst of the night, he ends up at Paravur railway station with two strangers - Gopalan a veteran politician and Narayani a social worker - for company.
The story of Shikkar takes place at Chittazha, a mountainous terrain where bamboo reeds flourish. After much wandering from place to place, Balraman (Mohanlal) a lorry driver has finally settled down with his daughter (Ananya) at Chittazha. Peace evades the man as his past catches up with him, and Balaraman has to take risky everything to safeguard his own life and that of his daughter's.
Cocktail is a 2010 Malayalam thriller film edited and directed by Arun Kumar. The film stars Jayasurya, Anoop Menon, Samvrutha Sunil, Fahad Fazil, Innocent, and Mamukkoya. It is co-written by Anoop Menon and is an uncredited remake of the Canadian film Butterfly on a Wheel. It was the directorial debut of film editor Arun Kumar.
Maya the protagonist, on her way to the college, hears a radio news of a strange geometrical figure with the shape of a ‘tetrahedron’ that appears from nowhere besides the Nazca lines in Peru. In the mean time, Maya’s friend Divya’s father, Neelan, goes missing. Few days later he is found from a distant land with signatures of pre-historic habitats around the place. Maya meets a few people from distant lands, of different races, roaming around a desolated architecture. Are they humanoid creatures? By the end of the film, through a dream passage that connects both Maya and Divya, we get to know about the disappearance of Maya.
