Karim Barras
A surreal, absurd film reflecting on Belgium's colonial past via the story of two men agreeing to find a lion for a crazy hunter against payment of a large sum of money.
Marie is a doctor. She smokes and reads a lot. And speaks from time to time with the dead. Today, she learns that it is her turn to die. She only has to live a few weeks. It’s short. She must act quikly, dream, laugh and still live.
Summer 2011: the Swiss financial market is abuzz with the news that Paul Béguelin, the director-general of the private bank Béguelin, was found dead in his office. Is it a case of suicide or score settling? This question is going to haunt his sister Elisabeth. Catapulted to the center stage of the bank, she embarks on an internal investigation. This is the beginning of a long road toward the truth, which will immerse her in the murky mysteries of the bank, her family’s secrets and banking secrecy.
At the height of the Cold War in 1960, André Merlaux joins the French Secret Service and contends with enemies both foreign and bureaucratic.
Vincent Lannoo’s ‘mockumentary’ shows us a community of vampires in Belgium. The two ‘parents’ of the family are George and Bertha, who have two teenage children – or rather, they raise two former humans who they turned into vampires. Son Samson is a bit of a jack the lad: enjoying the sexual freedom of vampire life, with all the vigour of an irresponsible young adult regardless of consequences (even incest is not frowned upon in their world, where the word ‘wife’ is often synonymous with ‘mother’ or ‘sister’). Daughter Grace yearns for humanity in a different way: applying fake tan to get rid of her vampiric pallor, dressing in pink clothes, wishing she could feel emotion and even having a human boyfriend.
