Karine Nuris

An intense and solitary teenager, Paul finds himself caught up in a journey for freedom, full of violence, betrayal and hope. Abandoned by his father, torn between his mother, with whom he maintains a tender if tormented relationship, and his punk friends, with whom he hangs out at concerts, parties and street fights, he lives fully in the present. At a concert, Paul meets Louis and falls in love. But something is missing, and he continues searching for the father who never recognized him.

A Colombian woman arrives at a French airport, she acts suspiciously and appears to be concealing something in her locked case. However a search of her bags and her body reveal something customs didn't expect.

This French-German-Belgian thriller, reminiscent of Misery (1990) and The Collector (1965), begins after Fred Astaire-fan Clement (Jean Rochefort) invites comic-book artist Luc (Guillaume Canet) to Sunday dinner with Clement and his wife Violette. Luc's girlfriend Margot announces her pregnancy, prompting Luc to forget about the invitation, but Clement insists that Luc join him. After Luc arrives and sees that Violette is only a life-size plastic doll, he decides to leave but gets clobbered on the head. Awakening, he finds he's been handcuffed to the bathroom sink and gagged. Cruelties ensue, with crazed Clement getting visionary advice from both Astaire and Violette. Award-winning composer-arranger-orchestrator Philippe Haim made his feature directorial debut with this drama, and music is very much a part of the film from Haim's score and music-box melodies to tap dancing, honky-tonk piano, and a full musical comedy production number.

A César award winning short drama based around Charles Bukowski's two novels "Copulating Mermaid of Venice" and "Trouble with the Battery"