Katell Quillévéré
It all starts at daybreak, three young surfers on the raging seas. A few hours later, on the way home, an accident occurs. Now entirely hooked up to life-support in a hospital in Le Havre, Simon’s existence is little more than an illusion. Meanwhile, in Paris, a woman awaits the organ transplant that will give her a new lease on life.
15-year-old Chérif feels like a million bucks behind the wheel of a stolen car. Placed under the guardianship of his Aunt and Uncle, he has to return to his apprenticeship as a mason. It's his last chance. But every night graffiti artists descend upon the city's walls. And with this, a whole new world opens up before him...
Is there such a thing as strictly feminine cinema? Is it more difficult for a woman than for a man to direct a film? Is gender parity necessary in the industry? Actress and producer Julie GAYET and actor and director Mathieu BUSSON ask these questions to twenty French woman filmmakers, who face a camera together for the first time. After over an hour of lively, informal, spontaneous and funny interviews, it becomes obvious that these issues are still problematic and definitely worthy of a documentary. As Mia HANSEN-LØVE remarks, “In the eyes of the people, a woman’s film is always a woman’s film, while a man’s movie is simply… a movie”.
Anna, a young teenager, comes home from her Catholic boarding school for the holidays and discovers her father has left. Her mother is devastated and confined in the company of the local priest, who is also a childhood friend. Anna clings to her beloved grandfather. She also grows close to Pierre, a free-spirited teenager who cares little about God. Anna is preparing for her confirmation, but her budding desire for Pierre shakes her faith. She longs to give herself over, body and soul... but doesn't know if it is to God, or something else?
In her room, Mona, a young teenager, gets ready. She waits for the arrival of the one with whom she is in love.
Two 15-years-old teenagers meet in their village during the summer holidays. The boy takes the girl on a walk in the woods. She soon takes the lead.
Two children get ready for school, inventing ritual games as they do every morning. But this morning, something has changed...
1947. On a beach, Madeleine, a waitress in a hotel restaurant, mother of a little boy, meets François, a rich and cultivated student. The force of attraction that pushes them towards each other is commensurate with the secrecy that each carries. If we know what Madeleine wants to leave behind by following this young man, we discover over time, what François is desperately trying to flee by mixing Madeleine's fate with his.
