Katharina Linder
Armin, in his fourties, is a freelancer with lots of time and little money. He’s not really happy, but can’t picture living a different life. One morning the world looks the same as always, but mankind has disappeared.
Two single parents decide to move in together and their two teenage children fall in love.
A family spends three summer days in a beautiful lake mansion close to Berlin. Together with her new lover, Irene visits her brother Alex, who still inhabits the house with Irene's writer son Konstantin. Konstantin's girl-friend pops in, too, and all of them drift away from each other more and more. Based on Chekhov’s The Seagull
Two young women sitting in a café on a summer day. Situations found everyday a thousand times over. But what happens when you try to depict this normality?
A young photographer has fallen in love with his girlfriend’s sister. Nobody knows quite what to do. A stylish variation on the problems of triolism made with striking stability of style and a great feeling for mise-en-scène. The film provides an impressive mixture of stylised camera angles and realism, by filming taut and geometrically in simple interiors and existing locations. Her self-confidently designed, naturally acted everyday drama made German critics compare it with the greats from film history.
