Kathryn Bigelow
Struggling to make ends meet, former special ops soldiers reunite for a high-stakes heist: stealing $75 million from a South American drug lord.
A short VR documentary exposing the dangerous and grueling reality faced by rangers protecting African elephants from ivory poachers. Over 30,000 African elephants die each year at the hands of poachers, and despite global outcry the trafficking continues. The biggest key to saving these elephants from extinction is the rangers working on the ground within Africa's national parks.
In the Mexican state of Michoacán, Dr. Jose Mireles, a small-town physician known as "El Doctor," shepherds a citizen uprising against the Knights Templar, the violent drug cartel that has wreaked havoc on the region for years. Meanwhile, in Arizona's Altar Valley—a narrow, 52-mile-long desert corridor known as Cocaine Alley—Tim "Nailer" Foley, an American veteran, heads a small paramilitary group called Arizona Border Recon, whose goal is to halt Mexico’s drug wars from seeping across our border.
The story of the gold-plated statuette that became the film industry's most coveted prize, AND THE OSCAR GOES TO... traces the history of the Academy itself, which began in 1927 when Louis B. Mayer, then head of MGM, led other prominent members of the industry in forming this professional honorary organization. Two years later the Academy began bestowing awards, which were nicknamed "Oscar," and quickly came to represent the pinnacle of cinematic achievement.
A chronicle of the decade-long hunt for al-Qaeda terrorist leader Osama bin Laden after the September 2001 attacks, and his death at the hands of the Navy S.E.A.L. Team 6 in May, 2011.
Kathryn Bigelow talks about the work of film director Douglas Sirk.
Forced to play a dangerous game of cat-and-mouse in the chaos of war, an elite Army bomb squad unit must come together in a city where everyone is a potential enemy and every object could be a deadly bomb.
Pirelli Film's second promotional short, starring Uma Thurman and directed by Kathryn Bigelow.
A documentary featuring the cast and crew of "Near Dark" reminiscing about the film's production.
When Russia's first nuclear submarine malfunctions on its maiden voyage, the crew must race to save the ship and prevent a nuclear disaster.
A newspaper photographer, Jean, researches the lurid and sensational axe murder of two women in 1873 as an editorial tie-in with a brutal modern double murder. She discovers a cache of papers that appear to give an account of the murders by an eyewitness.
After his car breaks down, Jack seeks shelter, lost in a thunderstorm in a remote shack in the woods. He finds himself held at gunpoint by a deranged mountain man who lives there with his young wife. As the storm rages on, tension mounts in the small cabin. Matters reach a climax when Jack falls for the beautiful woman and tries persuading her to escape with him. Soon, the situation escalates into deadly violence...
Set in the year 1999 during the last days of the old millennium, the movie tells the story of Lenny Nero, an ex-cop who now deals with data-discs containing recorded memories and emotions. One day he receives a disc which contains the memories of a murderer killing a prostitute. Lenny investigates and is pulled deeper and deeper in a whirl of blackmail, murder and rape. Will he survive and solve the case?
Interviews with women directors working in Hollywood and Europe today, exploring the opportunities and obstacles that face them. Program made to accompany a Channel 4 season of films directed and produced by women.
Martin Scorsese describes his initial and growing obsession with films from the 1940s and 50s as the art form developed and grew with clips from classics and cult classics.
Wild Palms is a five-hour mini-series which was produced by Greengrass Productions and first aired in May 1993 on the ABC network in the United States. The sci-fi drama, announced as an "event series", deals with the dangers of politically motivated abuse of mass media technology, virtual realities in particular. It was based on a comic strip written by Bruce Wagner and illustrated by Julian Allen first published in 1990 in Details magazine. Wagner, who also wrote the screenplay, served as executive producer together with Oliver Stone. The series stars James Belushi, Dana Delany, Robert Loggia, Kim Cattrall and Angie Dickinson. The episodes were directed by Kathryn Bigelow, Keith Gordon, Peter Hewitt and Phil Joanou.
In Los Angeles, a gang of bank robbers call themselves The Ex-Presidents commit their crimes while wearing masks of Reagan, Carter, Nixon and Johnson. The F.B.I. believes that the members of the gang could be surfers and send young agent Johnny Utah undercover at the beach to mix with the surfers and gather information.
Megan Turner, a female rookie cop, gets involved in an armed robbery that goes awry. A witness becomes obsessed with her.
An outlaw biker (Paxton), having recently robbed a train depot, arrives in the post-apocalyptic boom town of Martini Ranch. He parties with his crew (Reinhold, Cort, Pasdar, Reiser, Hendricksen, etc.) and enjoys the charms of a local girl (Louise Paxton). Meanwhile, close on his trail is a posse of female bounty hunters (led by Bigelow). They capture Paxton, hog-tie him and brand him, while hanging one of his cohorts (Todd). Paxton escapes, rounds up his crew and confronts the cowgirls in the street. After being deserted by his crew, Paxton shoots it out with the women alone, but is hopelessly outnumbered.
The concept of this promo directed by Kathryn Bigelow was proposed by New Order's manager Rob Gretton, who was inspired by the clichés of the videos of then-popular American glam metal groups on MTV. Bigelow intercut the band footage with a narrative between Bill Paxton and Femi Gardiner.
In a future where a socialist government gains power, a group of women decides to organize and rebel.
Trouble ensues when a motorcycle gang stops in a small southern town while heading to the races at Daytona.
The Set-Up is Kathryn Bigelow's student film at Columbia about the exploration of 'why violence in cinematic form is so seductive'. It featured two men beating each other to a pulp in a dark alley, while two professors analyzed the philosophy of it all on the soundtrack.
"Done To" (sometimes called "It Is, Done To") consists of simple camera frames which are silent and/or unconnected to a complex soundtrack running parellel to the images. There are brief instances where image and sound meet; however, the majority of the images are overtaken by at times symphonic, at times cacophonous soundtracks which displace the normal filmic viewing experience.
Esther, a film composer going through a dry spell, moves in with her boyfriend Michael only to find out that he still keeps his Ex-girlfriend's belongings in his closet. What follows is an emotional roller coaster of a film exploring the great lengths an artist chooses to go to for the sake of inspiration.
In Aurora, Illinois, Aubrey Wheeler is just trying to get by after her semi-criminal ex-husband split, leaving behind his unruly teenage son. Then the lights go out—not just in Aurora but across the globe. A solar storm has knocked out power almost everywhere. Suddenly, all problems are local, very local, and Aubrey must assume the mantle of fierce protector of her suburban neighborhood. Across the country lives Aubrey's estranged brother, Thom. A fantastically wealthy, neurotically over-prepared Silicon Valley CEO, he plans to ride out the crisis in a gilded desert bunker he built for maximum comfort and security. But the complicated history between the siblings is far from over, and what feels like the end of the world is just the beginning of several long-overdue reckonings—which not everyone will survive...
