Katsumi Muramatsu
A young man named Teru, mentally altered by a childhood injury, runs a laundry and falls for Mizue, a lonely young woman who suffers from kleptomania. One day Mizue left one of her dresses behind in the machine that was stained with blood from her failed suicide attempt. Teru decides to find Mizue in order to return the dress, after having tried to desperately to wash off the blood stain. Soon thereafter Teru's grandmother dies, and her creditors repossess the home in which Teru was living in. The young couple turn to Sally for help. Sally is a caring man who trains pigeons for a living. Then one day, Sally leaves everything he owns to Teru and Mizue. They start a new life. Teru proposes to Mizue, but she refuses him. The more she is assured of Teru's pure heart, the more she feels she doesn't deserve it. Full of inner turmoil, Mizue begins shoplifting again.
While returning from a business trip to Hokkaido, Detective Kamei of the MPD greets a middle-aged traveler in the waiting room of Minami-Wakkanai Station but is ignored by him. On the limited express to Asahikawa, the same man happens to entrust Kamei with a floppy disk before dying. The floppy contains his investigative notes on a murder that happened two years ago...
While investigating the horrifying death of her boyfriend, Mai Takano (Miki Nakatani) learns about a videotape haunted by the spirit of a disturbing girl named Sadako, which kills anyone who watches it exactly one week later. When her boyfriend’s son, Yoichi, starts to develop the same psychic abilities as Sadako, Takano must find a way to keep the boy and herself from becoming the next victims.
Shun Nakahara directs this comic take on Sidney Lumet's 1957 classic Twelve Angry Men. Just as in that earlier work, this film takes place in a jury room and takes place in real time. The film opens as the jury is about to acquit the defendant -- a bar hostess who pushed her ex-husband path of an oncoming truck, supposedly in self-defense. Just as everyone seems to be in agreement over the woman's innocence, one bespectacled juror (Kazuyuki Aijima) -- no one is given names in this film -- voices second thoughts. Slowly, like an inversion of Henry Fonda's character in the earlier film, he sets about convincing his fellow jurors -- a group of nice folks who don't like thinking ill of people -- that the defendant is in fact a cold-blooded killer.
In 1913, 17-year-old Dafu travels from China to Japan to study. Japan is on the rise, a nation of proud people. China, on the other hand, is in turmoil. Dafu takes his demanding courses and racial discrimination in stride, but he finds his nascent manhood difficult to handle. In a hot-springs spa, he meets Lung Erh, his dream girl, but she soon disappears.
Released after seven years in prison, an inveterate thug goes from strength to ruthless strength as he makes his way through a succession of dubious jobs, illegal schemes, and brutal romances.
UFOs appear on Earth, and people who actually see them suddenly find that their blood has turned blue. Soon panic and hysteria result in the new "blue-bloods" being persecuted by the rest of mankind, and eventually certain all-too-familiar measures begin to be taken against them.
Utamaro was an artist who lived in Edo (which was later to become modern-day Tokyo) in the late 18th century. This film, which has a complex and wide-ranging storyline, recreates the world of that time, as it appeared in Utamaro's paintings.
During the military phase of the Meiji Restoration of 1868, Sentaro joins a local militia loyal to the Tokugawa Shogunate in order to fight Imperial troops. But Sentaro's friendship with a pickpocket, who switches sides whenever it suits his needs, leads to complications that could cost Sentaro his life as they infiltrate enemy lines.
A young man reaches adolescence and escapes the nunnery where he survived a tortured upbringing; the world outside suddenly seems even more frightening than before.
