Kazuo Ikehiro
The body of Kou Fujisaki, who fell to her death, is discovered in front of an old building in West Shinjuku. Chief Sakamoto notifies Ushio, who arrives at the scene. Ushio thinks that this must be a murder, but according to Yamaji, who was at the scene before him, an eyewitness testified that Kou had jumped off the roof of the building, killing herself. Kou is someone who has lingered in Ushio's memory - as a suspect...
The body of Kazuyoshi Kawagishi, a construction company worker, is discovered stabbed to death in Shinjuku Central Park in Tokyo. Detective Masanao Ushio of Shinjuku West PD begins an investigation and finds that the murdered Kawagishi was an honest person who didn't have any troubles. Kawagishi worked for a company in Kofu City in Yamanashi, leaving behind his wife and daughter on Awaji Island in Hyogo. He seems to have started working as a laborer 3 years ago, having fallen on hard times when the company went bankrupt. Saeko Kawamura, Ushio's reporter friend, calls him wanting to talk about the case. According to Saeko, Kawagishi was one of the survivors of the "bus hijack arson case" that happened three years ago. In the bus hijack arson case, a man who was hallucinating under the influence of dangerous drugs set fire to an intercity bus going to Shinjuku and departing from Kofu Station...
Masanao Ushio and other detectives from Shinjuku West PD discover the strangled dead body of a woman in an empty building in West Shinjuku in Tokyo. According to her husband Takeshi, the murdered Chieko Akiba was a top salesperson at the insurance company where she worked, but quit her job three months ago and planned to open a beauty salon after buying the building which happens to be the crime scene. The call history on her mobile phone reveals the victim answered a call at 8:16 PM and is presumed to have been murdered immediately afterwards. However, Ushio is surprised to hear who was on the other side of the call: Kyoko Yamano, a woman who accompanied Ushio under an umbrella on a rainy night one year ago and whose husband was killed by someone that very night...
911 receives a call from a young woman reporting the death of an acquaintance at a hotel, and Detectives Ushio and Ogami of Shinjuku West Police Station rush to the scene!! The caller is eventually identified as Megumi, a woman whom Detective Ushio's wife Sumie had met by chance, but Megumi too has been killed...
Reprising his role from the popular TV series "Koya no Suronin" (The Lowly Ronin), Mifune Toshiro stars in this full-length, stand-alone made for TV movie. The wandering ronin is reminiscent of his most famous role as the samurai without a name in Kurosawa's "Yojimbo" and "Sanjuro". He travels about Japan, and while he may seek happiness, violence and tragedy always cross his path. This time, he reluctantly agrees when a girl hires him to kill a local offical who has unfairly taxed her villagers. But he soon discoves that not all is at it appears when he finds a direct link to his past.
In feudal Japan, women are vulnerable, in need of protection, and capable of deception. Jokichi of Mikogami, a drifter, has not yet fully revenged the death of his wife and son. He searches for Kunisada Chuji, who in turn has hired the knife-throwing Windmill Kobunji to kill him. Kobunji and Jokichi meet in the winter, near Sasago Pass, when both have rescued women: Jokichi has saved the lute-playing Oyae whose clan and whose lover want her dead; Kobunji has rescued Oharu, a well-born woman married to an innkeeper. Is this rescue a whim or something deeper? And why does Jokichi become the consumptive Kobunji's protector? What ultimately will Jokichi do about Oyae?
Thirsting for revenge, Jokichi rashly attempts to assassinate the evil Chogoro but ends up being captured by Yakuza. His life is spared by Boss Juzaburo, in order that the harmony of an important commemoration not be further disturbed. Though now even more of an outcast, Jokichi is asked by another Yakuza boss, Umezo, to guard Oyuki, the wayward daughter of Juzaburo. The tragic consequences of this assignment will lead him into a deadly trap and a final confrontation with Chogoro.
Can a sinful man change and find peace? It's unlikely in gang-plagued Japan. Jokichi of Mikogami, a drifter (and hired sword), goes straight after protecting a woman in distress: they marry, have a son, and Jokichi pursues his father's craft. After three years, the gangs he embarrassed when he saved his wife find the family and leave Jokichi in grief, vowing revenge. To parry his terrible swift sword, rival gangs join forces, hiring a prostitute to pose as a woman needing help and breaking the code of honor to double cross the drifter. He finds unlikely allies: a thief who aids him for fun and a one-eyed swordsman who may be Jokichi's equal in skill and honor.
Soft-Boiled Goro is a 1970 film directed by Kazuo Ikehiro
At school, Fumio is good in everything. His cheerful, out-going personality makes him a great favorite with teachers and classmates alike. He is in perfect health and there does not seem to be a single shadow to cloud his life. Then, one day, he feels a sudden pain in his shoulder. His parents take him to a doctor who tells them that their son has bone cancer and must be hospitalized. The parents cannot believe their ears, for Fumio had always been the picture of abounding health. The whole family with the exception of Fumio is cast into the depths of despair. They wonder why it had to happen to their Fumio and their happy family. The father who recovers first and decides to fight cancer to save his son's life.
Just when you think Kyoshiro's life can't get any stranger, someone starts running around raping and murdering, and leaving notes proudly proclaiming that he did it. Tracking down the real culprit willtake him along a twisted trail that involves the Shogun's harem, hidden christians, and positively pregnant politics!
Just when you think Kyoshiro's life can't get any stranger, someone starts running around raping and murdering, and leaving notes proudly proclaiming that he did it. Tracking down the real culprit willtake him along a twisted trail that involves the Shogun's harem, hidden christians, and positively pregnant politics!
Set up to be the patsy by a rival gang, Furuta Makoto attacks the yakuza boss he thinks is responsible for his father’s murder. He then learns it was all a plot to take over his father’s turf and he seeks vengeance against the puppet master behind the entire conspiracy. His quest for justice leads him to prison where he must fend off the attack of a master assassin before he can make his escape and go after the true killer!
The tragic, yet exciting story of the friendship between Nakayama Yasubei, a member of the 47 Ronin, and Tange Tenzen, a relative by marriage of the vile Lord Kira. Remake of Hakuôki AKA Samurai Vendetta (1959).
Getting an opportunity to meet with another half-Caucasian swordsman, Kyoshiro finds himself involved in a series of dangerous encounters.
Isazo is a traveling gambler and living legend in the world of yakuza, known for his swordsmanship and bravery, his impeccable manners, and his brilliant talent in gambling. One late fall at an inn in Kiso Fukushima, Isazo befriends a young boy whose mother turns out to be his old love Yoshino, with whom he was not unable to consummate a marriage due to the class differences between them.
One of the nuns at Senjuan is Sister Shunko (Michiyo Yasuda). Unlike the usual nun, however, she often goes out to see the world, being of the opinion that nuns should not lead cloistered lives but should see something of modern life. She makes the acquaintance of a young girl named lkuko (Kayo Mikimoto) and saves her from the advances of a gangster named Goro (lchiro Nakatani). In the meantime she turns down several propositions and, in revenge, one of her admirers denounces her to the Mother Superior (Kuniko Miyake). This lady is of liberal views, however, and refuses to do anything about it. Then Shunko is visited by Goro's gang boss who wants lkuko back and says he will blackmail Shunko unless she agrees.
It’s cross and double-cross in these further adventures of Ryuzen, the wayward priest played by Katsu Shintaro as he tries to help a woman who may be the heir to a fortune get what is rightfully hers. Matsuo Kayo, who first rose to international stardom as ‘the supreme ninja’ in “Shogun Assassin” gives an outstanding performance in this clever and exciting caper tale set in the samurai era. Ryuzen agrees to help her, but is he just in it for himself, and is she really who she claims to be? When they come up against Boss Tobei it’s a virtual free-for-all as everyone struggles to walk away with a fortune in gold!
The Son of the Black Mass returns in this ninth installment in Daiei's longstanding Nemuri Kyoshiro series. This time Raizo Ichikawa as Nemuri is called to see that a gold statuette of the Virgin Mary gets safe passage to Kyoto from the prying hands of a sect of murderous Christian ronin that call themselves the Black Finger Group.
Our hero Zatoichi sails to one of the distant islands to begin a pilgrimage to a total of 88 Shinto shrines.
[Period Covered: 1570-1573] Towards the end of the Tenmon Era, Shogun Ashikaga`s powers were weakening by the day and many were there who planned to overthrow him. It was the beginning of the Sengoku (Warring States) period. Three men attack a gunpowder maker in a farmhouse, the first chopping off his arm with his sickle-&-chain weapon, the second blinding him with sword, the third giving the killing blow. His son Kojiro Kosume escapes the attackers as everything he has known up to then explodes into conflagration. He grows up & enters the start of the Tokugawa Era, intent on avenging his father.
In the book of the world's greatest rogues, the number one man can only be one person.
Otama, daughter of a poor candy vendor, becomes the mistress of a man whom she believes to be a widower and owner of a prosperous dry goods store. The man is in fact married with children, and is a despised loan shark who takes money from the poor without qualms. Totally enraptured with Otama, this usurer establishes her and her father in separate houses and generously gives them gifts including silk taken as interest from Oshige, a poor cloth dealer who does business with the sewing teacher, Otama's neighbor. Otama's satisfaction with her situation gradually crumbles as she discovers the truth about her benefactor.
After a yakuza boss is assassinated by a rival, his naval officer son returns home to take over the gang.
[Period covered: 1616] On May 8th, 1615 the summer campaign of Osaka has reached the climax. This film takes place immediately following 'Ninja 4: Mist Saizo, Last of The Ninja'. Staying one step ahead of the Shogun’s forces, “Mist” Saizo tries to save the Sanada Clan, and avenge the death of his lord by assassinating the first Tokugawa Shogun. Following the first four films in this remarkable series, more previously unknown Ninja skills are shown to the world for the first time. The action heats up as Saizo single-handedly attacks the Shogun’s Palace!
A fugitive christian "saint" (female, of course!) and a sadistic drug-addled princess both have their eye on Kyoshiro. The fact that a bunch of ruthless smugglers also want him dead is the least of his problems!
Ichi travels to the village of Itakura to pay his respects at the grave of Kichizo, a man he killed two years ago. When some tax money is stolen while in transit to the governor he is accused and sets out to find the money and clear his name.
Blind masseur Zatoichi is nursed back to health by a young woman after he is shot by a gang member. Zatoichi, who had come to the village to repay a debt, now feels further indebted. He commits himself to use his amazing sword skills to help the young woman's father, whose river-crossing service is under attack by the same gang responsible for Zatoichi's wounds.
The warlords overrun the country while the farmers are starving, and forced to become soldiers to keep the wolf from the door. The farmers are recruited in groups of fifteen. In Yaju's village, there are only twelve men, so they press Oto, who looks more like a boy than a girl, to join, disguised as a man.
When a corrupt magistrate rapes Oshima, Masa (Raizō Ichikawa) avenges her by killing the officer, becoming thereby a fugitive, haunted and grief-stricken by the fact that Oshima committed suicide. Going underground in the gambling world, perpetually hiding from the law, Masa eventually meets a young woman named Onaka, who looks exactly like Oshima. Tales having two look-alike heroines are a commonplace in Japanese period films, a plot affectation inherited from the kabuki theater. Based on a novel by Shin Hasegawa, Nakayama shichiri was already twice filmed in 1930, one version directed by Namio Ochiai, and from which less than 40 minutes survive, the other directed by Kyotaro Namiki. Both are silent films, preserved by the Makino film institute.
The womanising master of a run-down dojo hires an unemployed samurai to make himself look good instead of learning the skills himself. He lives to regret this laziness when he falls in love with the daughter of a higher class samurai and is informed on their wedding night that he must defeat her before their marriage can be consumated....
One of Japan's most popular stories is the tale of Kutsukake Tokijiro, a traveling gambler who finds that he must take care of the wife and child of a yakuza he had been forced by the code of the gamblers to fight man to man. In a brilliant performance from super-star Ichikawa Raizo, with strong support from two of the greats from Toho, Shimura Takashi (7 Samurai) and Aratama Michiyo (Sword of Doom) the heartfelt story reaches new heights. Tokijiro, having learned the true nature of the boss to whom he was obligated for having spent a night and eaten at the gang's headquarters takes up arms against them in a running battle fought across the back roads of the entire nation. Another powerful rendition of this superb story, it is not to be missed!
