Keith Poulson
A mockumentary detailing the history of the Swedish rock band Ghost.
The movie follows Nate, an emerging performance artist, who finally gets a coveted show at a Manhattan gallery, but right when he begins his provocative piece, the entire city shuts down for COVID-19. Unswayed, he locks himself in the white cube space to continue his performance for an audience of none. As tensions flare outside, the gallery hires private security to watch over him and his art. Over the course of one night, two armed guards and Nate argue about everything, reveal their darkest secrets, and prepare for the worst.
Director Gillian Horvat, who plays a fictional version of herself, navigates the endless process required to get a first film off the ground in her fascinating feature film debut. From an innocent initial concept – the perfect murder of the unbearable partner of one of her friends – towards full-scale madness. Was she always crazy or did this project make her that way?
A rollerblading drug dealer runs into trouble when one of his customers dies.
Frances Ferguson, the eponymous character at the center of Bob Byington’s new film, is discontent. Like a lot of us, she does a bit of “acting out” and pays the price —an arrest, a trial, incarceration. And then a new identity, one that’s not terribly comfortable. Nick Offerman narrates this deviant comedy, based on actual events.
Margaret Rockland is as depressed as the ubiquitous Christmas carols are cheerful when she returns to the Washington DC suburb of her childhood for a reunion. The wild bunch she grew up with have settled into respectable family life. Adding insult to injury, her former boyfriend is engaged to the most bourgeois blonde on the East Coast. Margaret reacts by diving into a drinking and drugs marathon. With two remaining fellow souls, she roams the suburban no man’s land and ends up in an incomparable adventure with kidnapping, extortion, misunderstandings and clumsy violence as basic ingredients.
A young man disappears amid talk of violence and demagoguery, leaving behind an obscure cache of letters, postcards, and notebooks.
The lives of a French theater director, her ex-boyfriend, and the two actors playing them intersect dramatically.
An intersectional narrative of two families in Brooklyn and the unraveling of unspoken unhappiness that occurs when a young foreign girl spending time abroad upsets the balance on both sides.
A beautiful actress struggles to connect with her disfigured co-star on the set of a European auteur's English-language debut.
A performance art piece by dance-comedy trio Cocoon Central Dance Team.
New York City present day. Anna is a 21-year old dance major in college. She takes the train home after a day of dance class and babysitting. She falls asleep on the train and wakes up to a man holding her hands. He whispers something to her she does not want to hear. The film follows Anna for the next two days. She tries to go about her life but grapples with the haunting memory of the stranger from the train. The city acts as the cacophonous landscape in which Anna develops a new perspective, one where she finds herself both suffocated and free.
Camila, a young Argentine theater director, travels from Buenos Aires to New York to attend an artistic residency to develop a Spanish translation of Shakespeare's "A Midsummer Night's Dream." Upon her arrival, she begins to receive a series of mysterious postcards which set her down a winding path through her past and towards her future.
From acclaimed graphic novelist Dash Shaw (New School) comes an audacious debut that is equal parts disaster cinema, high school comedy and blockbuster satire, told through a dream-like mixed media animation style that incorporates drawings, paintings and collage. Dash (Jason Schwartzman) and his best friend Assaf (Reggie Watts) are preparing for another year at Tides High School muckraking on behalf of their widely-distributed but little-read school newspaper, edited by their friend Verti (Maya Rudolph). But just when a blossoming relationship between Assaf and Verti threatens to destroy the boys' friendship, Dash learns of the administration's cover-up that puts all the students in danger. Hailed as "the most original animated film of the year" and "John Hughes for the Adult Swim generation", the film's everyday concerns of friendships, cliques and young love remind us how the high school experience continues to shape who we become, even in the most unusual of circumstances.
Scenes from the working life of a male director: Defa sophisticatedly lampoons masculinity in filmmaking with this sly, surprising meta-movie. (Courtesy of Film Society of Lincoln Center.)
A troubled man runs away to Mexico and is recruited to join a paramilitary group of teens fighting the drug cartels. He proves himself to the group, but questions their motive.
October, 2008. Young nun Colleen is avoiding all contact from her family, until an email from her mother announces, “Your brother is home.” On returning to her childhood home in Asheville, NC, she finds her old room exactly how she left it: painted black and covered in goth/metal posters. Her parents are happy enough to see her, but unease and awkwardness abounds. Her brother is living as a recluse in the guesthouse since returning home from the Iraq war. During Colleen’s visit, tensions rise and fall with a little help from Halloween, pot cupcakes, and GWAR. Little Sister is a sad comedy about family – a schmaltz-free, pathos-drenched, feel good movie for the little goth girl inside us all.
A perpetual third wheel and awkward outsider, Joanna increasingly inserts herself into the relationship of her more charismatic roommate Isabel. The two women test each other's sexual and emotional boundaries in this surreal manifestation of jealous rivalry.
A black as tar comedy charting the dissolution of a commune for sober living in '90s suburban New Jersey.
Two women retreat to a lake house to get a break from the pressures of the outside world, only to realize how disconnected from each other they have become, allowing their suspicions to bleed into reality.
A privileged photographer learns that she needs to cry genuine, cathartic tears in order to keep from going blind, a pursuit which alienates and upsets those around her including her musician boyfriend who is grappling with depression.
Anger rages in Philip as he awaits the publication of his second novel. He feels pushed out of his adopted home city by the constant crowds and noise, a deteriorating relationship with his photographer girlfriend Ashley, and his own indifference to promoting the novel. When Philip's idol Ike Zimmerman offers his isolated summer home as a refuge, he finally gets the peace and quiet to focus on his favorite subject: himself.
Thirty-five years in the life of Max, his best friend Sal and a woman they both adore, Lyla. The trio stumble through mandatory but seemingly unfulfilling entanglements, at weddings, funerals, hospitals, eateries, divorce courts and the tool shed. A deadpan fable about time sneaking up on and swerving right around us.
On the day before leaving New York for graduate school in a Iowa, a writer's plan to spend a romantic day at Rockaway Beach with a woman he's secretly dating is disrupted by an oddball surfer.
The Sixth Year is an art world drama series in five episodes, which re-interprets the format of the TV series. Set in the New York art world, it stages the backstage and theatricalizes the social interactions and power games, the aspirations, passions, and everyday realities of the field. The screenplay is based on interviews with artists, curators, gallerists, collectors, and art advisors, whose opinions, anecdotes, and gossip it abstracts and extrapolates into a fictional narrative.
Aspiring but less than ambitious photographer Nate clumsily navigates the New York City art world in a post-grad haze, waiting for his breakthrough project to fall into his lap. During a drug-fueled wormhole through the annals of YouTube, Nate discovers his next subjects when an arbitrary click lands him on a crude music video by the Young Torture Killaz—an Insane Clown Posse knock-off group of jaded Delaware teens with a lot to scream about—and the inspiration (and exploitation) flows
Writer/director/star Alex Karpovsky, a familiar face to indie filmgoers, reveals his sterling comic chops in this close-to-the-bone comedy. Teasing the line between fiction and reality, he plays an indie filmmaker named Alex Karpovsky who, dumped by a longtime girlfriend fed up with his refusal to marry, takes to the road with a reluctant old pal for a misbegotten mini tour screening his movie on college campuses and independent cinemas.
JR has broken up with her professor. She enlists her nervous and obnoxious younger brother Colin to take a short road trip in order to help move out her belongings. They bicker and fight, with one another and pretty much anybody they encounter, before being brought to a place of togetherness and understanding as a result of being pushed away by everybody in their lives except one another.
Lyricist Harmony insists on wallowing in misery eons after being unceremoniously dumped by his girlfriend. While the members of Harmony's family are long over his antics, that doesn't stop him from milking his heartbreak and telling his tale of woe to anyone who will listen.
There may be one thing worse than being a sex offender sent to prison: Being a sex offender released from prison. RSO tells the story of one offender's unlikely rehabilitation.
A man against capital punishment is accused of murdering a fellow activist and is sent to death row.
