Kelly Williams
Human lives grappling with all the flavors of exstential despair intersect in a deadpan collage of comic suffering.
Two guys serendipitously meet at a time when they both find themselves at personal crossroads and decide to embark on an unplanned road trip across the American Southwest.
In an alternate present-day version of Oakland, black telemarketer Cassius Green discovers a magical key to professional success – which propels him into a macabre universe.
A chance meeting in a parking lot in 1979 between filmmaker Trent Harris and a young man from Beaver, Utah inspired the creation of an underground film that is now known as Beaver Trilogy. But the film itself is only part of the story.
Working at a movie theater is fun, and that's why Mason, Dennis, and Gabe have done it for years. But, those years of neglecting the world outside the theater are finally catching up to them. Now, they have to make a decision: start on the long, hard path to maturity or stay at the theater, where they can avoid customers, screw with customers, and eat as much popcorn as they desire.
Recovering from an ill-fated affair with a married man, Gabe finds solace in the relationship he maintains with his ex-wife and daughter. On the other side of town, Ernesto evades life at home with his current live-in ex-boyfriend by spending much of his spare time in the hospital with an ailing past love. Impervious to the monotony of their blue-collar world, they maintain an unwavering yearning for romance. The emotional isolation the two men have grown accustomed to is captured in a subtle, optimistic, poetic fashion while avoiding melodrama.
After being dumped and fired on the same day, Marie, a maid, gets a job cleaning up after an overworked businessman and the aggressively messy roommate he’s forgotten about, sending her into a surreal world of candy, insult comics, and pretend marriages.
Joshua, a freshman, goes to school everyday, because he has to. Everyday he gets picked on, beat up, and bullied. His teachers aren't aware, security can only react to what they see and his only friend, Stephen, is too afraid to step to his defense. Rage has a way of hiding itself until it's too late, and in Joshua rage is buried deep. There are signs that his rage is trying to escape, but no one sees them. He indulges his anger in the games that he plays, the lists that he keeps, and the movies that he watches. Until one day he gets pushed too far.
Willa and Bill are ex-lovers that will see each other for the first time in years when they both find themselves snowed in, in-transit, at an airport overnight.
