Kendra Mylnechuk
Amidst rising anti-Semitism in Billings, Montana, Rae, a 22 year-old descendant of Holocaust survivors uncovers the truth about a childhood accident.
On a late-summer Sunday in 2011, a female director gathers a team of filmmakers, writers, musicians, artists, critics, and friends in an apartment to recreate a scene from Michael Curtiz's Depression-era drama The Cabin in the Cotton. Over plates of pasta and glasses of red wine, a round robin of non-professional actors take turns performing the same scene, again and again, In different permutations. With a freedom Influenced by pre--Code Hollywood, cameras, phones, and laptops are scattered around & set at almost every possible angle, documenting the action both in front of and behind the camera as it unfolds, from rehearsals to equipment adjustments to the banter between takes. An intimate. playful, and spontaneous look Into the collaborative cinematic process emerges. a snapshot of the filmmaker's perennial struggle to capture fleeting moments before the day (and light) slip away.
When a driven doctor doesn't get the prestigious position she planned for, she unexpectedly finds herself moving to a remote Alaskan town. While she meets the locals and even starts a new romance, she has to learn to let the life she planned for give way to a love she never could have imagined, and finds this festive small town is hiding one big holiday secret.
A young, self-destructive Montana Blackfoot Indian, his mind groggy with alcohol and tormented by childhood memories, discovers that his wife has left him, taking with her his prize rifle. He sets out to find her, but what he's really searching for is his own uncertain identity and a glimpse of salvation.
Marion and Mingus both come from failed relationships but, by bringing their children together, they've managed to form a small yet happy family. Tensions in their household soon begin to spike when Marion's jovial father shows up on their doorstep with his randy daughter and her peculiar boyfriend in tow. As the motor-mouthed houseguests shatter every taboo imaginable, the happy couple begin to question their commitment.
What does blood have to do with identity? Kendra Mylnechuk, an adult Native adoptee, born in 1980 at the cusp of the enactment of the Indian Child Welfare Act, is on a journey to reconnect with her birth family and discover her Lummi heritage.
