Kenichi Enomoto
A country boss gives up his way of life because of his daughter's marriage.
A group of four chorus singers leave their hometown in Kyushu and go to Tokyo to become stars. It’s a musical comedy that shows Segawa’s talent.
The legend of the birth of Shintoism. In Fourth Century Japan, the Emperor's son Ouso expects to succeed his father on the throne, but Otomo, the Emperor's vassal, prefers Ouso's stepbrother, and conspires to have Ouso die on a dangerous mission he has contrived. But Ouso prevails in the mission and returns to his father's castle under a new name, Prince Yamato Takeru. Otomo plots to have the Prince sent into even greater danger, but Otomo is unaware that the gods have favored the Prince and the outcome is far from what any of them expected.
An entertainment movie featuring familiar faces of Toyama no Kin-san, Nezumi Kozo, Yaji Kita, and others who traveled around the Tokaido. Written and directed by Kunio Watanabe. A group of samurai rushed into the Sakura Opera Troupe in the mountain village, chasing a young woman named Chiyohime who was promoting dancing around Edo Asakusa area. Suri Nao and Kinshiro Toyama was there and saved her. Meanwhile, the samurai asked the acquaintance Nezumi Kozo Jirokichi to find her. Jirokichi visited Kinshiro 's house, and found her there…
Musical-comedy about nine soldiers deserted on an island in South Pacific.
Based on a comic strip by Kaoru Akiyoshi. First in a four part film series.
The story is a dramatization of the Japanese folklore legend of Momotaro, the Peach Boy, who with his trusted companions of dog, monkey and pheasant fought against evil in olden times.
Keita, after his death, was taken to the court of heaven as Defendant No. 1361, where his past was projected. He was formerly a favorite of the Meriken Circus troupe, yet he sinned by exposing a certain woman. During the screening, he realizes what he has done, and fate gives him a chance to redeem his sins.
Yoshitsune Minamoto, disguised with his retinue as monks, must make do with a comical porter as their guide through hostile territory en route to safety.
A young, talented singer (Misora) is orphaned, not once but twice, and has to turn to a rather unlikely, and unwilling, parental figure, while avoiding her wealthy, absentee father, his hired goons, and the neighborhood fortune teller (Enoken) who's after the reward money.
Tobisuke, puppeteer in Kyôtô, saves O-fuku's life. Wounded in the head, it can now count to three. O-fuku invited him to meet her mother so she can heals him with a golden fruit. But O-fuku and Tobisuke had to cross the valley of death filled with fantastic creatures, will they survive?
Near the end of the Taisho era (1912-1926), Enokichi, a popular figure in the world of boxing entangled in the Yakuza business.
A modern take on history with songs and comedy presented by Enoken (as Gonza), Fujiyama (as Sukeju), and Kasagi (Gonza’s wife Osaki).
Postwar! Baseball! Comedy! Enoken plays a superfan of the Yomiuri Giants – the real Tokyo team, with many of its star players "acting" as themselves – who, despite his utter lack of athletic abilities, becomes embroiled in their successes, and their personal lives. Will Enoken help the Giants take the pennant?
Omnibus of love stories from 1947 directed by famous directors, featuring big stars.
A bizarre murder at a hot springs resort threatens to disrupt an Edo detective's (Hasegawa) vacation. When his hot-blooded wife (Yamada) starts snooping around, however, he finds himself reluctantly drawn in to the case.
A legendary pre-war comedy operetta starring Enomoto Kenichi, Hideko Takamine and Li Xianglan. The Sanzo Ikkou continues its westward journey, on a mission to prevent a demonic resurrection. As Genjo Sanzo, Cho Hakkai, Sha Gojyo, and Son Goku (Kenichi Enomoto) fight their way to their goal, their path is fraught with internal strife.
Enoken no wanwan taishô AKA Wanwan Taisho AKA Bowwow General directed by Nobuo Nakagawa
Enoken's anachronistic take on the beloved (and already very funny) Edo-period novel "Shank's Mare," aka Tōkaidōchū Hizakurige, in which Yaji and Kita, two plebeian nobodies, have all sorts of strange and colorful encounters on the long road from Edo to Kyoto.
The legendary ninja Kurama Tengu (Enoken) uses his superhuman powers to help free a band of street urchins from their Fagin-like master. The film's incredible climax, when Enoken fends off dozens of men attacking with ladders and handcarts, brings to mind a slightly less dextrous Jackie Chan.
A typically modern take on the well-known Naniwabushi character (and real life 19th-century gangster) Mori no Ishimatsu, whose proverbial stupidity Enoken takes to farcical extremes.
An irreverent take on a medieval Noh drama, Hokaibo sees Enoken play the titular monk whose lusts drive him to murder.
Enoken plays legendary ninja Sarutobi Sasuke, whose magical powers never help as much as expected - in war or in love.
The story picks up from Part 1 as Enoken's young scion forsakes his wealth and takes a department store job – in drag and sometimes blackface – to prove to the girl of his dreams that he be a hard-working, serious man.
Enoken plays a frog-oil-hawking conman whose claims to martial prowess land him in hot water with the local samurai gentry - but not before he falls in love with exactly the wrong girl. Another musical comedy period film quick on the heels of the earlier Kondo Isami.
Enoken plays a cloistered rich kid whose father hires a disreputable tutor to teach him how to really be a millionaire: by drunken debauchery, women, and song.
Enoken plays both Kondo Isami and his deadly enemy Sakamoto Ryoma in this comedic, song-filled vision of the Meiji Restoration.
Studio P.C.L. was specifically founded to make sound films, and this early musical balances the aesthetics of the sound film with those of the stage revue. The king of Tokyo’s revue stage, comedian Ken’ichi Enomoto (Enoken) had made his name in the capital’s theatrical district of Asakusa. The film employed not only the star, but his entire theatrical troupe, and the narrative was structured around scenes which Enoken had played successfully on stage. Billed as offering 'Japan’s number one comedy actor and Japan’s number one musical comedy,' the film self-consciously borrowed from Hollywood musical comedy; indeed, the original posters carried spoof endorsements by Eddie Cantor and the Marx Brothers! Director Kajiro Yamamoto, making his P.C.L. debut, would become a stalwart of the company and its successor, Toho. He was to have a profound influence on Japanese film history as mentor to Akira Kurosawa, who assisted him on a number of films including Horse (Uma, 1941).
Enoken plays a magician real powers come from his magical hat. A jealous theater owner sends girls, then goons, to keep Enoken from performing his grand show!
Enoken's pickpocket Kinta (returned from the Chakkiri Kinta movies) finds some unexpected trouble: a stolen diamond necklace he just can't seem to get rid of!
