Kenichi Kato

Nobuko (Sayuri Yoshinaga) works in Nagasaki, Japan as a midwife. Her son died 3 years earlier from the atomic bomb. On August 9, 1948, her son appears in front of her again. Since that time, Koji (Kazunari Ninomiya) appears in front of her and they reminiscence about pleasant times. These happy, but bizarre moments seem eternal.

6.5/10

Three men sentenced to death are spared and changed into “shadows executioners”, a group of ruthless ninja working for mysterious high ranking officials. During their investigation on some illegal business, one of them, called “Yazuke the Viper”, finds his abandoned daughter, Ocho, who has now become a mistress of Denzo, a smuggler. After Yazuke’s death, Ocho is also recruited as a “shadows executioner”, with the task of completing her father’s mission.

6.2/10

A mahjong neophyte loses everything to game master only to hone his skills, take on all challenges and plan for an ultimate revenge match.

6.9/10

A seemingly run-of-the-mill corporate salaryman leads a double life as a vicious criminal by night. In a delicious scheme of payback, he seeks to dominate the corporation that employs him by day.

6.7/10

Samonji, a reporter, receives a message on his answering machine from his friend Takada that says "stop it... zero plan! February." Learning that Takada is dead, Samonji begins an investigation. He and his younger sister Fumiko investigate major events happening in February but cannot find anything relevant. Meanwhile, Kanzaki, a doctor who works at a clinic on a remote island, is working on a plan to extort two billion yen.

Two infantry regiments of the Imperial Japanese Army—210 men overall—tackled Mt. Hakkoda in the winter of 1902 to prepare for war with Russia.

7.1/10

Follows the fluctuating fortunes of three friends in feudal Japan who are ronin: masterless warriors, who wander from castle to castle, selling their services to whichever lord will fill their rice bowls. These are not the YOJIMBO Super Samurai but rather the rank and file, the spear-carriers. The irony is that even though they use the servants' entrance, they still feel themselves bound by the samurai code of Bushido; and this tension leads to tragedy.

6.7/10