Kenji Murakami
Shooting began with pointing the camera at the sunset seen through the window at home, and continued until all the 8mm film I had was used up. The sound is recorded on a magnetic material coated on the film at the same time as shooting, and the sound on the cassette tape is mixed and played back at the time of screening. Sometimes a projectionist calls on the audience. This is a ritual that transforms the original shape and brings the dismantled "movie" back to the theater. (Kenji Murakami)
This work is a confession of the genre of video-through horror docs and its terminal situation. In a bleak location, the film expresses the resignation and apathy of young people
Production and sale of Fujichrome RT200 sound film stock ended in 1999. It was the ultimate analogue technology allowing audio to be simultaneously recorded. As the director develops his film shot with expired RT200 stock, unique visuals and sounds begin to emerge.
Nakagawa shot “Coming Future” on the nights of December 24 and 25, 2010 in Shibuya, making it his location for an idealized Bohemia in the heart of Tokyo. Interesting interviews/discussions with Kenji Murakami, Nobuhiro Yamashita, Kenji Onishi, Tetsuaki Matsue and more... By far the most interesting sequence is with Kenji Onishi (“A Burning Star”). Wielding a super-8 camera, Onishi documents his own interview, taking random shots of street-life and buildings. He leavens his monologue with statements bordering between cliché and outré. “A movie that aims to make a message is boring.”
The movie's title is a play on the popular Always - Sunset on Third Street films and also deals with circumstances 1950's Tokyo, but focuses on the homosexual district of Shinjuku ni-chome.
This is the DVD version of the video event held at Loft Plus One in Shinjuku on September 10th, supervised by Chiaki Konaka. 5 presenters gathered with "truly scary films" they had discovered. The DVD includes "Home Movie", "Honeymoon", "Blue Film", "Psychic", "Telekinesis Experiment" and "Reverberation".
Kenji Murakami seeks out legendary wildman director Kenji Onishi and arranges a meeting with director Yoko Oguchi. The meeting turns unexpectedly intense...
A filmmaker plays with diary-docu and fiction as his camera joins his ventures into a phone dating club. Bored to death, hormones running, and desperately wanting to talk to someone his own age (preferably a girl), he walks into a local phone dating club. Can he hook up with someone? Borrowing the form of a diary-movie, the director unfurls an unpredictable and imaginative look into his own persona. 8mm experimental film by Murakami Kenji, the film that made his name.
