Kibaji Tankobo
Sayuru is an ordinary teenage girl. But one day everything changes when she learns that she apparently died. Even though she is dead, she is still in the mind and wandering around at home on days like a ghost. But her family is ready to do anything to get rid of the ghost.
A unique group of individuals who stand out in the Japanese film industry.
The female ninjas need to protect their particular master's unborn infant from enemies. They use all types of intimate tricks to obtain the work done.
Retired yakuza gangster Shuji (Ken Takakura) moves back from Osaka to a remote coastal village to start a new life as a fisherman with his family, his arrival from the city coinciding with that of the beautiful bar hostess Keiko (Yuko Tanaka, who provided the voice of Lady Eboshi in Princess Mononoke). Keiko's new bar, as its name Hotaru ('firefly') suggests is soon acting as a magnet for all the local fishermen, much to the chagrin of their wives. Not soon after the arrival of Keiko's roguish lover Yajima (Kitano), also an ex-mobster, the locals are drawn into a host of collective vices including gambling and all-night drinking sessions.
Real-Life stripper Madoka Mika plays the fictional ROSE RED, a former striptease queen who is now doing roadshow engagements while trying to raise her kid and balance her love affairs.
Keiko Inagawa (Asami Kobayashi) pays a visit to neurologist Aizawa about her fiancé Tatsuo Tamura (Kaoru Kobayashi). A mysterious case involving the disappearance of Tatsuo’s three brothers, one after the other, is yet to be resolved and now Tatsuo, seized with the idea that he too may disappear, has had a nervous breakdown. Aizawa suggests that Tatsuo recount his dreams as a means of solving the mystery, since human beings have an instinct that foretells the near future in the form of a dream. Keiko and Tatsuo eventually discover that the three disappearances have a strange connection…
The film depicts carnivalesque atmosphere summed up by the cry "Ee ja nai ka" ("Why not?") in Japan in 1867 and 1868 in the days leading to the Meiji Restoration. It examines the effects of the political and social upheaval of the time, and culminates in a revelrous march on the Kokyo, which turns into a massacre. Characteristically, Imamura focuses not on the leaders of the country, but on characters in the lower classes and on the fringes of society.
Nikkatsu Roman Porno production featuring Ayako Meki in her film debut.
Taken out of the pages of history itself, this is the story of the sizzling love between Kenreimon-in of the Taira Clan and Yoshitsuné of the Minamoto Clan. When the Taira Clan had met ignominious defeat at the hands of Yoshitsuné, Kenreimon-in had jumped into the sea with her son, the infant Emperor, but only she had been rescued by Yoshitsuné. A rough-hewn warrior, Yoshitsuné had taken her by force until he awakened an answering love in the Empress with his chamber techniques.
Two infantry regiments of the Imperial Japanese Army—210 men overall—tackled Mt. Hakkoda in the winter of 1902 to prepare for war with Russia.
Shizu is a housewife whose husband has just flown to Germany to work in his company's branch office. During her husband's absence, Shizu makes her first fatal mistake with her brother-in-law which leads to other men and her involvement with gangsters, dragging her into a mire from which she cannot escape.
Saeko is abnormally attached to her older sister, Yumi. When Yumi becomes engaged to Arikawa, Saeko schemes to separate the two. She seduces Arikawa who then becomes confused over his attraction to both sisters.
A faction of the Communist Party puts Tokyo rocked by demonstrations that they start. Despite this marked the inner circle of more uncertainty and group sex than determination and morale. When the police forcing them to go underground, and the mysterious Suzuki joins, starts the internal tensions in the group take over.
Three violent and disillusioned students share an apartment. Their search for a place in society is through porn, fights, rape, and voyeurism. Not even leftist, militant student organizations are able to channel their youthful frustration.
From an apartment belonging to a single woman looking two detectives on the extreme left. The object is a sex addiction spirit slacker, and reconnaissance gives initially fruitless.
