Kichijirô Ueda
Tetsuko (Eiko Yanami), a high school student, one day, forces Tsuneo, (Kei Wakakura), the brightest boy in her school, to make love to her after school is out and they are caught by the old school janitor. Tsuneo's mother, orders Tetsuko to pay for what she did to her son but Tetsuko blackmails her instead, saying that she is ready to inform a news company of what has happened to Tsuneo and receives one million yen hush money. Expelled from school, she comes to Tokyo, intending to take a round-the-world trip. But Sankichi (Yoshihiko Aoyama), a jack-of-all-trades, cheats her. So, she makes up her mind to catch him and get back her money.
After the bankruptcy of her foster-father's condom factory, Tamae sets out to make a living on her own and ends up working as a geisha at a hot spring resort. After rising in popularity, a climactic sex battle is held to decide who gets to lay claim to her.
After helping a pregnant girl escape from their reform school and facing the resulting punishment, a clique of delinquent girls eventually reunites a year later in Tokyo to face different challenges in the form of yakuza and… street vendors.
Prisoner Katsuji must fend for himself and his prison mates in the fierce battle involving a family feud.
Comedy of high school where students and teachers run wild, based on a popular comic strip.
Tokyo hoodlums travel to Osaka and enter into rivalry with the local gangsters.
Adapted from the Seicho Matsumoto story "Tazutazushi". Ryohei Suzuki, a manager at a travel company, is married to his superior's daughter, but tires of their authority over his life. A chance encounter with Yukiko Hirai one rainy night brings a new romance into Ryohei's life, and he and Yukiko fall deeply in love. Yukiko, however, reveals that she has a violent husband in prison - with only a week left until his release. Ryohei, desperate to maintain his social standing, brings Yukiko to the mountains in Nagano and sets in motion an unthinkable, tragic chain of events.
Three stories of moral sickness set during Japan’s prosperous Genroku era are told in this bloody follow-up to the sexploitation classic Shogun’s Joy of Torture, the politically incorrect moral lessons paint a trio of tales of tragic heroines caught up in violence, sadomasochism, incest and torture.
A once-powerful yakuza clan disbands as a result of a police crackdown, but one small group refuses to bow to police pressure, and launches a campaign to take over Tokyo's drug, prostitution, and gambling rackets. Someone wants to stop them. Is it the police? Rival gang members? Or is it an entirely new group of hired killers who will stop at nothing to gain complete control of Tokyo's "bloody territories"?
A series of short stories about bizarre crimes committed by females in the Meiji, Taisho, and Showa Eras. Discover 4 famous Japanese murderers: Takahashi Oden, the last woman beheaded in Japan, Sada Abe, a crazy lover, Kunihiko Kodaira, a rapist-killer and finally, the Toyokaku case, a woman who did everything to own a hotel.
Hirosuke (Teruo Yoshida) , a medical student with almost no recollection of his past, is trapped in an asylum, despite being perfectly sane. After escaping from the loony bin, and being framed for the murder of a circus girl, he spots the photo of a recently deceased man, Genzaburo Komoda, to whom he bears an uncanny resemblance. By pretending to have been resurrected, Hirosuke assumes the dead man's identity, fooling everyone, including Komoda's widow and mistress. Whilst at the Komoda household, Hirosuke recalls memories that convince him to travel to a nearby island, home of Jogoro, the web-fingered father of Genzaburo. Whilst on the island, Hirosuke not only discovers Jogoro's plans to build his 'ideal community' (by transforming perfectly normal humans into hideous freaks), but also the awful truth behind his own identity.
Owner and workers of a tiny medicine factory fall in love with a lovable girl.
A young magistrate recalls three tales of heinous crimes committed by women, and the brutal punishments that ensued.
A comedy about a good-natured train conductor Shinsaku helping his old friend Miwako find her missing brother.
A look at the lives of a troupe of geishas working in a small seaside resort town. For the most part, their lives consist of greeting boatloads of oversexed businessmen and providing bawdy entertainment through the evening followed by private companionship at night, interspersed with occasional catfights with the rival geisha house. Their routine is suddenly thrown off by the appearance of an abandoned baby in the geishas' dormitory, followed by its disappearance only a short time later. Who could be responsible for such a thing?
A Toho film featuring the comedy duo Konto 55, (コント55号), comprised of comedians Kinichi Hagimoto and Jiro Sakagami.
Unusual volcanic activity in Japan awakens Gyaos, a bloodthirsty flying monster with the power to slice things in half with an ultrasonic ray. While scientists and the military scramble to devise a way to stop this new threat, a young boy forms an alliance with Gamera; a monster no one else seems to trust.
Farmer Abare Goemon is confronted by brigand-like samurai. He raises an army of farmers to fight them and does so brilliantly. When Lord Asakura sees the success Goemon has achieved, he attempts to recruit him to fight in a conflict between Asakura and another clan. Goemon refuses, and Lord Asakura sets out to destroy him.
The chronicles of the life of Minamoto no Yoshitsune (1159 - May 17th, 1189). He was a late Heian and early Kamakura general of the Minamoto clan of Japan. Yoshitsune was the ninth son of Minamoto no Yoshitomo. His older brother Minamoto no Yoritomo founded the Kamakura shogunate.
In post-war Japan, it is difficult for private business to stay afloat. The small atelier has a debt of several million yen. To get a loan, his proprietress is forced to turn to a successful businessman, owner of entertainment establishments and bars. But she has nothing to guarantee the return of the debt, and then she offers herself as collateral. A drama about the contradictory nature of human feelings. Based on the novel by Junpei Gomikawa.
Blind swordsman/masseuse Zatoichi befriends a young woman looking for her father, a village leader who has disappeared. As he helps her investigate the disappearance, Zatoichi also becomes involved with another young woman who is trying to help her brother, who has murdered someone at about the same time and place as the missing man was last seen.
Shiba, a wandering ronin, encounters a band of peasants who have kidnapped the daughter of their dictatorial magistrate, in hopes of coercing from him a reduction in taxes. Shiba takes up their fight, joined by two renegades from the magistrate's guard, Sakura and Kikyo. The three outlaws find themselves in a battle to the death.
After losing all his money, Kizuka Keita, a seller on the black market, is trying to commit suicide. But he is saved by Morigen, a broker on the azuki beans market. A young man tries to regain his wealth in the bean market.
A man operates a small real estate business near Osaka. A man from Tokyo asks for help in buying a large tract of land in order, he says, to build an automobile factory. But by accident the realtor learns that the Tokaido Railway Line is going to be built directly across the land just acquired.
Misawa Ihei (Nagato) is traveling with his wife Tae (Iwashita Shima) who abhors the practice of sword fighting for prize money. Tae is the daughter of the clan's chief counselor who married the low-ranking Ihei to avoid becoming the clan lord's mistress. Into the mix comes Oba Gunjuro (Tetsurō Tamba), a mysterious ronin who will do anything for money. This leads to a fitting climax as the forces of hate and love converge while the couple attempt to break through the border!
A violent story of loyalty and revenge among the many "yakuza" or gambling groups in Japan.
Two obaachans become fast friends listening to music in front of a record store. They both boast about their loving sons but in reality, one had just escaped a retirement home and the other was looking for an escape from her son and daughter-in-law. With nowhere to go, the two wander around, befriending a cosmetics salesman and a kind waitress who give them beer. This biting social satire starring two memorable grandmothers, scripted by Yôko Mizuki, picked up on Japan’s aging population problem far ahead of its time.
Two car manufacturers spy on each other to try to find out details and prices of a new sports car each is about to launch.
The last fight put up by remaining forces and a special volunteer nursing corps in 1944-5.
A fishing village is terrorized by a giant whale, and the fishermen are determined to kill it.
A father and son are both heavy drinkers. However, the son dies in an accident at a bar, leaving behind a fiance…. A unique social satire that focuses on why people drink alcohol.
The Fencing Master tells the story of a man trying to survive as the only world he knows is becoming increasingly irrelevant. Danpei Ichikawa lives for swordfighting – he was once a renowned kabuki swordfight choreographer, and as the Chairman of the New National Theatre Company, he wants nothing more than to choreograph the swordfights for the modern plays put on by the company.
Tajima Yumi, in grade school, is overjoyed when her father says they are moving to an apartment in a big city. But the beautiful home she had imagined is in a slum area called Samurai Village, a little settlement, where people live from hand to mouth. To make things worse, a group of vagrants descends on the already crowded ragpickers' village. The sight depresses and saddens little Yumi, but when her father gives up drinking, it makes up for everything in her eyes, and when he runs past liquor shops to avoid temptation, Yumi's laughter rings out merrily again. A unique social drama depicting the growth of a new generation that confronts the world of adults full of vanity in the image of a girl living in poverty.
His ideals challenged by life as a conscript in war-time Japan's military, a pacifist faces ever greater tests in his fight for survival.
During the raging war between the Toyotomi and Tokugawa clans, the swordsman Mohei (whose family has been completely decimated) is recruited by Toyotomi to overcome the seat of power, Osaka Castle. Mohei's daredevil skills will be put to severe tests.
A young girl is rigorously trained in the feminine arts so that she can become a geisha. As she struggles through life, she learns to live not just as a woman, but as a complete person.
A demon-faced monster seeking revenge appears in the forms of a gigantic ox and a huge spider! The young Genji warrior protects the Fujiwara Clan and the beautiful lady in tragic love! A grand visual epic told with mesmerizing extravagance!
A human drama of crew and passengers on a special express train named “Sakura” from Tokyo to Nagasaki...
The legend of the birth of Shintoism. In Fourth Century Japan, the Emperor's son Ouso expects to succeed his father on the throne, but Otomo, the Emperor's vassal, prefers Ouso's stepbrother, and conspires to have Ouso die on a dangerous mission he has contrived. But Ouso prevails in the mission and returns to his father's castle under a new name, Prince Yamato Takeru. Otomo plots to have the Prince sent into even greater danger, but Otomo is unaware that the gods have favored the Prince and the outcome is far from what any of them expected.
It's an extravaganza of entertainment as famous magistrate in disguise, Toyama no Kinshiro attempts to confront the elusive thief known as the "Long-Sleeve Burglar". Played to the hilt by Misora Hibari in a delightful performance highlighted by singing, dancing, and swordplay with a unique story within a story twist that starts to unfold in the city jail as a playwright is brought into custody and meets the famed Long-Sleeve Burglar himself. Misora Hibari is totally captivating in this gender bending role as the famed thief whose expoits can only be stopped by the great Kin-san himself!
Edmund Rostand's play Cyrano de Bergerac, transplanted to Japan. A poet-warrior with an oversized nose (matched only by his great heart) loves a lady. But she sees him only as a friend, so he helps another man to woo her by giving him the poetry of his own heart.
Saotome, a sword master and guard of the Shogunate, pursues the mystery of a deadly aerial weapon that is responsible for the multiple deaths in town.
Japanese peasants Matashichi and Tahei try and fail to make a profit from a tribal war. They find a man and woman whom they believe are simple tribe members hiding in a fortress. Although the peasants don't know that Rokurota is a general and Yuki is a princess, the peasants agree to accompany the pair to safety in return for gold. Along the way, the general must prove his expertise in battle while also hiding his identity.
This is the second installment of the trilogy based on Japan’s greatest novel “The Great Bodhisattva Pass”, following the life and times of bloodthirsty samurai, Tsukue Ryunosuke. Blinded in an explosion and further injured from a fall, the master swordsman is taken in by Otoyo, a woman who falls in love with him. Under Otoyo’s dedicated care, Ryunosuke’s physical and emotional wounds seem to heal. However, deep inside, the demons that drive him to kill yearn to resurface. Meanwhile he is being pursued by Utsugi Hyoma, a young samurai seeking to avenge his brother’s death at Tsukue’s hands. Hyoma is being aided along the way by the clever thief Shichibei.
A meeting between two traveling gamblers leads to a case of mistaken identity that has deadly consequences.
Two residents of Edo city Yaji and Kita make a journey to the temple of Ise, as part of a religious pilgrimage, but actually to get away from their wives for a little while. As they travel, they are constantly beset by complications involving women, mistaken identity, and misunderstood events. Another film adaptation of the famous novel Ikku Jippensha Footing It Along the Tokaido (Tokaidochu Hizakurige)
The Shinsengumi is a special unit of ronin commissioned by the Tokugawa shogunate to counter anti-shogunate activities in Kyoto. A sinister plot to overthrow the shogun is set in motion and Kondo Isami and his fellow samurai must answer the call and expose those behind it.
Thanks to a secret message hidden on the two sacred swords Kaen and Suien, the samurai Genji Kurô (Nakamura Kinnosuke) found the hidden treasure of Lord Yoshitsune. When he gives a piece of the treasure to a couple of poor but honest people so they can pay their debts, it attracts the unwanted attention of several dishonest people, such as pirates, greedy merchants and rebels. While the government is fighting a battle for power against rebels and royalists, all want the treasure by any means possible.
Residents of a rundown boardinghouse in 19th-century Japan, including a mysterious old man and an aging actor, get drawn into a love triangle that turns violent. When amoral thief Sutekichi breaks off his affair with landlady Osugi to romance her younger sister, Okayo, Osugi extracts her revenge by revealing her infidelity to her jealous husband.
In the Tokugawa Era, the clan of Lord Yagyu has hidden away three scrolls containing clan secrets which, if revealed, would cause revolution and disaster for the clan. The information is divided among the three scrolls, all of which must be possessed for the secrets to be understood. When Princess Yuhime steals the scrolls, Tasaburo, a samurai with magical powers, and his brother Senshiro are sent to retrieve them.
Returning to their lord's castle, samurai warriors Washizu and Miki are waylaid by a spirit who predicts their futures. When the first part of the spirit's prophecy comes true, Washizu's scheming wife, Asaji, presses him to speed up the rest of the spirit's prophecy by murdering his lord and usurping his place. Director Akira Kurosawa's resetting of William Shakespeare's "Macbeth" in feudal Japan is one of his most acclaimed films.
Otsuta is running the geisha house Tsuta in Tokyo. Her business is heavily in debt. Her daughter Katsuyo doesn't see any future in her mothers trade in the late days of Geisha. But Otsuta will not give up. This film portraits the day time life of geisha when not entertaining customers.
The woman prison has a cast all with a story of their own and with no dull or routine day. There is an employee who is divorced after her husband had an affair. She loves the jailed criminals and almost sees them as family. One day at a workshop someone faints while working hard to make money because she has a poor boyfriend. Another inmate is knocked up Another is a mother and has her child with her.
A humble and simple Takezo abandons his life as a knight errant. He's sought as a teacher and vassal by Shogun, Japan's most powerful clan leader. He's also challenged to fight by the supremely confident and skillful Sasaki Kojiro. Takezo agrees to fight Kojiro in a year's time but rejects Shogun's patronage, choosing instead to live on the edge of a village, raising vegetables. He's followed there by Otsu and later by Akemi, both in love with him. The year ends as Takezo assists the villagers against a band of brigands. He seeks Otsu's forgiveness and accepts her love, then sets off across the water to Ganryu Island for his final contest.
Lavish Japanese-Chinese coproduction based on an ancient Chinese legend about a man who falls in love with a snake goddess in human form.
The 40th and final "Tengu Kurama" feature starring Kanjuro Arashi.
The story of a couple, a spoiled son and a down-to-earth girl, in Osaka in the early Showa era. The film won the prestigious Blue Ribbon awards for best director, best actor (Morishige) and best actress (Awashima), and the Mainichi Concours award for best actor and best screenplay (Yasumi Toshio). It ranked second (after Naruse Mikio’s Ukigumo) on the Kinema Junpō top ten films for the year.
Kiichi Nakajima, an elderly foundry owner convinced that Japan will be affected by an imminent nuclear war, resolves to move his family to safety in Brazil. His family decides to have him ruled incompetent and Dr. Harada, a Domestic Court counselor, attempts to arbitrate.
Forced on the road by yakuza obligations, a man sets out on a reckless journey to Tsumagoi. Movie posters for local cinemas were often displayed at sento (public baths) too. The handwritten text on the bottom here announces the film will play at Hassen for 3 days.
A samurai answers a village's request for protection after he falls on hard times. The town needs protection from bandits, so the samurai gathers six others to help him teach the people how to defend themselves, and the villagers provide the soldiers with food. A giant battle occurs when 40 bandits attack the village.
A legendary gangster raises himself out of a small town and gathers followers on his rise to power.
In 16th century Japan, peasants Genjuro and Tobei sell their earthenware pots to a group of soldiers in a nearby village, in defiance of a local sage's warning against seeking to profit from warfare. Genjuro's pursuit of both riches and the mysterious Lady Wakasa, as well as Tobei's desire to become a samurai, run the risk of destroying both themselves and their wives, Miyagi and Ohama.
Soldiers Hayate and Yaheiji secretly escape from their besieged castle. Hayate has left behind his lover, Kano. On his way, Hayate is wounded and cared for by O’Ryo, who falls in love with him. But when Hayate accidentally kills her caretaker, he flees, with O’Ryo in pursuit. Subsequently, Hayate's comrade Yaheiji falls in love with Oryo. Kano, the lover left behind by Hayate, believes him dead, and becomes involved with another soldier, Jurota. When Jurota defects to the opposing army, he takes Kano with him. A double set of love triangles has developed, wherein each man and each woman loves one and is loved by another. Finally only combat and self-sacrifice can untangle the weave.
A young man, convicted of a crime and imprisoned in the penitentiary, comes to believe that his wife is being unfaithful to him. He contrives his escape from the prison in order to seek her out and learn the truth, but the police give chase and he must flee into the mountains.
Brimming with action while incisively examining the nature of truth, "Rashomon" is perhaps the finest film ever to investigate the philosophy of justice. Through an ingenious use of camera and flashbacks, Kurosawa reveals the complexities of human nature as four people recount different versions of the story of a man's murder and the rape of his wife.
A village struggles to survive when the nearby lake becomes barren of fish.
1949’s TOUMEI NINGEN ARAWARU (THE INVISIBLE MAN APPEARS/THE TRANSPARENT MAN APPEARS) 透明人間現わる was a monochrome gem with special effects supervised by Eiji Tsuburaya. Loosely based on the H.G. Wells 1897 classic novel THE INVISIBLE MAN, the Japanese take on the story, still has a scientist using a special chemical to become invisible. The story begins when jewel thieves becomes interested in an invisibility formula invented by Professor Nakazato. The thieves kidnap the professor and want to use his invention to acquire a diamond necklace called the “Tears of Amour“. There are a lot of twists and turns in this film, as to who is the Invisible Man and why. The Japanese Invisible Man looks just like Universal’s 1933 version played by Claude Rains, with bandages and an overcoat. The formula has the same adverse symptoms which effect the nervous and drive the user insane.
A band of guerrillas fight against occupying British forces in Malaya.
The life, adventures and exploits of warlord Date Masamune the One-eyed Dragon: his early youth as an aggressive warrior, the battles he won until subduing almost all his enemies, the lonely comprehension of knowing that he actually can not take over the whole country because he was born too late.
There is an inn named Asano Ya in the port town, and a beautiful woman works there. Every year, during a local festival, travelling artists and teachers gather from all over the country, including sesame oil sellers and organ grinders. The day before the festival, trouble arises with some horses.
