Kim Gok

A boy steps on a landmine during a border crossing with his mother. When his mother disappears to find help, the boy follows a group of mysterious soldiers only to find himself in a terrifying situation.

A movie about Seo-joon (Byun Yo-han), who loses everything to voice phishing and infiltrates the organization in China to meet Kwak Pro (Kim Mu-yeol), the designer behind this system.

Seo-joon (Byun Yo-han), loses everything to voice phishing and infiltrates a organization in China to meet Kwak Pro (Kim Moo-yul), the designer behind this phishing system.

3.7/10

An outdated babysitting robot becomes too obsessed with the family.

Three horror stories, with each set in the past, present and future.

5.4/10

The only five survivors aboard an ambulance that races away from a deadly zombie virus. There is a real infected person in here!

A teenager is abducted and forced to tell the scariest tales she knows, leading to this anthology of four stories: a brother and sister are under siege while home alone; a killer escapes police custody mid-flight; step-sisters take plastic surgery to nightmarishly macabre extremes; a paramedic and mother standoff over her infected young daughter.

5.6/10

Pop band Pink Dolls emerges to stardom after releasing a remake of “White,” written by an anonymous composer. The more popular the members become, however, the more they become torn by jealousy and rivalries. But as the girls each take turns to become the lead vocalist, mysterious incidents occur.

6/10

A fresco mixing the satirical, the surreal and the fantastical to portray the social and political evils of today’s Korea. A gas mask-wearing serial killer is spreading terror. Four people are on his tail on election day: Miju – a wolf-girl who leads a sect of youths who are planning their mass suicide, Bosik – a traffic cop who’s convinced he is a super hero, Patrick – a US Marine on the brink of madness following the serial killer’s murder of his Korean girlfriend, and Ju Sanggeun, the favourite of the candidates for the mayoral seat of Seoul, who has received a disturbing death threat. The man behind the mask remains a mystery. The killer is everywhere or perhaps he is simply inside each of us. –Venice Film Festival

5.7/10

A woman makes clothes. Someone from an underground cell intrigues her work. She gets mad. But she doesn't know yet who she gets mad at.

Uncompromising and shocking portrayal of the life of a French pimp and his wife exploited by him as a prostitute, who stay together in an almost post-apocalyptic post-industrial landscape. Shot on grungy Super-8. The first hour focuses on the everyday activities of the man and woman. They consume cheap food, watch TV and nasty porno, they receive customers and combat each other with psychological power games. Despite emotional numbness, the woman tries to escape. She makes friends with another woman, but then decides that returning to the man is the easiest option. The return of the other woman heralds the very shocking finale. Not for the squeamish.

5.3/10

A documentary consisting of twenty-two Korean directors' interviews about Kim Ki-young and respect for his work and the influence

Suicidal Variations shows a woman in a state of total despair after she kills a man. His decapitated head follows her and she decides to escape by committing suicide.

5.8/10

In an underground laboratory, a brain experiment is underway. In an abandoned coal mining area, casino creditors are being murdered. Those who inherit credit are now waiting to enter the casino.

5.2/10

A strange and yet unique story about hoodlums who spend most of their times either on gambling or dealing pornographies, high school students who sell their bodies, and prostitutes.

5.6/10

Time-Consciousness offers four mutually contradictory versions of a series of events. The constant factors are a middle-aged poet with a gammy leg, a prostitute who may or may not be dead, and the woman’s humble room (which may or may not be tidy), where the poet does his writing. Asking "What did happen at 9:20 that evening?," the film underlines the unreliability of memory and the impossibility of objectivity.

A intellectually, aesthetically and politically challenging short film