Kim Kkob-bi
3 men fall in love with a woman. They change themselves to whom their love admires. The men become famous Japanese musician Yutaka Ozaki, popular American actor Brad Pitt and historical political figure Ryoma Sakamoto.
This is the story of a father who died mysteriously in May of 1980, a mother who lives in the shadows with a bullet in her head and not being able to forget May 18th and their daughter, and the nation's greatest comedian, Hee-soo.
Takeo (Saburo Ishikura) works as an artisan of Echizen Washi (traditional hand papermaker). Since his wife passed away, Takeo has not been close with other people due to his bad temper. He collapses due to a brain tumor and half of his body becomes weaker. Due to his poor health, Takeo needs someone to help him. Yona (Kim Kkobbi) from South Korea comes to Fukui Prefecture and begins to work as his helper. Initially, Takeo and Yona do not get along due to their strong personalities and different backgrounds, but their relationship changes. - AsianWiki
This sensitive and sensual film draws together several narratives spanning several decades, all of them transpiring in the same room of the same Singaporean hotel — and all of them involving sex.
Park Sang-Joon (Yeon Je-Wook) was held in a psychiatric facility and charged for a string of bizarre serial murders. Park Sang-Joon then runs away from the facility. He then contacts childhood friend and now journalist Kim So-Yeon (Kim Kkobbi). Park Sang-Joon promises to give her an exclusive if she meets him at an abandoned apartment with a Japanese cameraman. She is in for a horrific shock.
Bo-kyung is in the final year of her studies in oriental painting. Although she has a boyfriend of four years, Duk-woo, Bo-kyung has feelings for one particular senior.
Young is a nameless actor who dreams of becoming a big movie star. Then one day, he makes a breakthrough with a film and becomes a star overnight. He discovers a new hidden world of fame, power, and pleasure, but inevitably along with all the dark sides to them which puts everyone around him in danger. Rough Play displays the life of Oh Young (Lee Joon), an young cocky actor who plays a lead part on a small play. He constantly goes off script and improvises in which results in destroying the play because the lead actress can't handle it. Oh Young knows he is a good actor and is noticed by manager Kim Jang-Ho (Seo Bum-Suk), who has hit rock bottom and is looking for a comeback. Jang-Ho knows the young actor's potential and puts all he has on the line to make Oh Young the next big thing.
Korean international student A-Joong (Kim Kkobbi) takes part in a camp at a country village, located in the suburbs of Los Angeles. A-Joong isn't happy with the Japanese international students who seem to be addicted to alcohol, drugs or sex. At that time, some brothers, who make a living through murders and burglary, target the cottage where the international students stay.
Sang-won, Seung-jun and Min-wook are high school best chums. However, after graduation, they are in three different places in life; Sang-won is a college student, Seung-jun studies one more year to enter the college, Min-wook performs his military service. One day, two friends visit Min-wook in the army. Seung-jun has another reason for a visit to bring the break-up letter from Min-wook’s girl friend, Esther. Once three boys reunite, they spend one night of carousing devoted to the poor military boy and try to find when to give the letter. Before they separate, will the Dear John letter be delivered successfully? The trio allows their adventure to continue.
Nami is a young woman with numerous hangups sprouting from a dysfunctional childhood. She inherits a small fortune that allows her to pursue various interests, many of which are abnormal.
In order to be with the man she loves, Kim goes back to Japan from Korea. The man saved Kim from darkness, when she was little. But he was raised by Kim's mother under the dark world. Now, he is involved in the criminal world. To protect her love, Kim makes a dangerous plan to get the man from her mother.
The actors start to shoot themselves after they receive the cameras. Kim Kkot-bee goes abroad to shoot her friends from Breathless. She throws parties with her friends there and shoots a film. She also has a good time with her dear sister and brother. When Seo Young-ju finished her busy life with a performance as an actress and an assistant director after shooting a film, Seo leaves on a trip overseas to hibernate. She is thinking what she as an actress should do for the health of the earth. But her loneliness cannot be solved. Yang Eun-yong loves someone, but cannot contact with him. She drinks because of her agony, but cannot resolve her loneliness and thirst easily. However, there is the film in the center of them. Though it is tough, they reveal and discover their new faces through their films, the source of their energy. There is something in the actresses in the shaking cameras; that is what they are looking for.
is a story about elite high school seniors, the top 1%, who are prepared to go to extremes to get into prestigious universities. A student who has ranked number one at an esteemed school dies in a remote mountain. Finding out why and the ultimate impact of his death make up the bulk of this thriller’s elaborate narrative, whose shocking conclusion could lead us to comment, “We’ve seen a devil.” Despite a structure that freely weaves together past and present, and a cast of appealing actors including Lee David, Gung Jun and Kim Kkot-bi, the most remarkable thing about the film is the theme itself. It touches on and raises the critical issue of the demands of Korea’s education system, which are becoming more extreme and competitive by the day.
The Korean Academy of Film Arts has produced an animation for 3 consecutive years through a collaborative project. Considering the severe reality of Korean animation in that it lacks an industrial infrastructure, "The House" demonstrates the possibilities of Korean animation and the efficiency of collective production. While comparing apartments in the downtown core to the shabby environment of a marginalized district, "The House" portrays the collapse of the spirits dwelling at the house. As such the adventure of Ga-young and the spirits in the house becomes a criticism of modern society: enlightenment via animation. Although this animation may not have the most delicate or original style, the 5 animators that worked on this film unleashed their imaginations, ultimately showcasing the power of a collective process and a pleasure of the collective imagination.
After his business goes bankrupt, 30 something Kyeong-Min kills his wife impulsively. Hiding his anger, he seeks out his former middle school classmate Jong-Seok. Jong-Seok now works as a ghostwriter for an autobiography, but he dreams of writing his own novel. For the first time in 15 years they meet. Kyeong-Min and Jong-Seok both hide their own current situations and begin to talk about their middle school days.
Seo-hee, Nam-hee and Lan. These three girls happen to read their tarot cards. Tarot cards tell them once-in-a-life-time opportunities will be coming to each of them simply by holding tarot cards and chanting magic spells. And the magic spells are nothing but their own names! Once their names are said, very special events begin to unfold.
A dreamlike drama produced by and starring Sugino Kiki, a rising star in the independent film world. Two women who meet on a mysterious resort island become captivated by its allure and venture into an ethereal realm. It is the second feature directed by Malaysian filmmaker Lim Kah Wai. Japanese Kiki (Sugino) and South Korean Kkobbi (Kim Kkobbi) arrive on Hong Kong's Lantau Island. They have both rented rooms at a hotel near the Mui Wo forest, but when they enter the lobby, the only other person around is a bellboy.
Arts professor Jung Ji Woo is searching for a nude model for a video clip that will be played at her exhibition. When Hee-jin, one of her students, recommends Yoon Ji Woo for the job, the three woman head to the beach to shoot the video. As they spend time together, Yoon Ji Woo begins to share pieces of her past relationship with Kang Ji Woo. The film weaves the pasts and presents of the three Ji Woos and focuses on their intersecting relationship.
Sang-hoon is a lowlife gangster, a debt collector exercising thuggish ways to collect his money. The recipient of nothing but anger since his childhood, he expresses himself through violence. When he finally encounters someone who can stand up to him, feisty school-girl Yoon-hee they become unlikely friends.
One rainy night, Sodan's grandmother disappears, only telling her she's going to see a movie. In an effort to track her down Sodan gets a job as a box office attendant at the local theater. But there's more to this run down cinema than meets the eye...
Jeong-hye, a woman in her 30s, works at the post office and lives a quite monotonous life alone in an apartment with her cat. Apart from having lunch with the girls at work, she is all by herself, until an aspiring writer is attracted by her.
Quiet, intelligent, solemn and recently dumped by his girlfriend, graduate student Lee Weon-san (Park Hae-il) takes a job at a literary magazine, ostensibly to supplement his income, but really to get close to the editor - the reason he’s now single. The editor (Moon Sung-keun), unaware of who Lee is, takes a shine to him and makes him his personal assistant.
Ji-Woo meets Sujin for the first time at a camp site and is immediately interested in her. But it is not easy to attract her attention.
