Kim Longinotto
Waad, 12 years old, lost both her legs when she was hit by shrapnel in her village in South Lebanon. Samir, 24, joined the militia when he was 9 and now has trouble falling asleep without the sound of shelling. Ahmad, 12, lost his mother and was abandoned by his father. Katia, 17, and Pascale, 16, watched helplessly as their male relatives were massacred. Rabih, 6, was part of a criminal street gang at age 4, and now lives in a Beirut orphanage. Through the eyes and voices of these Lebanese children and adolescents of various backgrounds, their experiences are relived. They demonstrate how they have coped, how war has colored their view of the world, how their hopes have been raised or dashed, along with their dreams and their prospects for the future.
Sicilian Letizia Battaglia began a lifelong battle with the Mafia when she first pointed her camera at a brutally slain victim. Documenting the Cosa Nostra’s barbaric rule, she bore unflinching witness to their crimes. Her photographs, art, and bravery helped bring an end to a shocking reign of slaughter.
Longinotto's documentary is about Brenda Myers-Powell, who fights against sexual exploitation and supports prostitutes in Chicago. Brenda knows what she is talking about: her own story, involving teenage prostitution and a life of violence and abuse, is in stark contrast to her dauntless energy and optimism.
A magical and moving archive trip through the universal theme of love, from the very first kisses ever caught on film, through the disruption of war to the birth of youth culture, gay liberation and free love, we follow courting couples flirting at tea dances, kissing in the back of the movies, shacking up and fighting for the right to love.
When Salma, a young Muslim girl in a south Indian village, was 13 years old, her family locked her up for 25 years, forbidding her to study and forcing her into marriage. During that time, words were Salma’s salvation. She began covertly composing poems on scraps of paper and, through an intricate system, was able to sneak them out of the house, eventually getting them into the hands of a publisher. Against the odds, Salma became the most famous Tamil poet: the first step to discovering her own freedom and challenging the traditions and code of conduct in her village.
Sampat Pal Devi, founder of India’s Gulabi (“Pink”) Gang and fearless defender of the rights of untouchable women, challenges husbands, fathers-in-law and policemen in this immersive study by acclaimed documentarian Kim Longinotto. More than a profile of an everyday heroine, the film captures the courage and sacrifice necessary for social progress.
Fearless, feisty and resolute, the "Rough Aunties" are a remarkable group of women unwavering in their stand to protect and care for the abused, neglected and forgotten children of Durban, South Africa. This newest documentary by internationally acclaimed director Kim Longinotto (SISTERS IN LAW, DIVORCE IRANIAN STYLE) follows the outspoken, multiracial cadre of Thuli, Mildred, Sdudla, Eureka and Jackie, as they wage a daily battle against systemic apathy, corruption and greed to help the most vulnerable and disenfranchised of their communities.
From cinema-verite; pioneers Albert Maysles and Joan Churchill to maverick movie makers like Errol Morris, Werner Herzog and Nick Broomfield, the world's best documentarians reflect upon the unique power of their genre. Capturing Reality explores the complex creative process that goes into making non-fiction films. Deftly charting the documentarian's journey, it poses the question: can film capture reality?
Set in Kumba in South West Cameroon Sisters in Law follows Adultery, Rape and Abuse cases led by a Female Judge.
The practice of female genital mutilation is explored through personal stories of Kenyan women.
This fascinating documentary is based around the Japanese wrestling organisation Gaea's rural training camp, and traces, in the main, the careers of four hopefuls. In charge are two magnificent specimens, the butch champion Chigusa Nagaya, still venting her hurt at the hands of her army father as she tries to whip her surrogate daughters through the pain and commitment barriers; and her sophisticated and slightly menacing Chairman. It's a gruelling, physical film, as you would expect, but the makers don't make heavy weather of it. And it certainly disposes of any idea that the game is faked.
DIVORCE IRANIAN STYLE unfolds inside an Iranian divorce court, providing a subtle and intimate look at the lives of women in a country stereotypically associated with fanaticism and oppression. Astute and beautifully observed, the film reveals the ingenuity and humour with which Iranian women negotiate the restrictions of their society.
A film about love and gender. This documentary is set in the New Marilyn night club in Tokyo, Japan - where the hosts are women who have chosen to live as men. They can only make their living as hosts in a nightclub with other 'wannabes' like them. The young women who come there often have relationships with them but the underlying fear is whether such a relationship can withstand the pressures on a girl to get married and have children. All three boys deal with this in different ways. These three hosts, the Shinjuku Boys, take us into their lives.
This film is about Japanese women, escape, glamour and dreams. The Takarazuka Revue is an enormously successful spectacular where the all-women cast create fantasies of erotic love and sensitive men. It is also a world for young girls desperate to do something different with their lives. In return for living a highly disciplined and reclusive existence, they will be adored and envied by many thousands of Japanese women. They will look, act and behave like young men while having no real men in their lives. Dream Girls explores the nature of sexual identity and the contradictory tensions that face young women in Japan today.
Kazuko Hohki goes back to Tokyo with her band, the ‘Frank Chickens’, after living in England for 15 years. This wry and delightful film records her re-experiencing of Japan after a long absence, examining traditional attitudes to women and those of Kazuko’s friends who are trying to live differently.
The film was originally conceived as a portrait of Dr. Nawal El Saadawi, the well-known Egyptian doctor, writer, and women’s rights activist. But the director was disappointed by the encounter with the woman who had been her great role model. Instead, she set out to discover what life means to Egyptian women by visiting her female relatives. Her mother, aunts, and neighbors talk about life as a married woman, about the traditional clitoridectomy of girls, about love and sexuality. The result is a very impressive and extremely personal film.
EAT THE KIMONO is a brilliant documentary about Hanayagi Genshu, a Japanese feminist and avant-garde dancer and performer, who has spent her life defying her conservative culture's contempt for independence and unconventionality. She denounced Emperor Hirohito as a war criminal, and dismissed death threats made against her by right-wing groups.
Underage lifts the lid on the insular world of a group of wayward Coventry teenagers in the early 1980s. In the run up to the summer holidays, struggling to make sense of their lives, the teens take solace in glue sniffing, drinking excessively, getting arrested or head-banging to Motorhead
A kaleidoscopic celebration of the 1980 Notting Hill Carnival. Arts Council of Great Britain.
In her final piece at film school, Longinotto and her partner take us into the "Theatre Girls Club" in Soho, London–a hostel for elderly and destitute women and the only shelter in London that would take in any woman at any time. The filmmakers lived in the hostel for more than two months, establishing an extraordinary level of trust with their “cast” —from the home’s feisty cook to an elderly resident who was a terminal alcoholic. In what will later be recognized as a signature style, Longinotto films without judgement and finds the humor and humanity in situations and characters that might otherwise be seen as tragic. This stunning film debut earned awards at several European festivals and screened to acclaim in the US and Asia.
In this first project of Kim Longinotto while she was a student at Englands National School of Television and Film she filmed the daily life in a girls boarding school situated in an old isolated castle in Buckinghamshire. Until she was 17, Longinotto lived in this boarding school, finaly she run away from there. In this dark and expressive black and white documentary, Longinotto exposes the repressive school from the students perspective. It seems to be a kind of miniature state with bizzare rules, idigestibel food and absurd punishments. The documentary begins with an graduation ceremony. The director blows her own trumpet, afterwards the film describes the daily routine of schoollife. The film ends up with the students leaving for holidays. As a result of this documentary, the boarding school was closed down one year after the release of the film.
