Kinji Fukasaku
A legendary entertainer and a pioneer of gay activism, Miwa was born Akihiro Maruyama. As a young singer, Miwa popularized androgyny as a fashion statement, fusing the masculine and the feminine into a signal of a new generation of aesthetics. This evolved into performing as a woman and living off-stage as a man. With glitter, wit, evening gowns, and enchanting storytelling, Miwa looks back over a 50-year career and a fascinating life in music, film and television.
The classic tale retold. This is one of Japan’s most popular stories in a brand new version starring the great Matsukata Hiroki following in the footsteps of Yorozuya Kinnosuke as Yagyu Tajima, the grandmaster swordsman whose plot to maintain the succession of Iemitsu as shogun encounters obstacles on all sides. Loaded with action and featuring many of Japan’s new up and coming sword stars this exciting movie brings back the feelings of the golden age of motion pictures. Stunning cinematography brings 17th Century Japan to life in this exciting tale of loyalty and betrayal, leading up to an ending that won’t be found in any history book.
Works commemorating the 70th anniversary of the founding of Japan mapping Supervision Association
Documentary about the Japanese filmmaker Takashi Miike, where we see him attend film festivals, personal influences and of course the study of his main films, apart from the opinions about him by other filmmakers such as Takeshi Kitano or Kinji Fukasaku.
It's three years after the events of the original Battle Royale, and Shuya Nanahara is now an internationally-known terrorist determined to bring down the government. His terrorist group, Wild Seven, stages an attack that levels several buildings in Tokyo on Christmas Day, killing 8000 people. In order for the government to study the benefits of "teamwork", the new students work in pairs, with their collars electronically linked so that if one of them is killed, the other dies as well. They must kill Nanahara in three days - or die.
Prolific director Kinji Fukasaku died suddenly during the production of Battle Royale 2. His son and screenwriter Kenta took over as director and completed the film.
An abundance of footage from the shooting of Battle Royale and cast and crew discussions.
The late Kinji Fukasaku directed "Battle Royale" - his 60th movie - at the age of 70. This film follows the shooting of the film.
In the future, the Japanese government captures a class of ninth-grade students and forces them to kill each other under the revolutionary "Battle Royale" act.
Set in the late 1950s, when geisha culture was threatened by moral crusades, it tells the story of Omacha (Miyamoto Maki), a young girl who sees the geisha life as a way to lift her poverty-stricken family from their hand-to-mouth existence. Through her eyes, we see the protocols and complex financial relationships which dictate the running of the geisha house. Fukasaku's film is a work of great delicacy with moments of hypnotic beauty, and his tender direction, often touched with a sense of wonder, fills the screen with lovingly constructed scenes. At its heart is the poignant situation of the women who must sacrifice their normal relationships to live an ambiguous life in which they are a key part of society while being kept, for the most part, on its periphery, like perpetual mistresses.
A Choice between Loyalty or Duty of the Samurai! Can the heartlessness of society crush the honor of an individual? In the spring of the 18th year of Kanei, Hosokawa Tadatoshi, feudal lord of the Higo area, died. Although Tadatoshi forbade his vassals to follow him in death before he died, they still committed seppuku one after the other. The new feudal lord, Mitsunao, Tadatoshi's son, also gave the order forbidding seppuku. Abe Yaichiemon obeyed his former lord's last wish but is now being called a coward by his comrades and finally decided to follow Tadatoshi in death in order to save his family's honor. Mitsunao, upset by Yaichiemon actions, punished the Abe family unfairly. Objected to this, the Abe family shut themselves up in their manor as the lords troops moved in. This is the true story of what happened within the Hosokawa clan in early Edo era. A masterpiece by director Kinji Fukasaku that boldly depicts the struggle between humanity and the code of the Samurai.
Edogawa Rampo is a writer whose latest work is censored by the government, deemed too disturbing and injurious to the public to be allowed to be published. However, after burning his drafts, his publisher shows him a newspaper with an account of events just like his forbidden story. As the film progresses, fantasy and reality intermingle in a tale that draws heavily on influences from Poe and Stoker's Dracula. The film's strongly Expressionistic direction skillfully combines a variety of media (animation, computer-generated imagery, grainy black-and-white fast film stock, color negatives) for artistic effect.
Iuemon is left master less after his master, Lord Asano, attempts to kill the treacherous Lord Kira and out of desperation and due to the extreme poverty he now lives in, poisons his wife Oiwa and marries the daughter of one of Lord Kira's men. This comes back, literally, to haunt him.
Following the bloody aftermath of a heist, three robbers are double-crossed by a new accomplice, who is then tracked down amid escalating carnage and spectacular car chases.
Set in the Taisho era, which might be regarded as Japan's Hippie Phase, Hana no ran is a story about fashionable people without impulse control. Much of the action centers on a popular woman writer, the real-life poet Akiko Yosano, and her experiences among the literati of early 20th century Japan. Because of her independent, anti-war and often erotic poetry, she was a lightning rod for revolutionaries and other extremists, many of whom were destined to glamorous, yet ultimately pointless, deaths. The closest parallels might be the Byron/Shelley group or the people drawn to the Beat Generation.
Having been demoted for failing to prevent the murder of one of his superiors, Mondo is startled by a group of masked thugs who are soon attacked in turn by an unseen force. He begins to suspect the work of assassins, but whose side are they on?
In the 50s, the complicated life of a popular writer who must share his life with his family, his numerous mistresses and his work
Set in the 1930s in the international city of Shanghai, the film follows the extravagant life and times of a group of jazz musicians, living from one advance paycheck to the next, as the country teeters over the brink into the Second Sino-Japanese War.
The evil Hikita clan rises from the dead to fulfill a curse on the Satomi clan by restoring the face of their warlord by using the skin of Princess Shizu. In the process of trying to capture her, the clan murders her entire family, but Princess Shizu escapes their clutches. She enlists the aid of eight samurai warriors, possessors of powerful magic crystal, led by Dosetsu (Sonny Chiba!) to help rescue the remaining members of her court and revenge her family. Along the way, they must fight undead warriors, evil spirits, poisonous beauties and a giant centipede.
A poignant love story between a 29-year-old woman, who has once been a prostitute but is now the mistress of a wealthy jewelry merchant, and a 19-year-old college student.
The story of Shinsuke, a young man who lives through a stormy life as a poverty-stricken coal miner. Ranging from Shinsuke's infanthood to his mid-teens. Coal workers and the mines dominate nearly every aspect of his life. Shinsuke's father a group leader at the mine, dies while bravely using dynamite to rescue a group of trapped Korean miners. Several older men attempt to help he and his mother cope, including a friendly Harley-riding yakuza boss. This movie has it all, drama, romance, sex, yakuza and violence! It is based on a story by Hiroyuki Itsuki that was originally serialized in the magazine Shukan Gendai in 1969-70.
After surviving the slaughter of many Christians 350 years ago, a samurai denounces God for ignoring the pleas of believers. He sells his soul to Satan and receives the power to resurrect the dead to join him in a murderous rampage.
The 224-minute compilation edition Battles Without Honor and Humanity The Complete Saga compiles these five movies : Battles Without Honor and Humanity 1 (1973) Battles Without Honor and Humanity 2: Deadly Fight in Hiroshima (1973) Battles Without Honor and Humanity 3: Proxy War (1973) Battles Without Honor and Humanity 4: Police Tactics (1974) Battles Without Honor and Humanity 5: Final Episode (1974)
Shadow Warriors is a Japanese television jidaigeki show featuring Sonny Chiba that ran for four seasons in the early 1980s. Chiba played different ninja characters in each series. In the first series he played Hattori Hanzō III, in second one he played Tsuge Shinpachi, in the third one he played Tarao Hanzō, in the fourth series and in Bakumatsu Hen, he played Hattori Hanzō XV. In the 2003 direct-to-DVD series Shin Kage no Gundan he played Hattori Hanzō I.
The peaceful planet of Jillucia has been nearly wiped out by the Gavanas, whose leader takes orders from his mother rather than the Emperor. King Kaiba sends out eight Liabe holy seeds, each to be received by a chosen one to defend the Gavanas. Each recipient, ranging from hardened General Garuda to Gavana Prince Hans to young Terrans Meia, Kido, and Aaron all have different reactions to being chosen.
Following the death of the second Tokugawa shogun, it is revealed that he was poisoned by retainers of his son Iemitsu in hopes of gaining him the shogunate despite the stammer and birthmark which undermine his respect. Iemitsu and his brother Tadanaga become bitter rivals for the shogunate, and the land is split into factions, eventually erupting into warfare. Iemitsu's mentor, his fencing instructor Yagyu, is fixated upon securing Iemitsu the shogunate and ends up betraying everyone, even his own family, in pursuit of the goal.
This is the story of "The Forty-Seven Ronin." Based on historical events in 1701-2, the movie tells the tale of the Asano clan's downfall and the revenge of its former samurai on the perpetrator of the catastrophe. Lord Asano was goaded, or tricked, into drawing his sword inside the Shogun's palace -- a crime which carried the death penalty. The newly installed Shogun was furious at Asano and ordered all his clan's assets seized, meaning some 20,000 samurai and commoners were unemployed and landless at a stroke. Forty-seven of these ronin (masterless samurai) banded together to take attempt revenge on Lord Kira, who had goaded Asano into drawing his sword.
When an American is murdered in a Japanese inn, Tokyo police detective Munesue follows the trail of the killer to New York. There he is joined by a New York City detective named Shuftan and together they sort out the crime.
In the setting of the Hokuriku region, where the snow and cold winds rage, for the first time in true-life yakuza film history, director Kinji Fukasaku shows battles among yakuza who value land over tradition. Hiroki Matsukata stars as Noboru Kawada, a Hokuriku yakuza who will use any measure for survival, disregarding parents, brothers, and tradition.
The burned remains of a young woman discovered in Shinjuku, Tokyo. The police comes to the conclusion that its the work of a pyromaniacal serial murderer. The murder victim is identified as Mayumi Tamaki, a native of Ishigaki, Okinawa. As the investigation unfolded, her former boyfriend, a former rider of a motorcycle named Chōei Mikawa emerged as a suspect. But Kano did not agree Mikawa is the suspect. Kano started conducting the investigation himself to search the real criminal person.
Two bank robbers specialize in "smash and grab" style heists. The thieves dream of escaping Japan and going to Brazil...
A police investigator cracks down on yakuza business, but once he realizes the police are in negotiations with certain factions, he sides with his own syndicate of choice.
The eighth sequel of the series by the successful “Fukasaku and Bunta” collaboration revolves around the men of a lesser organization that are constantly bullied by the upper organization and “bleed in vain” in gang wars.
In at least 6 movies by director Kinji Fukasaku, Bunta Sugawara played a yakuza thug. This time, he carries a badge but his character hasn't lost his distaste for double-dealing bosses and authority figures who are out to cover their own butts. Detective Kuno is balanced between the law and pragmatism. Cops didn't enforce the law to the point of pushing gangsters over the edge. In return, the gangsters mostly stayed out of the public eye. Some of them even became friends with cops, sharing a mutual desire to keep-down trade unions and leftists. When that balance is upset, Kuno has to decide where his loyalties lie. In this gray world, cops aren't always good and gangsters are thoroughly bad.. although there's no reward for good men who drink from the cup of corruption. "Cops Versus Thugs" has that trademark Fukasaku camera-work.. constantly moving, zooming, and putting you right in the middle of the action, changing loyalties and political maneuvering between cops and criminals.
A look at the life of renegade yakuza, Rikio Ishikawa, particularly the years from 1946 to 1950 when his violent antics get him in trouble with his own clan, Kawada, and then with the clan of his protector, Kozaburo Imai. In these years, he can rely on Chieko, a young Tokyo courtesan who gives him shelter. He's banished to Osaka, where he picks up a drug habit. Through it all, he keeps his friends and enemies off balance with unpredictable behavior - and he seems indestructible.
The seventh in the shocking "Jingi Naki Tatakai" movie series, which exposes the true lives of the yakuza that is hidden by a mask of "jingi". The next stage of this continuing drama is the Kanmon Channel where the Owada and the Kyoei groups are battling for territorial rights and drug smuggling. The Owada sends their man, Tetsu, and his friend Shuji to kill the Kyoei boss. With the promise of fame and riches, Shuji takes the fall and goes to jail for 7 years. But when he's released, he discovers that he and Tetsu have been all but forgotten by the Owada. Feeling betrayed, Shuji takes natters into his own hands and becomes an unsuspecting pawn in an internal conflict and an assassination attempt on the Owada boss. And now angered, Shuji seeks revenge...
After eight years in prison, Takeshi’s mission is a big heist from his own clan’s gambling parlor.
As Japan gears up for the 1964 Olympic games, the cops start to crack down on the gangs, under pressure from the public and the press, adding a new dimension in the war for power among the yakuza families of Hiroshima.
While Hirono is in prison, his rival Takeda turns his own crime organization into a political party, whose two executives stir up new tensions in their thirst for power.
The sixth chapter of Jingi Naki Tatakai series With the endless power struggle. The extraordinary combination of Kinji Fukasaku and Bunta Sugawara, along with new ideas and a strong touch of realism, created the sixth movie of the series that describes 'The War of Hiroshima Gangsters' which had lasted almost 30 years after World War II. It can be called the Japanese secret post WWII history. It focuses on the ugly, violent inside struggle of the Yamamori Group of 1959 in Kure City, Hiroshima. Director Kinji Fukasaku, the master of portraying violence and humanity, said "Having making the five previous movies, I found those characters very interesting. So I took a deeper look into them this time." He made this shocking movie with high enthusiasm and revealed the core of gangster's struggle which has never been touched before.
Shozo Hirono has managed to separate from the Yamamori family and create his own small family, and extend his circle of acquaintances. These new friendships include a powerful underboss of the Muraoka family, Noboru Uchimoto.
In the teeming black markets of postwar Japan, Shozo Hirono and his buddies find themselves in a new war between factious and ambitious yakuza...
Repeatedly beat to a pulp by gamblers, cops, and gangsters, lone wolf Shoji Yamanaka finally finds a home as a Muraoka family hitman and falls in love with boss Muraoka's niece. Meanwhile, the ambitions of mad dog Katsutoshi Otomo draws our series' hero, Shozo Hirono, and the other yakuza into a new round of bloodshed.
A war widow determined to clear the name of her disgraced husband, who was court-martialed for desertion and executed. Official records have been destroyed, and the ministry that distributes benefits continues to deny her a pension. Twenty-six years after the war, she seeks out four survivors of her husband's garrison. Each tells a dramatically different story about her husband's conduct, but she is determined to learn the truth.
The great Bunta stars as a gangster who is sent to jail for the sake of his gang, but when he’s released he finds everything completely changed and his gang has swept him aside for being too violent. He tries to start a new life with his two ”brothers” but can’t seem to escape old affiliations
After serving time, a defiant street thug is incensed to find his town overrun by two yakuza factions. He gathers his crew and takes them on.
A yakuza gang gets driven out of Yokohama by a big gang from Tokyo. They relocate to Okinawa to violently start over.
If You Were Young: Rage highlights the other side of post-war Japanese prosperity, focusing on the throngs of young people who missed out on the boom. We follow a group of young men that can't seem to get ahead, despite their willingness to try. Then one hits upon a plane - to work together to save for a dump truck and thus become independent contractors and be their own bosses at last. Ultimately life presents obstacles: jail for one, violence at the hands of the police for another and a girlfriend and subsequent children for the third. An early Kinji Fukasaku gem that imports the freewheeling style of the French New Wave and the hip detachment of American noir.
In the summer of 1941, the United States and Japan seem on the brink of war after constant embargos and failed diplomacy come to no end. "Tora! Tora! Tora!", named after the code words use by the lead Japanese pilot to indicate they had surprised the Americans, covers the days leading up to the attack on Pearl Harbor, which plunged America into the Second World War.
It takes place in the sunset days of the yakuza in the 1970s. The postwar turmoil that created the black market and lubricated illegal business opportunities was giving way to Japan Inc. A young Bunta Sugawara takes over as the oyabun of a crime syndicate in Yokohama, where he is struggling to keep operations at the port there alive. As his syndicate is eroding quickly, a major heavy industries company offers his gang the chance to chase some vagrants out of a shantytown where they are squatting on land where a factory is to be built. The job would secure steady profits for Bunta's crime ring for years to come. However, Bunta and other members of his outfit grew up in the shanty, and they would be muscling their friends and neighbors. This sets the stage for an internal struggle that complicates the violent struggle with a rival mafia organization in Tokyo.
Coming out of jail and hoping for a quiet life, Yokohama yakuza has to take the lead of his gang after the death of his boss. His small group is is taken in a crossfire between a big yakuza group from Osaka at war with the Tokyo alliance for the control of the city. He tries to keep to the old yakuza code but he is no match for the new thugs who live and fight without honor.
A feverishly perverse 1969 film noir oddity starring female impersonator Akihiro Maruyama. When wealthy Kyohei hires singer "Black Rose" to perform in his exclusive men's club, he gets more than he bargains for when she attracts scores of homicidal past lovers. The film takes a bizarre twist when Kyohei's son falls victim to the femme fatale's unique charm.
Though he has come from a rough background on the streets, Muraki (Horoki Matsukata) quickly rises through the ranks by means of his well-honed blackmailing instincts. Desperate to keep rolling with his freewheeling lifestyle, Muraki sees his luck begin to crumble when he sets his sights on the business partners of a powerful gang boss.
Japanese sixties comedy featuring a cunning female jewel thief named Black Lizard who tries to kidnap Sanaye, a wealthy jeweler's beautiful daughter as part of a plot to steal the jeweler's expensive "Star of Egypt" diamond. To thwart the planned kidnapping, the jeweler hires Japan's number one detective, the brilliant Akechi. This sets off a dual between Black Lizard and Akechi as each tries to outwit the other. In the process, the two adversaries develop a mutual respect and affection for each other. Despite Akechi's efforts, Black Lizard and her crew are able to kidnap Sanaye and gain possession of the "Star of Egypt". Black Lizard takes Sanaye to her secret lair on a remote island which is populated by an eerie collection of naked human dolls. There Black Lizard plans to preserve Sanaye's beauty forever by turning her into one of her dolls. As Sanaye's doom quickly approaches, it is up to Akechi to save the day.
A giant asteroid is heading toward Earth so some astronauts disembark from a nearby space station to blow it up. The mission is successful, and they return to the station unknowingly bringing back a gooey green substance that mutates into one-eyed tentacled monsters that feed off electricity. Soon the station is crawling with them, and people are being zapped left and right!
The story of men devoted to the yakuza lifestyle and their struggles during a time of fading yakuza power.
The son of a prominent member of a fishing community returns home after a stint with the yakuza to find his father has died under orders of a local gang leader. He sets out to avenge his father, keeping his plans secret from his mother who is cold to him since his perceived abandonment of the family. This wonderful, if little-seen, Fulasaku gem deals with family, community and what it means to do right by both.
Sabu and his pals hold a pauper's funeral for Sabu's mother. His brother Jiro arrives home, fresh out of jail, and Sabu pointedly states that Jiro is not invited. Jiro meanwhile is planning a big job - steal 40 million in cash and drugs, and he invites Sabu and gang to act as decoys, for 50,000 each. The sting is a success, but the double-crossing starts almost immediately. Sabu discovers how little of the take they were promised and hides the stash. Jiro and his slimy partner pressure the kids to fess up. Meanwhile, their respectable elder brother Ichiro is being leaned on by the town's big boss, whose money it was.
In a village subsisting on its herring fishery, a one-eyed criminal named Jakoman terrorizes the inhabitants. One of them, the son of the head of one of the fish companies by the name of Tetsu, decides to overthrow Jakoman and his cohorts.
A yakuza man is released from prison after serving a long sentence. He immediately sets about creating a new gang and attempts to pull off a huge ransom score.
Journalist Kuroki is investigating clandestine arms sales to Southeast Asia. He discovers that the point man in an arms trade was also involved in the cover-up of a murder on an American base during the Allied Occupation. The film rolls along as a suspenseful thriller while offering a critique of political corruption, hypocrisy, and journalistic cowardice in postwar Japan.
The great Sonny Chiba stars as Goro Saionji, a drifting thrill-seeker. Out to investigate a suspisious plane crash in the Red Valley, he uncovers a plot involving yakuza and a shady land developer to evict an old farmer off of his land to build a sky resort. Goro must now help the old farmer and his daughter and take those criminals on.
Chiba plays Tenka Ichirou, a student and son of a private detective who, if the sequelonic nature of this film is to be believed, keeps getting into wacky adventures. And I do mean 'wacky'. Herein you'll see Japan's greatest action star pretend to be a plastic surgeon, make funny faces when surprised, sit terrified in the back of a cab driven by a manic... the list goes on.
After a successful robbery the culprits, from very different backgrounds, at once turn on each other.
Man with the Funky Hat, early Sonny Chiba and Kinji Fukasaku collaboration.
Young boys learn survival skills on a remote island and rescue a girl abducted by a gang of foreigners.
All five original ‘Battles Without Honor and Humanity’ films compiled into one nine hour epic. Taking place over the course of two decades, we follow the tale of Shozo Hirono as he climbs up the ranks of the Yakuza, trying to stay alive through a multitude of betrayals and violent gang wars.
