Koichi Ose
Just after the Battle of Sekigahara, a pair of children Denji and Kichizo witnessed a team of the defeated forces hide the Toyotomi treasure. When the leader cuts down the rest of the team, a bloodstained footman seems to be the only survivor, and his image haunts the pair for the next twenty years. As they are serving a prison sentence a plan is hatched to get them released so they can lead their captors to the hidden gold on Hikone Beach. Danger and excitement await the two as they run into unexpected and dangerous obstacles!
Young swordsman Shintaro must fight against evil officials who plot to overthrow the youthful Shogun.
The Samurai is a Japanese historical fiction television series made by Senkosha Productions during the early 1960s. Its original Japanese title was Onmitsu Kenshi. The series premiered in 1962 on TBS and ran continuously until 1965 for ten self-contained story arcs, usually of 13 episodes each. Also created were two black-and-white feature films by Toei Company, made in 1964 by the same crew which has created the TV series, and a stage show. The Samurai proved to be highly successful despite its initially very limited budget. It was the first Japanese TV program ever screened in Australia, where it premiered in 1964 and built up a remarkably large fan-base among the local young audience at the time, rapidly becoming a cult favourite. Despite its massive popularity in Australia as well as success in Japan, New Zealand and the Philippines, the series was not widely screened elsewhere and its fame remains largely restricted to those countries. It was followed in 1965 by the spin-off series The New Samurai, featuring a completely new main character, which was however cancelled after only 39 episodes, compared to the 128 episodes of the original series. In 1973, a color TV series was also made for 26 new episodes in an abortive attempt of a remake and then a short-lived reboot. All of the TV series were sponsored by Takeda Pharmaceutical.
When a corrupt magistrate rapes Oshima, Masa (Raizō Ichikawa) avenges her by killing the officer, becoming thereby a fugitive, haunted and grief-stricken by the fact that Oshima committed suicide. Going underground in the gambling world, perpetually hiding from the law, Masa eventually meets a young woman named Onaka, who looks exactly like Oshima. Tales having two look-alike heroines are a commonplace in Japanese period films, a plot affectation inherited from the kabuki theater. Based on a novel by Shin Hasegawa, Nakayama shichiri was already twice filmed in 1930, one version directed by Namio Ochiai, and from which less than 40 minutes survive, the other directed by Kyotaro Namiki. Both are silent films, preserved by the Makino film institute.
A unique black comedy set in Ginza Cinepathos, a long-established movie theater that closes at the end of March 2013 while being familiar to movie fans with its retro appearance and unique lineup. Unique guests visiting the theater draw a human pattern during breaks.
