Kôji Mitsui
By turns tragic and transcendent, Akira Kurosawa’s film follows the daily lives of a group of people barely scraping by in a slum on the outskirts of Tokyo. Yet as desperate as their circumstances are, each of them—the homeless father and son envisioning their dream house; the young woman abused by her uncle; the boy who imagines himself a trolley conductor—finds reasons to carry on. The unforgettable Dodes’ka-den was made at a tumultuous moment in Kurosawa’s life. And all of his hopes, fears, and artistic passion are on fervent display in this, his gloriously shot first color film.
Owner and workers of a tiny medicine factory fall in love with a lovable girl.
A teenage goldsmith with a dark past tragically falls in love with a young nude model.
Aspiring to an easy job as personal physician to a wealthy family, Noboru Yasumoto is disappointed when his first post after medical school takes him to a small country clinic under the gruff doctor Red Beard. Yasumoto rebels in numerous ways, but Red Beard proves a wise and patient teacher. He gradually introduces his student to the unglamorous side of the profession, ultimately assigning him to care for a prostitute rescued from a local brothel.
Three robbers escape with loot from a heist before one of them shoots the others. Their corpses wash up near the aftermath of a maritime calamity, provoking a policeman's interest.
An entomologist suffers extreme psychological and sexual torture after being taken captive by the residents of a poor seaside village.
Yasugoro, goes to live in a quiet town where he falls in love with the priest's daughter-in-law. His does not declare his love because she is married, but he goes on a mission to please her, and is blinded. Then her husband dies and she remarries before Yasugoro can confess his love.
An executive of a shoe company becomes a victim of extortion when his chauffeur's son is kidnapped and held for ransom.
This Japanese action-adventure is set in the 17th century when all forms of swordplay were banned. One fighter, an excellent swordsman believes the law is unfair. His brother keeps his opinions about the law to himself. The swordsman vents his frustration by cutting off the thumbs of an enemy. The fighter is then banished. To live, he becomes a thief. To restore the family's lost honor, the other brother is forced to challenge the fighter to a duel.
The plot opens with the hero (Tsuruta) leaving prison, having served time through taking the blame for a fellow gang member’s crime. However, his former gang boss seems to have gone to seed, with people now killing each other and dealing in drugs. The hero then teams up with a lone operator (Tamba) who specialises in shaking down gangsters.
A father and son are both heavy drinkers. However, the son dies in an accident at a bar, leaving behind a fiance…. A unique social satire that focuses on why people drink alcohol.
On his deathbed, a wealthy businessman announces that his fortune is to be split equally among his three illegitimate children, whose whereabouts are unknown to his family and colleagues. A bevy of lawyers and associates scheme to procure the money for themselves, enlisting the aid of impostors and blackmail.
In 1919, a group of Japanese immigrants arrives in Hawaii. Among them Yoshio Inoue and his wife Kishimo and Sumi, a young woman ready to get married soon. With the soil that is hard to work and the subtroipical climate, the immigrants have to cope with a hard life. But after years of hard work, Yoshio finds work as a teacher while his wife manages to open a small grocery store. But with the war around the corner, life becomes more and more complicated for the Japanese immigrants in a foreign country.
Mod-sixties visuals and black humor mark this wild New Wave masterpiece about a vengeful contractor who hires a series of young killers to target a woman muckraker. Trouble brews when an amateur marksman shows up his eclectic competition.
The daughter of the wealthy Soga family is kidnapped and her fiance is murdered. But the kidnappers, Tatsu and Sanko are unaware that Tatsuko is the heiress to a fortune. Two strong-arm brothers, Kosaka and Takeshi, learn of her identity and join the gang in an effort to shake down the tycoon for ten million yen. Upon joining forces, their first move is to rid themselves of the driver whose identity is known to the police because of a cap which he left behind at the scene of the crime. Upon obtaining the ransom money, the brothers murder the two kidnappers and go to the port city of Kobe. The younger brother, Takeshi, has fallen in love with the prisoner and refuses to allow her to be killed and they take her with them from one hideout to another.
Prosecutor Takayama investigates the sudden death of a third baseman in the middle of a game.
In this loose adaptation of "Hamlet," illegitimate son Kôichi Nishi climbs to a high position within a Japanese corporation and marries the crippled daughter of company vice president Iwabuchi. At the reception, the wedding cake is a replica of their corporate headquarters, but an aspect of the design reminds the party of the hushed-up death of Nishi's father. It is then that Nishi unleashes his plan to avenge his father's death.
A young woman is attacked by a serial rapist and murderer whom her detective father is investigating. Though she survives, the impact of the event creates increasing discord and agony for her and her loved ones.
A Japanese pacifist, unable to face the dire consequences of conscientious objection, is transformed by his attempts to compromise with the demands of war-time Japan.
A troupe of travelling players arrive at a small seaport in the south of Japan. Komajuro Arashi, the aging master of the troupe, goes to visit his old flame Oyoshi and their son Kiyoshi, even though Kiyoshi believes Komajuro is his uncle. The leading actress Sumiko is jealous and so, in order to humiliate the master, persuades the younger actress Kayo to seduce Kiyoshi.
Kiku and her brother Isamu are social outcasts, children of a prostitute mother and black GI father, in postwar Japan.
A father curries favor with his bosses to further his career, but his wife has lost faith in him. She returns to her family home while they rent out their house during the summer to pay off their mortgage, and there she meets a lonely old man...
The story tells of Tsuchiya, a university professor and a widower who is in love with a widow who runs a small restaurant, and his son is in love with a runaway girl who turns out to be the leader of a religious sect. Kusano is the henpecked proprietor of a rice biscuit shop who dreams of owning a bird and dog shop and his daughter is in love with a boarder, employed by the private detective agency searching for the runaway girl. The agency head has his own dream of arranging thirty marriages and has already accomplished twenty-seven. Tatsumi is a newspaper reporter who dreams of a big scoop to enable him to marry a girl TV producer and his friend a mountain climbing enthusiast who dreams of joining a Himalayan expedition but is opposed by his wife. His love of the mountains is shared by a boarder in their home and by a fishmonger's son.
Set in the 1860s, the final years of the Tokugawa Shogunate, The Fireflies focuses on Tose (Awashima Chikage), the mistress of the Teradaya, a small inn in the Kyoto suburb of Fushimi. She does not have an easy life. Her husband, Isuke (Ban Junzaburo), is a wastrel who fancies himself a kabuki singer and who is obsessed with cleanliness. Her mother-in-law, Sada (Miyoshi Eiko) dislikes her because of her humble origins (her family are farmers) and because she fears that she will inherit the inn instead of Sugi, her daughter. Sada's hopes for Sugi, however, are dashed when she runs off with a con artist and leaves her child behind for Tose to take care of. When Sada becomes seriously ill, it is Tose who nurses her. On her deathbed, Sada asks her daughter-in-law's forgiveness. Meanwhile Isuke spends most of his time with a mistress he has taken, forcing Tose to manage the inn by herself
Japanese peasants Matashichi and Tahei try and fail to make a profit from a tribal war. They find a man and woman whom they believe are simple tribe members hiding in a fortress. Although the peasants don't know that Rokurota is a general and Yuki is a princess, the peasants agree to accompany the pair to safety in return for gold. Along the way, the general must prove his expertise in battle while also hiding his identity.
The 8th work of the "Keishicho Monogatari" series. The first investigation section over the robbery and murder of a continuous taxi driver shows an activity covered with blood, sweat and mud. The Metropolitan Police Department's investigative team was at a loss for killing taxi drivers, which occurred four times every day. The driver's corpse was found in the trunk of a taxi that accidentally hit a tree in an attempt to avoid a collision with a police car. Two of the three men running away from the car were arrested. A montage photo of the remaining one criminal is made, and a man with five criminal records emerges on the investigation line.
Alongside Tokyo's Sumida River is a ragpickers' settlement known as Ant Village. One night, a young Catholic girl, Satoko Kitahara, who has been baptized under the name of Maria, comes to offer her services. However, Ant Village is not just an ordinary vagrants' community but a fine autonomous organization, and as the municipal authorities have long been demanding that the people of Ant Village leave the site, Satoko is utilized to publicize the Village and win public sympathy. While being utilized in this manner, Satoko is nevertheless glad to be able to help the people of Ant Village, especially the children, and when the summer vacation comes she decides to take the children on an excursion to Hakone. To raise funds for this purpose she becomes a rag-picker herself.
The obstinate black market trader Okyo lives together with her son Seitaro, who works as a mechanic for a bus company. She also looks after her son's colleague, the bus driver Fujita. When he causes an accident one day, Seitaro testifies against him due to his moral scruples, thus getting his company into trouble.
Residents of a rundown boardinghouse in 19th-century Japan, including a mysterious old man and an aging actor, get drawn into a love triangle that turns violent. When amoral thief Sutekichi breaks off his affair with landlady Osugi to romance her younger sister, Okayo, Osugi extracts her revenge by revealing her infidelity to her jealous husband.
The story of the trials and tribulations of a lighthouse keeper and his wife.
A study of uneasy relationships among the inhabitants of a tiny rural community.
A power struggle in the fief of Okazaki causes the death of Namiji, a nobleman's daughter. As her fiancé seeks revenge, he finds Namiji's cat helping him. Co-starring Shintarô Katsu and Takako Irie.
A group of rank-and-file Japanese soldiers are jailed for crimes against humanity, themselves victims of a nation refusing to bear its burdens as a whole.
A young salary man and his wife struggle within the confines of their passionless relationship while he has an extramarital affair.
A talent scout moves sharply, dead-set on signing a promising athlete to the team the Toyko Flowers.
The story of a group of young people who organise their own travelling symphony orchestra to provide music for people living in remote villages shortly after the war.
Based on the play ”Mabuta no haha” by famed author Shin Hasegawa, this is the first major starring role for Tomisaburo Wakayama. This heartfelt story concerns a wandering gambler from Banba by the name of Chutaro. Set during the Tenpo Period, Chutaro runs afoul of Boss Sukegoro of Iioka. Pursued by vengeance seeking swordsmen, Chutaro displays his phenomenal martial art skills. Abandoned as a child, he seeks to find his long lost mother, while at the same time fighting off numerous attacks by Iioka’s men.
This period film is inspired by one of the most notorious scandals to have taken place in Edo-period Japan. The heroine, Ejima, was a lady of the Ooku, the harem of Edo Castle in which the Shogun’s mother, wife and concubines resided, forbidden from contact with any other man except in the presence of the Shogun. The institution played a key role in the Byzantine world of Japanese court politics during the Edo era. In 1714, Lady Ejima was sent to pay her respects at a Buddhist temple in the city, and chose to pay an unauthorised visit to the kabuki theatre – a violation of protocol that was to have tragic consequences.
Christ in Bronze is a 1955 black-and-white Japanese film directed by Minoru Shibuya. It was entered into the 1956 Cannes Film Festival.
Machiko Ujiie and Haruki Atomiya first meet and fall in love on Ginza’s Sukiyabashi Bridge during the Great Tokyo Air Raid in March 1945. Machiko and Haruki pledge to meet again at the bridge in six months but part without asking each other’s names.
A sad and troubled man finds a new job five years after the end of WWII, where he writes love letters for other people.
Machiko and Haruki’s drama continues. Two meet again in Hokkaido only to be separated again.
Drama about a famous one-eyed, one-armed samurai swordsman of the middle of the Tokugawa period by the name of Tange Sazen. By chance, Tange gets an old pot in which the secret of the treasure of 1000000 ryos of gold is hidden. However, a bunch of different people hunt for the pot and Tange will have to apply his phenomenal fencing skills with the sword.
A girl who'd left her hometown for the exciting adventure of the big city returns home years later for a visit, soon somehow causing scandal.
During the 17th Century roving bands of hatamoto were causing trouble in the new capital city of Edo and constantly fought with the townspeople at every turn. The leader of these ruthless samruai was Mizuno Jirozaemon, who despite his high rank was in deep financial distress, thus leading to a tragedy that shook the very streets of the city.Opposing him was Banzui-in Chobei, the ‘Protector of the Weak’ who was willing to put his life on the line to save the 808 districts of Edo from the 80,000 hatamoto whose violent behavior threatened to destroy the fabric of society. Starring Bando Tsumasaburo, the first great star of the silver screen along with mega-star Ichikawa Utaemon, this is a story not to be missed. Torn from the pages of history, this true story has been told many times, but never as powerfully as this!
A fishing union depends on two brothers to make up the losses caused by the dishonest captains they replaced.
A Hibari Misora musical about an impoverished girl and her brother in Postwar Japan.
Life and love in corrupt postwar Tokyo, as a young couple struggles against both the law and the mob.
Inoue was something of a rarity in the sense, that he was a Shochiku house director who seems to have worked mostly in period films, often with big stars like Hasegawa or Bando. "Sumidagawa", named after the river that runs through Tokyo, is also a period film, but thematically a modern one. All the themes that you associate with the normal Shochiku women's films set in the present day are in this film, just in a different context: love, the planning of a marriage, career, family relations and societal melancholy. There is no action or swordplay.
Shuhei Horikawa, a poor schoolteacher, struggles to raise his son Ryohei by himself, despite neither money nor prospects.
A Japanese comedy from the end of the silent era (it has music) from a popular series. A feud, a practical joke and romance are the set up for some great comedy and drama from a team of distinctive appearance who are exploiting their silent cinema styles to the full.
The story focuses on the widower Nemoto, ostensibly a businessman, who has one son, Kanichi, the hero of the title. Nemoto remarries; his new wife is a widow with a son and daughter of her own. However, Nemoto’s business turns out to be out a shady scam, and he disappears, leaving his wife to raise the three children alone. In order to support the family, she is obliged to become a bar hostess. She conceals this shameful employment from the children, but the truth comes out years later, after her daughter is rejected by her husband’s family when they investigate her background.
Mikio Naruse’s final silent film is a gloriously rich portrait of a waitress, Sugiko, whose life, despite a host of male admirers and even some intrigued movie talent scouts, ends up taking a suffocatingly domestic turn after a wealthy businessman accidentally hits her with his car
The film tells of the strained relationship between a mother and her two sons after the death of the family patriarch.
An aging actor returns to a small town with his troupe and reunites with his former lover and illegitimate son, a scenario that enrages his current mistress and results in heartbreak for all.
The story deals with Fuji, nicknamed Waka-danna (Young Master), the star athlete on his university's rugby team. The son of a wealthy soy sauce manufacturer, Fuji basks in the glory of his athletic celebrity. Attracting the attention of admiring young women, Fuji resists family pressure to settle down and marry after college. Instead, he spends much of his time drinking and womanizing, behavior which eventually leads the college officials to expel him from the team.
Tokiko leads a double-life as an office typist and the mistress of a retired champion boxer and small-time ringleader named Jyoji. Hiroshi, a new recruit to the gang, hero worships Jyoji and neglects his studies. Hiroshi's sister Kazuko begs Jyoji to spare her brother from their shady dealings, but inadvertently casts a spell on Jyoji. After several reversals, Jyoji returns to Tokiko's arms. They decide to come clean, but not before pulling one last job to help Hiroshi and Kazuko.
