Kōji Wada
1943, two baseball teams play a last match before fighting in WW2.
When an American is murdered in a Japanese inn, Tokyo police detective Munesue follows the trail of the killer to New York. There he is joined by a New York City detective named Shuftan and together they sort out the crime.
A model must cope with the stress of fame after a marketing executive transforms her into a sports celebrity.
Komori Tiaki is a budding tennis student, however one day in training her coach hits the ball into her eye accidentally. She is taken to hospital but it advised that she will never regain the sight in her eye. Her coach knows of a mysterious doctor 'Blackjack' who lives in a secluded house, who might be able to help. 'Blackjack' agrees to do the operation, but for a 'substantial reward'! Her sight is regained, but now she starts to see a mysterious man that is invisible to those around her....
Nanjo, a new teacher at a girls' high school, unwittingly becomes the object of gossip when he buys underwear for Shimizu and spends his vacation with a female teacher. It turns out that Nanjo and Shimizu have fallen in love.
The eighth sequel of the series by the successful “Fukasaku and Bunta” collaboration revolves around the men of a lesser organization that are constantly bullied by the upper organization and “bleed in vain” in gang wars.
In 1947, in Kobe, Japan, a local street gang fights for their survival when its turf is overrun by United States occupation forces and international gangs.
Terry Sugury is hired to recover one of two tapes containing a formula for making heroin for a price of 200 dollars a pound. But he gets double crossed. So he wants the tape back.
The first part of the Nora-neko rokku ("Alley Cat Rock") series was originally Nikkatsu Studios' answer to the rivaling Toei Studios' Delinquent Boss series, but spawned four sequels thanks to its popularity. Onna banchô, the first movie in the series, takes place in Shinjuku, Tokyo where rivaling youth gangs are constantly trying to one-up each other in toughness. An all-girl gang led by Mei (Meiko Kaji) gets involved in dangerous circles when Mei's boyfriend Michio (Kôji Wada), wants to join a powerful yakuza organization called Seiyu but inadvertently loses the gangsters' money in a fixed boxing match. Of course, Mei's gang is not going to leave him to the gangsters, especially when helped by an enigmatic and independent female biker called Ako (Akiko Wada).
Goro has always been a lone wolf. When he arrives at an industrial city in Keihin, there is certain restlessness in the air. The Iriezaki family and the Kanto Touyu-kai were in the midst of a territorial dispute. Goro was quick to notice, but had no intent to take sides. At a department store nearby, he sees an elevator lady being harassed by a couple of hoodlums. Goro decides to intervene. Unbeknownst to him, the hoodlums are Touyu-kai members – and the girl has strong ties with the opposing family.
Young bartender operates secret sex club as a profitable side business.
A college student comes to a wealthy family as a tutor for their son, an elementary school student, he cheerfully encourages his student, captivates him with the spirit of sports and falls in love with the daughter of the owner of the house. A masterpiece of youth drama starring the eternal idol Kazuo Funaki.
The love story of an aspiring architect and a charcoal-making daughter, who discover that they are actually brother and sister.
In 1943, critical developments in the Pacific War have placed Japan at a disadvantage, although the fiery breaths of war hadn't yet reached Okinawa Normal School for women. Nothing seemed the least bit out of the ordinary, as Kazuko and her friends enjoyed a day of sports. A year later the war takes a devastating turn, as US forces plan an amphibious attack known as "Operation Iceberg" on the Ryukyu island.
Goro Fujikawa (Tetsuya Watari) was indebted to Mitsugimoto. Sawada, a low rank yakuza with a gambling problem owed Mitsugimoto three million yen. This equation can only lead to one answer. Mitsugimoto needs to pay and Goro's coming to collect.
A girl runs away form her house in Kyoto to find fortune in the Japanese capital.
An expedition in the South Pacific lands on a tropical island where the natives worship the mysterious deity Gappa. An earthquake opens up an underground cavern and a baby reptile is discovered inside. The natives warn the foreigners to leave the hatching alone, but they don't listen and take it back to a zoo in Japan. Soon after, moma and papa Gappa start smashing Tokyo looking for their kidnapped child.
The Spiders, a Japanese pop group, in their first starring role, walk from Yokohama to Tokyo, to prove their love for a girl who told them "the person who can overcome any obstacle will be my lover"! Neither traffic, buildings, nor the police can stop them, in this madcap rock musical adventure!
It had been a year and four months since Mitsuo was last on a movie set. Welcomed back by director Ishizaki and his film crew, Mitsuo is excited to star as the lead in "My Sweetheart". One day, half way through production, he meets his friends from a popular rock group, "The Spiders". Through their discussion regarding the climax scene, they criticize that the script is too grim. In a notion to protect their friend's career, they decide to pay the scriptwriter a little visit.
Like a girl runaway, Tsuyu moves to Osaka to work as a bar hostess. She meets the owner of a model school, Yoko, and seriously thinks about becoming a fashion model. Yoko tells her that she can move in to Yoko’s house to take lessons, while making a living at the same time.
Kenichi (Ken Yamauchi) and Satoru (Mitsuo Hamada) join up with three other electric music lovers to form their own band, "The Young and Fresh."
College life starts off great for Michiko. She and her friend join the Italian Culture Research Club that performs canzone, a genre they are both in love with. The only problem is that the club doesn't have enough money to buy instruments for them to play. One day, the two come across a talent show called the "Mari Sono Look-Alike Contest" that promises the winner a cash prize. And Michiko looks a lot like the star.
A young journalist is writing an article on what happens to girls who are raped. He uncovers the story of a young girl who committed suicide when recognized by her former fiancee after she had become a prostitute. Other stories are interwoven, and the journalist finally comes to the conclusion, which he publishes, that "keeping your virginity until your wedding day will never be a source of regret for either men or women."
An original warrior directed by Toshio Takagi, directed by Eisuke Takizawa of “Kiriko's Tango” by Toshio Yasumi, a comedy, cheerful widow. The photo was taken by Minoru Yokoyama from “Asakusa no Toko Odoriko Monogatari”
In the shady black markets and bombed-out hovels of post–World War II Tokyo, a tough band of prostitutes eke out a dog-eat-dog existence, maintaining tenuous friendships and a semblance of order in a world of chaos. But when a renegade ex-soldier stumbles into their midst, lusts and loyalties clash, with tragic results. With Gate of Flesh, visionary director Seijun Suzuki delivers a whirlwind of social critique and pulp drama, shot through with brilliant colors and raw emotions.
Three girls come to Tokyo to stay with their elder sister. Actually they are running away from home because their father has married again to a very young woman. They have many romantic adventures and one finally decides against the boy she thought she loved because he, just like her father is always away from home. But directly after her marriage to another young man, her sister runs after the former boy-friend.
On the day of college graduation, Mieko (Sayuri Yoshinaga) stood on stage as the valedictorian for the Department of English. During her university years she made sure that she would always come out on top, and she did. With a victorious graduation behind her, she plans out the next chapter of her life: become a successful novelist and go out with a classmate she's been secretly eyeing for the past couple of years.
Koji Wada, who is good at shooting, karate, judo and boxing, has a tough fight with the sea gangsters!
An unofficial sequel to Million Dollar Match (1961) which also starred Koji Wada as a young energetic boxer. This story deals more with betting action surrounding a boxing match, concentrating mostly on the high-powered Yakuza gambling dens.
Not too long ago, Soichiro was considered one of the most powerful men in business. But his business had failed, his granddaughter had committed suicide. There was nothing in his life anymore that he could look forward to. Sochiro was ready to put an to it end to all. As he drives down the Usui Pass, headed toward his summer house in Karuizawa, a girl in red heels, wearing nothing else but a coat jumps in front of the car.
On summer vacation, university student Shintaro gets involved with a magic troupe as they travel from festival to festival.
A college student takes over the family business in the field of organised crime.
Nikkatsu finally responds to Suzuki's growing discontentment by giving him a bigger budget and a better script. This episodic collection of "real coast guard action stories" was the perfect vehicle for Koji Wada. Whatever negative press he had received for Tokyo Knights was quickly forgotten. He became the new "teen star." And Suzuki: "the director to watch."
Wada Kōji is a chivalrous young man who leads a group of youths that take on a yakuza boss.
This rarely seen gem from master Suzuki casts teenage heartthrob Koji Wada as a young misfit who suddenly finds himself the unwitting pawn in an escalating family feud that ultimately leads to tragedy. Lean, mean, and stylish as always, this tale of youth-gone-wild is both vibrant and touching. Suzuki contrasts tranquil glimpses of traditional regional life with the emergence of the new rock 'n' roll youth culture and the greed and seething cynicism of encroaching Westernism. Also released under the title "Go To Hell, Hoodlums!", this is a melodrama as colorful, shocking, and exhilarating as one would come to expect from Japan's master filmmaker.
