Koldo Serra
“[REC]” is the horror film that marked a before and after in Spanish cinematography with its premiere in 2007. The new bet by the Filmax producer, Julio Fernández, redefined the genre in our country with an innovative proposal directed by Jaume Balagueró and Paco Plaza. Now, 15 years later, the main protagonists analyze the keys to the film, its origin and gestation, the success of critics and audiences, its passage through the big festivals and the impact of a cinematographic phenomenon that gave way to an unprecedented franchise until that time.
Raquel is desperate: a series of unfortunate events have led to her daughter being taken and she needs a large amount of money to get her back, and fast. After a desperate plea to the bank, she manages to secure the loan she needs. The problem is that precisely at that moment, a peculiar couple of robbers enter the branch: the drug-addicted Jonan and his partner Lola, who is a deadly combination of smart and psychotic. But Raquel’s stakes are too high, and she knows she must think carefully to outsmart them, save herself and get her money.
Everyone knows what to do if one morning the sky would be absolutely full of UFOs: run as fast as you can. However, what would happen if the invasion started while you are in the flat of the girl of your dreams, the one you have just met?
An English couple's holiday in Spain is interrupted when they discover a girl imprisoned in a cabin.
A man volunteers to take part in an experiment that attempts to analyse human behaviour under extreme conditions of terror. His mission is to remain seated inside a dark room for a length of time of 15 minutes. If he manages to hold on, he will receive in return a generous sum of money. Is it possible to terrify an individual who knows beforehand that everything is a farce?
At 30 Amelia thinks that time is only an excuse for putting off the arrival of a fate which she has been warned about by fortune tellers and horoscopes.
Bedelia is a dirty old woman who kills all her neighbors and his son Jon hides the corpses.
