Konrad Tom
Mamele embraces the entire gamut of interwar Jewish life in Lodz--tenements and unemployed Jews, nightclubs and gangsters, religious Jews celebrating sukkot--but the film belongs to Molly Picon who romps undaunted through her dutiful daughter role saving siblings, keeping the family intact, singing and acting her way through the stages of a woman's life from childhood to old age.
Staying at a fancy resort, Wladyslawa Majewska is mistaken as a male guest when she is dressed in a skiing outfit. The manager offers her, thinking she is a he, a job as a dancer to entertain the unescorted ladies who frequent the hotel. Wladyslawa goes along with the offer, and keeps the old ladies dancing but falls in love with the best-looking male guest in the process, who thinks she is a man.
The action takes place in a fictional country. One day the head of the Ministry of Public Morality is Susan, whose greatest misfortune is to have a twin sister. Twin sister is actress and cabaret revue, which performance and behavior discredits the minister.
The story of two friends Adam and Zygmunt, serving in the floatplanes escadrille of the Polish Navy.
Jaśnie Pan Szofer is a 1935 Polish romantic comedy film directed by Michał Waszyński.
Pharmacy trainee Władzio (Eugeniusz Bodo) is a shy young man with a good heart, in love with lovely Loda (Loda Halama).
After becoming a licensed engineer abroad, Lucyna comes back to Poland and looks for a job. Because her wealthy father thinks it's inappropriate for a girl to work, she decides to put on men's clothes and get a job as Julian Kwiatkowski.
Professor Platfus and Teofil Rączka run the "Romeo and Julcia" Intermediation Office.
