Kristoff St. John
Corey Feldman's message regarding the pedophilia problem in the movie business.
What if Dee Dee Blanchard was a rich lady doctor who preyed on her roommates and also loved to watch Downton Abbey?
When her best friend invites her along for a holiday themed sail, an aspiring novelist, Pam, unexpectedly finds the love of her life on board. But what will happen when the ship returns to port for Christmas?
Below the streets of New York is a dark and dangerous world hidden in the shadows of abandoned subway tunnels and miles of forgotten infrastructure. When a young documentary filmmaker goes into these tunnels to uncover the unseen stories of the people living below our feet, she finds out that there is more to be afraid of than the dark. A mysterious figure, living beyond the reach of the law, has declared war on the outside world that threatens to tear apart the fragile underground society living in the tunnels and maybe even the city above it.
In the sequel to the popular UP Original Movie Marry Me For Christmas, it's a year after Marci and Blair declared their love for each other and decided to tie the knot. But as the big day approaches, Marci is so consumed with work that she hasn't had time to plan her wedding. To make matters worse, she may have to team up with former assistant/fake fiancé Adam to win a project she's been vying for - a little tidbit she hasn't shared with Blair. But Blair, as it turns out, has a secret of his own. Thanks to years of doing pro bono work for financially-strapped clients, he quickly is running out of cash and might have to accept an offer to work for his longtime nemesis, Marci's manipulative cousin Preston. Meanwhile, Marci's mother Stephanie is making some rather bold moves of her own with her sexy salsa teacher, Antonio, who's more than a little smitten with her - and about 20 years her junior. Will there be a wedding for Christmas? Better yet - whose wedding will it be?
Stuck in a dull marriage, successful shrink Mia DuBois follows a patient's advice and exposes her wild side at a private underground club, where she meets a handsome stranger and begins an affair that may cost her more than just her husband.
The Atlanta Child Murders is a TV miniseries that aired on February 10 and 12, 1985 on CBS. Inspired by true events, the miniseries examines the so-called "Atlanta child murders" of the late 1970s and early 1980s.
Charlie & Co. is an American sitcom that originally aired on CBS from September 18, 1985 to May 16, 1986. Created by Allan Katz, the series stars Flip Wilson and Gladys Knight. Charlie & Co. is regarded as CBS's answer to The Cosby Show, which was a ratings success for NBC at the time. Unlike The Cosby Show, which ran for eight seasons, Charlie & Co. lasted for only one.
This romantic drama focuses on the romance between a 14-year-old mathematics genius and a 19-year-old All-American volleyball player.
Beulah Land is a three-part American television miniseries adaptation of Lonnie Coleman's novels that aired on NBC from October 7 to 9, 1980.
The more you love, the harder you fight.The world looks at Billy Flynn and sees a has-been who seemingly never was, an ex-boxing champion slammed to the mat years ago by booze and gambling. But Billy's son TJ sees what the world doesn't. He knows his flawed but loving father is, was and always will be The Champ.
The Bad News Bears is an American sitcom that aired on CBS from March 24, 1979 until July 26, 1980, consisting of 26 episodes. It was based on the 1976 hit movie of the same name, that was followed by two sequels in 1977 and 1978.
Roots: The Next Generations is a television miniseries, introduced in 1979, continuing, from 1882 to the 1960s, the fictionalized story of the family of Alex Haley and their life in Henning, Lauderdale County, Tennessee, USA. This sequel to the 1977 miniseries is based on the last seven chapters of Haley's novel entitled Roots: The Saga of an American Family plus additional material by Haley. Roots: The Next Generations was produced with a budget of $16.6 million, nearly three times as large as that of the original.
