Krzysztof Litwin
A journalist is preparing to take a train trip, when he is confronted by the spirit of professor Ryszpans who tells what happened to him. When he boarded a train standing on a siding, he encountered trackman Wiór with a newspaper informing about the crash of the train and the death of several passengers, including professor Ryszpans. The professor is joined by engineer Zniesławski, who has also heard of the impending disaster and is interested in it from the technical side. On hearing the news of an approaching catastrophe, other passengers leave the train in panic at the next station. However, trackman Wiór manages to hypnotize several travelers who continue with the journey. Ryszpans hears a roar and sees objects crumbling around him, and then turns into a shadow. After hearing the story, the journalist resigns from his train trip.
Set in the 19th century Warsaw. The indolence of aristocrats who, secure with their pensions, are too lazy to undertake new business risks, frustrates Wokulski. His ability to make money is respected but his lack of family and social rank is condescended to. Because of his "help" (in secret) to "the doll's" impecunious but influential father, the girl becomes aware of his affection.
In the last days of WW2, Polish military looks for the murderer of prosecutor responsible for storing Gestapo files.
WWII. Zyga, one of the Resistance soldiers in Kraków (Poland), is arrested by Gestapo. Soon later with new arrestings comes out that Germans must have received some new informations. Zyga is suspected to become an informator.
The movie "L'instant de la paix" consists of three segments: 1. "Les rideaux blancs" (France) 2. "Berlin N 65" (West Germany) 3. "Matura" (Poland)
The young and beautiful wife of a prominent diplomat complains of boredom. To change her monotonous life, she has an affair, through which she gets entangled in intrigues and espionage affairs. (telemagazyn.pl)
A subjective adaptation of a well-known autobiographical novel by Zbigniew Unilowski (screenplay by Wojciech Jerzy Has with dialogues by Stanislaw Dygat). The adventures of the tenants of a sublet room in a Warsaw townhouse inhabited mostly by students and novice writers, presented against the social context of the 1930s.
