Kulvinder Ghir
Himalayas, 1934. A remote clifftop palace once known as the ‘House of Women’ holds many dark secrets. When the young nuns of St. Faith attempt to establish a mission there, its haunting mysteries awaken forbidden desires that seem destined to repeat a terrible tragedy. Adaptation of the 1939 novel by Rumer Godden.
In 1987, during the austere days of Thatcher’s Britain, a teenager learns to live life, understand his family, and find his own voice through the music of Bruce Springsteen.
Since his arrival at Buckingham palace, Rex lives a life of luxury. Top dog, he has superseded his three fellow Corgis in Her Majesty’s heart. His arrogance can be quite irritating. When he causes a diplomatic incident during an official dinner with the President of the United States, he falls into disgrace. Betrayed by one of his peers, Rex becomes a stray dog in the streets of London. How can he redeem himself? In love, he will find the resources to surpass himself in the face of great danger…
On the cusp of the 19th century in Delhi, we follow the fortunes of the residents of the titular mansion. The story begins as handsome and soulful former English soldier John Beecham has acquired the house to start a new life for his family and a business as a trader.
Still Open All Hours is a sitcom set in a grocer's shop. It is a sequel to the series Open All Hours, written by original series writer Roy Clarke and featuring several of the permanent cast members of the original series
This comedy revolves around two brothers, both wonderful chefs, who fall out catastrophically. At the climax of their dispute they rip the family recipe book in half - one brother gets the starters and the other gets the main courses. They set up rival restaurants, across the road from each other, and spend the next twenty years trying to out-do each other. Neither brother will admit it but they both know they are not entirely successful in the 'other half' of the menu. It takes a daughter - a successful corporate lawyer marrying a man from a very different background - to reunite them. She is planning her marriage and is determined that they will both cook the wedding banquet.
Martin (deceased) is stuck in a dead-end job, welcoming the newly departed into the afterlife. All he dreams of is going 'Up There'. But his plans are thrown into disarray when he has to team up with the relentlessly chirpy Rash and together they lose a new arrival. The mismatched pair give chase and end up in a remote seaside town populated by cocky teenagers, sinister old women and the enigmatic Liz, who has 'suicide written all over her'. Can they stop bickering long enough to find the lost soul? Will Rash be reunited with his brother Chunky? And can Martin get back in time to finally get 'Up There'? UP THERE is a killer comedy about life, death and irritating friends.
Portrayal of the late Bradford playwright Andrea Dunbar. Andrea Dunbar wrote honestly and unflinchingly about her upbringing on the notorious Buttershaw Estate in Bradford and was described as ‘a genius straight from the slums.’ When she died tragically at the age of 29 in 1990, Lorraine was just ten years old. The Arbor revisits the Buttershaw Estate where Dunbar grew up, thirty years on from her original play, telling the powerful true story of the playwright and her daughter Lorraine. Also aged 29, Lorraine had become ostracised from her mother’s family and was in prison undergoing rehab. Re-introduced to her mother’s plays and letters, the film follows Lorraine’s personal journey as she reflects on her own life and begins to understand the struggles her mother faced.
A psychological thriller about how an elite SAS unit's position is revealed by the British Prime Minister to ensure an arms deal goes ahead and to secure his re-election.
Big Chris leads a chorus of characters from various animated children's television shows in a medley of seven songs: 1. "Can You Feel It" 2. "Don't Stop" 3. "Jai Ho!" 4. "Tubthumping" 5. "Never Forget" 6. "Hey Jude" 7. "One Day Like This"
Lunch Monkeys is a British situation comedy, first shown on BBC Three in 2008.
Alfie Singh, accountant turned film producer, has a great idea for a film. It's called Ealing Comedy and it's about an accountant turned film producer called Alfie Singh. Alfie will play himself and his real son, Paul, will play his son in the film. Turned down by all the financiers, Alfie vows to make the film himself. His life with his wife and teenage son and his struggles to finance and make films in the UK are all woven together in a series of mad-cap events, resulting in a very British film
Taj Mahal Badalandabad leaves Coolidge College behind for the halls of Camford University in England, where he looks to continue his education, and teach an uptight student how to make the most out of her academic career.
My Life as a Popat follows the lives of a British-Indian family, through the eyes of their eldest son, Anand. The first series revolves around the teenager fighting the embarrassment his family causes him. The second series brings a change in the storyline, with Anand's genius brother Chetan Popat sometimes taking centre stage. Milli Patel also joins the family's adventures in this series.
Monkey Dust is a British satirical cartoon, notorious for its dark humour and handling of taboo topics such as bestiality, murder, suicide and paedophilia. There were three series broadcast on BBC Three between 2003 and 2005. Following co-creator Harry Thompson's death, no further series were made.
Members of a British opera troupe mount a production of "Sweeney Todd" within a maximum-security prison.
Goodness Gracious Me is a BBC English language sketch comedy show originally aired on BBC Radio 4 from 1996 to 1998 and later televised on BBC Two from 1998 to 2001. The ensemble cast were four British Indian actors, Sanjeev Bhaskar, Kulvinder Ghir, Meera Syal and Nina Wadia. The show explored the conflict and integration between traditional Indian culture and modern British life. Some sketches reversed the roles to view the British from an Indian perspective, and others poked fun at Indian stereotypes. In the television series most of the white characters were played by Dave Lamb and Fiona Allen; in the radio series those parts were played by the cast themselves. The show's title and theme tune is a bhangra rearrangement of a hit comedy song of the same name. The original was performed by Peter Sellers and Sophia Loren reprising their characters from the 1960 film The Millionairess. The show's original working title was "Peter Sellers is Dead", but was changed because the cast generally liked Peter Sellers. In her 1996 novel Anita and Me, Syal had referred to British parodies of Asian speech as "a goodness-gracious-me accent". One of the more famous sketches featured the cast "going out for an English" after a few lassis. They mispronounce the waiter's name, order the blandest thing on the menu and ask for twenty-four plates of chips. The sketch parodies often-drunk English people "going out for an Indian", ordering chicken phall and too many papadums. This sketch was voted the 6th Greatest Comedy Sketch on a Channel 4 list show.
A brother and sister travel from London to India for the funeral rites of their estranged Sikh father. For her it is a chance to discover more about her homeland, but for him the confrontation with foreign customs and the burden of new duties is unwelcome and traumatic.
GBH was a seven-part British television drama written by Alan Bleasdale shown in the summer of 1991 on Channel 4. The protagonists were Michael Murray, the Militant tendency-supporting Labour leader of a city council in the North of England and Jim Nelson, the headmaster of a school for disturbed children. The series was controversial partly because Murray appeared to be based on Derek Hatton, former Deputy Leader of Liverpool City Council — in an interview in the G.B.H. DVD Bleasdale recounts an accidental meeting with Hatton before the series, who indicates that he has caught wind of Bleasdale's intentions but does not mind as long as the actor playing him is "handsome". In normal parlance, the initials "GBH" refer to the criminal charge of grievous bodily harm - however, the actual intent of the letters is that it is supposed to stand for Great British Holiday.
The Real McCoy was a BBC Television comedy show that ran from 1991 to 1996, featuring an array of black and Asian comedy stars performing material aimed at an across-the-board black audience. UK comedy stars that featured in the series included: the comedy double-act of Curtis and Ishmael, Collette Johnson, Llewella Gideon, British Asian standup Meera Syal, Perry Benson, Sanjeev Bhaskar, Leo Chester, Felix Dexter, Robbie Gee, Kulvinder Ghir, Judith Jacob, Rudi Lickwood, Eddie Nestor, Marcus Powell, Junior Simpson and Curtis Walker and Jo Martin. The producer of the first two series, Charlie Hanson, was the co-founder of the Black Theatre Co-operative and had produced No Problem! and Desmond's before creating The Real McCoy. He was working with Curtis and Ishmael on the 291 Club at the Hackney Empire and suggested making a television version, but instead, the BBC opted for a totally new sketch series, launching The Real McCoy. In spite of its popularity it has yet to be released on DVD.
Young, handsome and alone in London at the start of a great career. But will Sunil's luck hold out against the seductions of pretty girls, the wiles of con-men and a hundred temptations of the great city?
Realistic story of working class Yorkshire life. Two schoolgirls have a sexual fling with a married man. Serious and light-hearted by turns. Rita, Sue And Bob Too was adapted by Andrea Dunbar from two of her own controversial plays. Rita (Siobhan Finneran) and Sue (Michelle Holmes) are two teenagers living on a run-down council estate in Bradford who both share a job babysitting for Bob (George Costigan) and Michelle's (Lesley Sharp) children. Whilst giving them a lift home one night, Bob decides to take Rita and Sue up to a deserted, country-side landscape. Clearly knowing what he has in mind, Rita and Sue are only too happy to oblige and both have a sexual encounter with him that becomes a regular occurrence. Despite the blatant politically-incorrect nature of the film, this does emerge as a somewhat controversial, though enduringly amusing film that has a sharp, gritty undertone.
