Kurt Kuenne
This short documentary chronicles the completion and release of the feature documentary "Dear Zachary: A Letter to a Son About His Father" and the subsequent journey to amend the Canadian criminal code. It is intended as an epilogue to "Dear Zachary" and offered as a thank you to those who supported this effort and made this change happen.
Raymond "Red" Reddington, one of the FBI's most wanted fugitives, surrenders in person at FBI Headquarters in Washington, D.C. He claims that he and the FBI have the same interests: bringing down dangerous criminals and terrorists. In the last two decades, he's made a list of criminals and terrorists that matter the most but the FBI cannot find because it does not know they exist. Reddington calls this "The Blacklist". Reddington will co-operate, but insists that he will speak only to Elizabeth Keen, a rookie FBI profiler.
Lovell Milo is a man who begins experiencing his life out of order; every day he wakes up at a different age, on a different day of his life, never knowing where or when he’s going to be once he falls asleep. He’s terrified and wants it to stop - until he notices a pattern in his experience, and works to uncover why this is happening to him - and what or who is behind it.
In 2001, Andrew Bagby, a medical resident, is murdered not long after breaking up with his girlfriend. Soon after, when she announces she's pregnant, one of Andrew's many close friends, Kurt Kuenne, begins this film, a gift to the child.
“The Phone Book” is the first-ever film adaptation of the world’s most widely owned book – the telephone directory. To preserve the artistic integrity of the original work, all dialogue has been reproduced exactly as it appears in the source material.
A cheerful parking attendant considers it his job to do more than validate parking. He wants to validate the customers themselves, delivering compliments about their appearances and the inner qualities behind them. Everyone who comes up to him with a ticket walks away validated as a worthwhile human being. Soon, the parking attendant becomes so popular that people line up for validation...
A nostalgic, informative history of drive-in movie theaters, featuring extensive archival photographs and interviews with Leonard Maltin, John Bloom, Samuel Z. Arkoff, Barry Corbin and many others... Drive-In Movie Memories is a film celebration of America's greatest icon of youth, freedom and the automobile. What began as an auto parts owner's business venture to make some easy money accidentally became a magical place where romance, fun and a sense of community flourished. This film chronicles the drive-in's birth and development, its phenomenal popularity with audiences of all ages, its tragic decline, and its inevitable comeback as a classic form of Americana.
“Scrapbook” (aka “The Piano Player”) is the story of a high school sophomore desperately searching for a meaningful connection with another human being; the efforts of his popular older brother to help him out only end up making things worse, leading to a cold war between the brothers that spirals out of control when our hero falls in with the wrong crowd. A coming of age tale populated with memorable characters that takes many unpredictable twists and turns, “Scrapbook” celebrates youth in its complex blend of joy and agony — and mourns the tragic mistakes that reverberate into adulthood.
The USC School of Cinema-Television’s inaugural production class, known by the course number “290”, requires students to make numerous films over the course of a semester without sync dialogue. For his four non-sync dialogue short films – First Impressions, Vanity, Filler and An American in Traffic – shot and edited on Super 8mm film, Kurt Kuenne was awarded the Harold Lloyd Scholarship in Film Editing by the family of the iconic silent film comedian.
The USC School of Cinema-Television’s inaugural production class, known by the course number “290”, requires students to make numerous films over the course of a semester without sync dialogue. For his four non-sync dialogue short films – First Impressions, Vanity, Filler and An American in Traffic – shot and edited on Super 8mm film, Kurt Kuenne was awarded the Harold Lloyd Scholarship in Film Editing by the family of the iconic silent film comedian.
The USC School of Cinema-Television’s inaugural production class, known by the course number “290”, requires students to make numerous films over the course of a semester without sync dialogue. For his four non-sync dialogue short films – First Impressions, Vanity, Filler and An American in Traffic – shot and edited on Super 8mm film, Kurt Kuenne was awarded the Harold Lloyd Scholarship in Film Editing by the family of the iconic silent film comedian.
The USC School of Cinema-Television’s inaugural production class, known by the course number “290”, requires students to make numerous films over the course of a semester without sync dialogue. For his four non-sync dialogue short films – First Impressions, Vanity, Filler and An American in Traffic – shot and edited on Super 8mm film, Kurt Kuenne was awarded the Harold Lloyd Scholarship in Film Editing by the family of the iconic silent film comedian.
