L.A. Johnson
The docu-film is described as “a never been seen before fan piece including footage from Northern California, London, and Nashville, during its creation.” It takes you on a journey from his iconic Broken Arrow Ranch to a performance with the London Symphony Orchestra.
The Bonnaroo Music Festival first turned up on the radar of the mainstream press and music industry when it posted some remarkable numbers in the spring of 2002. Folks in the know wondered how could a first-time event in rural Tennessee sell out all 70,000 of its tickets in a matter of days, with no advertising except email and word of mouth. And why would anyone, with the riots of Woodstock '99 a not-too-distant memory, even attempt such an event. The answer is that Bonnaroo, staged on a green expanse of Tennessee farmland June 21-23 2002, is the apotheosis of a movement that has quietly gained momentum for over a decade, existing as a parallel music universe.
Solo Trans is a concert film by Neil Young, released in 1984. It was recorded at the Hara Arena in Dayton, Ohio on September 18, 1983 during Young's Solo Trans tour. Originally released on only LaserDisc, the film has since gone out of print.
The new owner of a roadside diner stuck in a town built around an always leaking nuclear power plant plans to torch the place to collect insurance. However, an assortment of bizarre characters and weird events (such as spaceships flying around) gets in his way.
Neil Young's 1978 concert tour, documented in this acclaimed two-hour film that was directed by Young himself (using the pseudonym Bernard Shakey), is a treat for the singer-songwriter's fans. The concept of the show is high (for Young, anyway), if rather odd: roadies (here called "Road Eyes") decked out like Jawas from Star Wars, stage announcements from the original Woodstock during set changes, and giant amps, microphones, and so on for an "Incredible Shrinking Man" effect. Of course, it's the music that counts, and there's plenty of that, what with nearly 20 songs (including two versions of "Hey Hey, My My," his nod to the punk movement), acoustic and electric (with longtime companions Crazy Horse), dating back to his Buffalo Springfield days ("I Am a Child") and continuing through popular solo numbers like "Cinnamon Girl" and the extended "Like a Hurricane."
