Lam Hoi-Ling
Eddie Fong makes his directorial debut with this acclaimed and pointedly feminist period erotic drama about an independent woman born in conservative times. Taoist priestess Yu Hsuan-chi (Pat Ha Man-chik) longs for the sort of earthy experience that a woman born to her lofty station is not expected -- or desired -- to have. While putting in an appearance with society's elite, she carries on a passionate affair with an itinerate swordsman named Tsui Po-hou (Alex Man). With both Hsuan-chi and Po-hou fighting against the tedium and hide-bound conventions of Chinese society, the two seem like a perfect match. Yet the ever restless Po-hou soon leaves her and continues on his travels. Hsuan-chi develops a reputation as an amoral libertine, partially because she is having sex with her maid Lu Chiao. After Po-hou returns and leaves her again, Hsuan-chi learns that Lu Chiao is pregnant but she refuses to divulge the name of the father. Hsuan-chi's reaction ultimately results in tragedy.
Imagine an old-school martial arts melodrama about competing fighting schools dropped into the grungy sci-fi world of Blade Runner, and you have an idea of the curious mix of styles in Flash Future Kung Fu. Eddy Ko is the maverick star pupil of an honorable school who secretly engages in underground "Black Boxing" bouts, a black market sport off limits to the school. The ambitious X-Gang, a bloodthirsty neo-Nazi-like organization, plots to take care of Ko and his friends and take over the city with their army of mind-controlled zombie soldiers. In true Hong Kong fashion, it boils down to a showdown of champions, and this one takes place in a boxing ring in an eerily empty warehouse with video coverage broadcasting the event all over.
Cops Bruce Le and Carter Wong track a white-gloved call girl killer.
