Lam Siu
Chen Kuan-Tai is Big Brother Cheng, a former refugee who runs a local teahouse in Hong Kong. Respected by his peers, Big Brother Cheng runs the teahouse - and unofficially the neighborhood - with a firm righteous hand. However, when the triads come calling, Big Brother Cheng finds out respect and common decency may not be enough. The triads use underage kids to terrorize the teahouse, and since the law won't do anything, Big Brother Cheng may have to step in and take care of it himself!
This is a film about the movie industry, about favors, hooking up etc. It is mostly set in Copenhagen and the story begins with the son of a big producer going to Copenhagen from Hong Kong trying to seal a deal. He gets involved with the Denmark girls.
18 year old Ainu (Lily Ho) is kidnapped and sold to a brothel. Her good looks and wild personality make her very popular with the lustful clients, but also draws the lesbian attentions of brothel madam Betty Tei Pei. Betty teaches Ainu the ways of lust and the ways of kung fu, and Ainu becomes more and more similar to her captor. But rage at her treatment is still burning inside her.
Soon-to-be legendary director Chu Yuan had just joined the Shaw Brothers when he helmed this thriller of bickering bandits. Audiences loved watching three pairs of cunning male and female crooks trying to steal a million gold taels from the Fu Lai Treasury House...not knowing that one of them is actually an undercover hero. Even without him, there's no honor amongst thieves, so the double-crosses and deadly duels come fast and furious, all choreographed by Hsu Erh-niu.
Ivy Ling Po plays the dedicated wife of a man being blackmailed for an illicit love affair, who uncovers a pit of deceit, double-crosses, extortion and murder after murder.
Connie Chan Po-chu's character's father was killed by the triads, leaving behind two daughters. The elder sister makes a living as a singer at a nightclub, and is sometimes threatened by triad members. The younger sister (Connie Chan Po-chu), who knows karate, becomes an assassin who punishes villains. The first James Bond film was produced in 1962 and quickly became extremely popular worldwide. Quick-thinking Hong Kong filmmakers were inspired to make Chan into a heroine who upholds justice: wearing a tight, black unitard, speeding all over town in speedboats and sports cars, who at the same time embodies the innocence of a young woman. The youth culture and western modern lifestyles pursued by post-war baby boomers made Lady Bond the first of many films in the new Hong Kong genre of James Bond-style spy thrillers starring women.
Lui Yik-pang is reduced to his wits' end to rein the Golden Butterfly. Chong Tak-ming emerges as the suspect. The friendship and ties between former classmates Lui and Chong date back years ago. When the impoverished Chong turned to banditry, Lui abided by the law and arrested Chong. Chong repented and bore no grudges. Chong's daughter Ching-han and Lui's son Siu-man are lovers. Ching-han reinvents herself as a chivalrous bandit and robs the rich to help the poor after the imprisonment of her father and the death of her mother. Endowed with her father's gifts, Ching-han remains out of the law's reach, until she is tailed by the father enlisted in the police service. A bitter row ensues; the father's underling Sung Sing-biu snatches the stolen goods and activates the security system. Ching-han is prepared to turn herself in when Sung surrenders himself as a gesture of gratitude to his benefactor. Attending the wedding banquet, Lui brings his son and daughter-in-law a golden butterfly.
Hong Kong ghost movie set during wartime. Not to be confused with the South Korean film of the same name from the previous year.
The Ten Brothers return as the Lake Devil is plagued by a monster fish. To settle the old score, Marshal asks Shrimpy and his ten sons to exterminate the fish. Excelled on land, the ten brothers find themselves quite useless in the water.
The three heroines, Wong Ang, Wu Nga, and Heung At expose a murder case involving three dead bodies found in an old temple. Unbeknown to the trio, they've fallen in a trap laid by gangster Hui Pui-shing, who desires to avenge his brother's death by eliminating the women. With the cooperation of Hui's righteous subordinate, the police arrest Hui for smuggling tobacco and seizes their forged banknotes.
Morris the Tailor seeks to get even with Gilbert, Earl of Chen who has stolen a set of expensive clothes from him. Morris bumps into Princess Jenna and the two fall in love at first sight. But the king voices his opposition since Morris is from the grassroots. Gilbert suggests that Jenna's aunt adopts him as her foster son. In a split second, Morris is elevated to a royal and becomes the king's son-in-law.
Upon the death of an elderly master, a family has a dispute over the distribution of an inheritance / jewelry and are haunted by ghosts.
The sophistication of 1950s Hong Kong cinema is vividly illustrated in this film of limited budget and resources. Cantonese opera star Sun Ma Si-tsang plays a country boy who looks exactly like Sun Ma and is asked by a rich girl to impersonate the star, to help her stage an opera. The self-reflexive humour generated by the absurd situation not only provides delicious parody of celebrity culture but also comments subtly on class inequality and the perils of urbanisation. Sun Ma, who also appears as himself in a stage performance, is complemented beautifully by the brilliant comedian Yee Chau-shui as his sidekick and Hung Sin Nui, another opera superstar, as the spoiled and precocious rich girl.
The rapier wit is not only for playful bantering between a couple but also for fighting justice. Famed attorney Sung Sai-kit (Ma Si-tsang) is best known for his sharp pen and silver tongue. His wife Madam Tong (Hung Sin Nui), sympathetic with a wronged widow, tries every trick up her sleeve to get her husband to help. Ma is funny and lovable who morphs from the henpecked husband to the brilliant and shrewd attorney at court, he displays perseverance behind his devil-may-care and nonchalant attitude, even Stephen Chow reincarnated his persona in the 1992 version.
