Lars Nielsen

This is the day when the lives of an intertwined group of people take a new direction. Everything they have taken for granted starts to change. While Anne and Ask's relationship succumbs to 'metal fatigue', Charlotte has to realise that her husband Carl may not be right for her. At the same time Bente has to decide if she is prepared to wait for ever for her lover, while her ex-husband Bjørn must face the pain of finally letting Bente go. The characters and their children are twirled around in an ever-increasing drama which peaks during the opening night of Hamlet. Anne is on stage as Ophelia, and the question remains: to be or not be responsible for one's own happiness.

Combining the exultant sweep of epic period drama with the subtle intimacy of biography in a social perspective, this is a tale of materially impoverished childhood, struggling early manhood and an unrequited first love turned into good musical fortune for Carl Nielsen, one of the great composers of the 20th century. Based on the composer's autobiography, the film itself is designed to soar like a symphony.

Emma (Line Kruse) is an eleven year-old only child from a wealthy Danish family. Emma's parents seem more interested in their own interests than in her. One evening when Emma overhears her mother talking about how tragic it must be to have your child kidnapped, Emma decides to stage her own kidnapping. She soon meets Malthe, a kind-hearted, child-like, naïve sewer cleaner who literally stumbles on to her. She convinces Malthe that she is a Russian princess whose family is being chased by Bolsheviks, so Malthe lets Emma stay with him in his very modest abode. After being "kidnapped" for a few days, Emma decides to return home. But, just as she is about to return, she overhears a couple of servants talking about how her parents don't seem to be very upset over her dilemma....

John is the owner of a small publishing company. One day John meets the poet Clara and falls in love with her. A movie about jealousy and death.