Lars von Trier
The third and final instalment in the Danish cult hospital series. The old feud between the Swedes and the Danes at the hospital is still fiery, and the constitution of the Kingdom is fragile. A curse still lies on the old hospital, and what seemed fictitious in The Kingdom 1 and 2 [launched respectively in 1994 and 1997] may not be so unreal after all. This new mini-series, spanning 5 episodes, will be about good and evil, and is aimed to be both frightening and funny.
Get an exclusive behind-the-scenes look at the creative challenges Lars von Trier presents his cast and crew to bring his vision to life from script to shoot and to the screen at home.
Deriving from the likes of Lars von Trier and Michele Haneke, Will Milliam delivers a performance showing the inner mechanisms of human kinds darkest feelings. Grief, Pain, and Trauma are all deeply concentrated into one performance.
A modern classic filled with new Avant-Garde techniques never seen before.
Lars von Trier was interviewed by Christian Lund at his home outside Copenhagen in November 2020.
Failed architect, engineer and vicious murderer Jack narrates the details of some of his most elaborately orchestrated crimes, each of them a towering piece of art that defines his life's work as a serial killer for twelve years.
A focuses on 1957, one of the most prolific years for the Swedish director. During the year he shot two films, opened two of his most celebrated films (The Seventh Seal and Wild Strawberries), and produced four plays and a TV movie while juggling with a complicated private life.
For her extraordinary film essay, Living the Light, Director and Director of Photography Claire Pijman had access to the thousands of Hi8 video diaries, pictures and Polaroids that Müller photographed while he was at work on one of the more than 70 features he shot throughout his career; often with long term collaborators such as Wim Wenders, Jim Jarmusch and Lars von Trier. The film intertwines these images with excerpts of his oeuvre, thus creating a fluid and cinematic continuum. In his score for Living the Light Jim Jarmusch gives this wide raging scale of life and art an additional musical voice.
Palm Springs resident and film and art legend Udo Kier is "arteholic". He lives, breathes and makes art and at times he is even a living art piece. In this playful docu-fiction, we follow Udo on a road trip through famous museums in Frankfurt, Cologne, Paris, Copenhagen and Berlin, and eavesdrop as he chats with artists including Marcel Odenbach, Rosemarie Trockel, Jonathan Meese and Tobias Rehberger and filmmakers such as Nicolette Krebitz and Lars von Trier.
The continuation of Joe's sexually dictated life delves into the darker aspects of her adult life and what led to her being in Seligman's care.
In the sixties, Swedish filmmaker Ingmar Bergman (1918-2007) built a house on the remote island of Fårö, located in the Baltic Sea, eighty nautical miles off the east coast of Sweden. He left Stockholm and went to live there. When he died, the house was preserved. A group of very special cinephiles, came from all over the world, have traveled to Fårö in search of the genius and his legacy. (An edited version of the Swedish mini-series “Bergmans video,” 2012.)
A man named Seligman finds a fainted wounded woman in an alley and he brings her home. She tells him that her name is Joe and that she is nymphomaniac. Joe tells her life and sexual experiences with hundreds of men since she was a young teenager while Seligman tells about his hobbies, such as fly fishing, reading about Fibonacci numbers or listening to organ music.
A young queen falls in love with her physician, and they start a revolution that changes their nation forever.
Since the invention of cinema, the standard format for recording moving images has been film. Over the past two decades, a new form of digital filmmaking has emerged, creating a groundbreaking evolution in the medium. Keanu Reeves explores the development of cinema and the impact of digital filmmaking via in-depth interviews with Hollywood masters, such as James Cameron, David Fincher, David Lynch, Christopher Nolan, Martin Scorsese, George Lucas, Steven Soderbergh, and many more.
Two sisters find their already strained relationship challenged as a mysterious new planet threatens to collide with Earth.
Dimension is a short film written and directed by Lars von Trier, released in 2010. The film was shot in three-minute segments over several years. The original intention was to continue production for a period of 30 years for a final release in 2024. However, von Trier lost interest in the project and it was shelved in the late 1990s. The short film consists of the completed footage at the time the film was abandoned.
A grieving couple retreats to their cabin 'Eden' in the woods, hoping to repair their broken hearts and troubled marriage. But nature takes its course and things go from bad to worse.
A gripping portrait of the dramatic, extravagant and ego-centric actor Ernst-Hugo Järegård (1928-1998) who would always be at the center of everything. On the out side he was a hailed and confident diva. In his solitude he was plagued by insomnia, anxiety and a complicated relationship with his father. Includes Ernst-Hugo Järegårds last performance "Aktörens läte/ The sound of the actor" (1998) and "Abstract Poker" (1971).
Erik Nietzsche is an intelligent but in many ways inexperienced shy young man who is convinced that he wants to be a film director. In the late 1970s, Erik is accepted by the Danish National Film School where he enters a world of angry and unhelpful tutors, weird fellow students and unwritten rules. In this both exhilarating and angst-provoking period for him, Erik feels increasingly like a foreigner in the film industry. Frequently, he is merely an observer of the absurdities that surround him. He encounters trade union disputes, falls in love and experiences self-assured empowered women who refuse to make a commitment. The film is a drama full of comedy - a sharp portrait of a conceited but entertaining world of film which we suspect our dogged young director will eventually conquer with his vision.
Filmbyen is a cinema-town created by Lars Von Trier (director) et Peter Aalbek Jensen (producer). They founded together a company whiwh regroups all the cinema business industry. That documentary retraces the Filmbyen story, how it functions, the artistic and economic issues that arise.
A collection of short films by 16 European directors.
A collective film of 33 shorts directed by different directors about their feeling about cinema.
Lars von Trier's segment from “Chacun Son Cinéma” (To Each His Own Cinema) collective film of 33 shorts directed by different directors about their feeling about Cinema. Von Trier himself is seen during a screening of his movie Manderlay. The director reacts to the constant interruptions by the man sitting next to him – a self-professed critic.
An IT company hires an actor to serve as the company's president in order to help the business get sold to a cranky Icelander.
A collection of short films by 16 European directors.
In a blue-collar American town, a group of teens bands together to form the Dandies, a gang of gunslingers led by Dick Dandelion. Following a code of strict pacifism at odds with the fact that they all carry guns, the group eventually lets in Sebastian, the grandson of Dick's childhood nanny, Clarabelle, who fears the other gangs in the area. Dick and company try to protect Clarabelle, but events transpire that push the gang past posturing.
In 1933, after leaving Dogville, Grace Margaret Mulligan sees a slave being punished at a cotton farm called Manderlay. Officially slavery is illegal and Grace stands up against the owners of the farm. She stays with some gangsters in Manderlay and tries to influence the situation. But when harvest time comes Grace sees the social and economic reality of Manderlay.
A program of short films from some of the cinema's greatest diectors. Curated by Emir Kusturica and Stephen Frears. - George Lucas "1.42.08 to Qualify" (1966) - Ridley Scott "A Boy and a Bicycle" (1965) - Robert Zemeckis "The Lift" (1972) - Tony Scott "One of the Missing" (1969) - Emir Kusturica "Guernica" (1978) - Luc Besson "L'avant dernier" (1981) - Lars von Trier "Nocturne" (1980) - Terry Gilliam "Storytime" (1968) - Paul Verhoeven "A Lizzard Too Much" (1960) - Roman Polanski "Le gros et le maigre" (1960) - Jane Campion "Peel" (1982) - Stephen Frears "The Burning" (1967)
Anna is a young costume designer, focused on her job and wary of getting caught in romantic relationships. She has just found a new apartment, and is tempted to let her latest boyfriend, Frank, move in with her. Instead, she finds a tenant: The flamboyant, fun-loving Camilla, who shares Anna’s views on love and commitment. For both of them, it’s all about fun.
An interview with Danish film director Lars von Trier about his Europe trilogy of films.
In 2005 the cast and crew with Lars Von Trier gatherd to talk about Lars Von Trier's Dogma film The Idiots.
Twenty-five films from twenty-five European countries by twenty-five European directors.
Martje is the manager of a successful laundry service, but in her personal life she struggles with her self-image after the amputation of one of her breasts. After she is humiliated when Loe, one of her employees, is startled by the discovery of her prosthesis during foreplay, she imprisons him in the laundry plant. As Loe is slowly dying in imprisonment, Martje loses contact with reality and starts imagining having a family with him.
Stephen King's take on the masterpiece series by Lars von Trier. The story takes place in a hospital in Lewiston, Maine, built on the site of a Civil War-era mill fire in which many children died.
This film depicts the intense drama that takes place during the making of Dogville. Lars von Trier and Nicole Kidman work through this creative process under very extreme conditions.
The filmmakers who created the Dogme Manifesto reflect, argue, and watch clips of their own films.
A barren soundstage is stylishly utilized to create a minimalist small-town setting in which a mysterious woman named Grace hides from the criminals who pursue her. The town is two-faced and offers to harbor Grace as long as she can make it worth their effort, so Grace works hard under the employ of various townspeople to win their favor. Tensions flare, however, and Grace's status as a helpless outsider provokes vicious contempt and abuse from the citizens of Dogville.
Dogville: The Pilot was shot during 2001 in the pre-production phase to test whether the concept of chalk lines and sparse scenery would work. The 15-minute pilot film starred Danish actors Sidse Babett Knudsen (as Grace) and Nikolaj Lie Kaas (as Tom).
Lars von Trier challenges his mentor, filmmaker Jørgen Leth, to remake Leth’s 1967 short film The Perfect Human five times, each with a different set of bizarre and challenging rules.
Quixotic Martino Sclavi dives deep into the Danish film scene to uncover the truth behind the Dogme 95 Manifesto, along the way the film systematically breaks each and every one of the Dogme 'vows of chastity' - employing special effects, comedy sound design, and a singing narrator to boot.
The Name of this Film is Dogme95 is an irreverent documentary exploring the origins of Dogme95, the most influential movement in world cinema for a generation. The film tells how a 'brotherhood' of four Danish directors armed with a radical Manifesto, has inspired, outraged and provoked filmmakers and filmgoers the world over. The rules of Dogme95 take filmmaking back to its brass-tacks - stories must be set in the here and now; the films must be shot on location, with a handheld camera, using natural light, and direct sound; the rules forbid murders and weapons (staples of the much-loved action-movie genre); and, most amusingly, the director must not be credited (that holds also for the director of The Name of this Film is Dogme95...).
Although at first sight this might look like a simple ‘making of DANCER IN THE DARK’, the later developments in the film reveal the whole drama of Lars von Trier’s inner life during the shooting process. All his doubts and insecurities in collaborating with the crew and actors - especially actresses - are exposed. The biggest drama started when Björk walked off the set. Nobody knew whether she would be back or not. Admitting that he feels threatened by women, who can ‘make him feel embarrassed’, the director gives this documentary the nature of a personal diary. When he discusses the importance, purpose and beauty of the use of a hundred cameras in a certain sequence or the meaning of the Dogma 95 rules, the audience is witnessing the process of the artist’s search. Is the pain that the director went through during the shooting really visible in the final result, as Lars von Trier claims in this film? (from: http://www.idfa.nl/)
Selma, a Czech immigrant on the verge of blindness, struggles to make ends meet for herself and her son, who has inherited the same genetic disorder and will suffer the same fate without an expensive operation. When life gets too difficult, Selma learns to cope through her love of musicals, escaping life's troubles - even if just for a moment - by dreaming up little numbers to the rhythmic beats of her surroundings.
Jesper Jargil's documentary portrait of a bizarre piece of Danish experimental theater directed by Lars von Trier.
A very intimate look on Lars von Trier and his cast and crew, during the production of "The Idiots".
With his first Dogma-95 film director Lars von Trier opens up a completely new film platform. With a mix of home-video and documentary styles the film tells the story of a group of young people who have decided to get to know their “inner-idiots” and thus not only facing and breaking their outer appearance but also their inner.
Breaking The Waves director Lars Von Trier invents his own set of rules for filmmaking.
German/French TV documentary portraying Danish film director Lars von Trier.
The series is set in the neurosurgical ward of Copenhagen's Rigshospitalet, the city and country's main hospital, nicknamed "Riget". "Riget" means "the realm" or "the kingdom" and leads one to think of "dødsriget", the realm of the dead.
A portrait of Denmark's most acclaimed and controversial director, Lars von Trier. A meeting with von Trier on a private level as well as with his film universe. Filmmaker Stig Björkman follow von Trier during a period of more than two years, meet him at work, at home and at leisure. Written by Fredrik Klasson
In a small and conservative Scottish village, a woman's paralytic husband convinces her to have extramarital intercourse so she can tell him about it and give him a reason for living.
The first part of a Danish miniseries that has been edited into two massive films, "Riget" is set in the neurosurgical ward of Copenhagen's Rigshospitalet, the city and country's main hospital, nicknamed "Riget". The show follows a number of characters, both staff and patients, as they encounter bizarre phenomena, both human and supernatural.
Postwar Germany, 1945. Leopold Kessler, an American of German descent, works as a sleeping car conductor for the Zentropa railway line. When he meets Katharina Hartmann, the railroad owner's daughter, and they fall in love, his life intersects with the dark and violent path of a mysterious organization opposed to the United States army military occupation.
Behind-the-scenes documentary about Lars von Trier's latest movie Europa (1991). Also features unique footage of Trier and cast shooting a bit of footage for Trier's 30-year project "Dimension".
It is an adaptation of the Greek tragedy Medea from Euripides, a version where the Gods willing and intervations are absent. Medea is the tragic character that after helping Jason in the Voyage of the Argonauts (myth says that she has even sacrificed her own brother for Jason's success), she gets from him only betrayal, as he arranges to marry the King's of Corinth daughter. The king decides to exile Medea, as she is a danger for his daughter happiness, but Medea asks from him just a day… before she goes outside the borders. That day Medea gets her revenge…
The second of Trier's films known collectively as the Europa trilogy. The other two films in the trilogy are The Element of Crime (1984) and Europa (1991). Co-written by Niels Vørsel, the film focuses on the screenwriting process. Vørsel and von Trier play themselves, coming up with a last-minute script for a producer. This story is intercut with scenes from the film they write, in which von Trier plays a renegade doctor trying to cure a modern-day epidemic.
Fisher, an ex-detective, decides to take one final case when a mysterious serial killer claims the lives of several young girls. Fisher, unable to find the culprit, turns to Osbourne, a writer who was once respected for his contributions to the field of criminology. Fisher begins to use Osbourne's technique, which involves empathizing with serial killers; however, as the detective becomes increasingly engrossed in this method, things take a disturbing turn.
Set in Copenhagen during World War II, the film follows a German officer who visits his Danish mistress in the days after the occupation of Denmark has ended.
It's night. Perhaps after a dream of an intruder crashing through a window, a woman who's sensitive to light has a telephone conversation with a friend. The woman has a plane ticket from Copenhagen to Buenos Aires at 6 that morning. She doesn't want to go. Her friend encourages her to make the trip. Later, she stands in a car park with her suitcase. Flying geese fill the screen.
Based on the sadomasochistic novel by Dominique Aury, "Story of O", tells the story of a voluntary female submission.
A young, mentally ill man, a visual artist in crisis Victor Marse (Lars von Trier) meets two nurses (Eliza and her girlfriend) during his stay in a sanatorium. These nurses are obvious lesbians. Victor lives with Eliza and her son. He imagines another woman when he is roaming at a coast. He pretends committing a suicide but Eliza does not react to it. Every moment, he stays in front of a blank canvas and thinks. Meanwhile he dresses into Nazi clothes or into women dresses, then he leaves to go to the cinema, and abuses and probably kills a small girl. His masochistic affair with Eliza lasts; he is close to shooting her with a gun but instead she takes out a whip. Victor goes along the streets then he lies naked in front of the canvas on which he has left his bloody fingerprints. After this he drives a funeral car to his work - he is employed in a garden where orchids are grown. Eliza is now the past and in the end, Victor might be dead as someone drives a cross into the ground.
A man is being haunted by a masked stranger. The only language used in the movie comes from three (inter) title cards and a few sentences of sermon-like talk in Danish. Some of the talk is modified citations from the bible and similar sources.
Summer vacation. But Lars remain in town for his parents must work. One day as he bikes around, he hears a scream from a garden.
The earliest recognized film by Lars Trier (made in his youth before he adopted the "von") is this stop motion cartoon, Turen til Squach land… En Super Pølse film (Trip to Squash Land… A Super Sausage film).
Making film wears down director Lars von Trier, but he is not able to live without them. In the documentary film this Danish auteur’s all-consuming love affection for film is portrayed. Now he is standing at a cross-road. While film as we know it is dying.
