Lau Cheun
Two up-and-coming young fighters struggle to reach the top of their sport and survive the difficulties of life outside the ring. An inspirational drama with exciting boxing footage.
Developer Tsang Siu-Chi (Eric Tsang) and his agent (Jacky Cheung) have bought two of a group of four properties. Rival developer, Boss Hung (Sammo Hung) has secured the other two properties. Both aim to buy all four so they can knock them down and build hotels.
This is director/martial arts star Frankie Chan's unofficial remake of the Kinji Fukasaku film SHOGUN'S SAMURAI (1978). Instead of Japanese samurai in a period setting, we get modern day Chinese gangsters battling each other for the position left vacant after the mysterious death of their head honcho.
Chen Li is the son of an enormously wealthy Hong Kong businessman and is vacationing in Hawaii, experiencing typical girl problems. His lothario friend Lolanto flies in from Hong Kong and is determined to find Chen Li a girl within a few days. After a series of hijinks, Chen Li and Lolanto are back in Hong Kong and investigating high-level embezzling in Chen's father's corporation. It also turns out that Kitty and May are employed there as well, with Kitty being the secretary of the supposed embezzler. Because Chen has been notoriously inconspicuous and no one knows what he looks like, he is able to assume to role of a limousine driver for Lolanto, who takes on the persona of Chen Li himself. While tracking down the corruption, Lolanto and Chen also are trying to win the hearts of the two women, but are they looking for true love or only money?
The psychotic son of a rich man continues to get away with raping young women, with the help of an unscrupulous lawyer. A journalist working for a women's magazine becomes involved when her friend becomes a victim. Because of her campaigning efforts, the journalist herself becomes a target of the vicious brat's attentions.
Kwok Chung is a righteous rich kid whose hobby is to fight and brawl. One encounter nearly gets him killed, but he is saved by Yueh (Fong Hak On), the Snake Fist Master. Yueh befriends and teaches Kwok the deadly art of the snake. Soon, Kwok realizes that his teacher has more in common with a snake than just techniques. He's being set up by his teacher, and his family is also targeted for murder!
Danny Lee is Hsu Chih-yuan, the youngest son of strict patriarch Hsu Hui-tang (Cheng Miu). A sailor, Chih-yuan incurs his father's wrath when he tells the latter of his girlfriend Susan's (Ai Ti) pregnancy. Pressured to leave her by his father, Chih-yuan finally agrees to continue his studies overseas. Eldest brother Chih-wen (Ling Yun) volunteers to raise money but ends up losing the family fortune in the stock market. It starts a roller coaster of tragedies for the family that ends with bitter disillusionment for Chih-yuan. It's a battle between tradition and youthful rebellion that leaves everyone a little poorer off.
Ghost Eyes concerns a female hair stylist (Chen Szu-chia) who is seduced by the vampiric ghost of a former optometrist (Szu Wei). Using supernatural contact lenses to control her mind, he gradually drains her life essence as she is forced to find new victims until tries to make a stand and rid herself of this terror once and for all.
18 year old Ainu (Lily Ho) is kidnapped and sold to a brothel. Her good looks and wild personality make her very popular with the lustful clients, but also draws the lesbian attentions of brothel madam Betty Tei Pei. Betty teaches Ainu the ways of lust and the ways of kung fu, and Ainu becomes more and more similar to her captor. But rage at her treatment is still burning inside her.
Soon-to-be legendary director Chu Yuan had just joined the Shaw Brothers when he helmed this thriller of bickering bandits. Audiences loved watching three pairs of cunning male and female crooks trying to steal a million gold taels from the Fu Lai Treasury House...not knowing that one of them is actually an undercover hero. Even without him, there's no honor amongst thieves, so the double-crosses and deadly duels come fast and furious, all choreographed by Hsu Erh-niu.
Ivy Ling Po was at the height of her fame in traditional Huangmei Opera films -- and chiefly as a male impersonator -- when she radically changed her image, taking on an ultra-contemporary semi-musical role in Song Of Tomorrow. Ivy plays a dance hostess and leading man Chiao Chuang is a jazz drummer, but with a difference. Chiao is a heroin addict, and Ivy learns that heroin is a far more lethal adversary than "the other woman" when trying to keep their marriage intact.
Mona Lam, who works for a swindling syndicate under duress, scours a nightclub for her new prey and finds the rich heir Cheng Siu-chuen. Struggling to find true bliss, the lovers gain the blessing of Lam's second uncle. On the eve of Cheng's father's birthday banquet, Lam is pressured to strike again under the watchful eye of Lucy sent by the man who's pulling the strings on the marionette behind the scenes who has threatened to kill Cheng. The quick-witted woman aborts the operation, claiming to have spotted her previous victims from amongst the guests. Her confession gains Cheng's understanding, but not his father's. The ringleader brings the liaison to an end by blackmailing the father and putting Lam under house arrest. Helping the girl flee, Second Uncle is killed in the commotion. The police act on the father's tip-off and bust the gang, clearing the way for the lovers to tie the knot.
Orphan Lee Dan-hung is made a scapegoat by her cousin Chor Kwai-ping. Facing drug trafficking charges, Lee is released on parole with the doctor To King-chung as guarantor. Lee works as a sanatorium nurse. The modest caretaker, Matriarch To plays matchmaker for her son To Ngan-sing and Lee. Ashamed of her past, Lee listens to the doctor's advice and keeps the Tos in the dark. Chor returns and coerces Lee into colluding with smuggling ring by threatening to kill her newborn daughter. The reluctant Lee is arrested in a police raid together with the gang members but is later acquitted. With a reputation to defend, To toughens his heart and expels Lee. Lee leaves for Borneo with a touring opera troupe but a yearning for her daughter brings her back several years later. Feeling for the upset in-law, Matriarch To grants her stay until his son's return from business in a few months' time. When To returns, he decides to make up for the wasted time by bringing Lee and her daughter home.
Hong Kong was quickly becoming industrialised in the 1960s. The market was hungry for female labourers with a grasp of crafting skills. In addition to being wives and mothers, many women entered the labour market at that time. This ‘streamlined comedy' (as it was advertised) is called Three Love Affairs, but the main action is centred on the lovers played by Ting Ying and Cheung Yee. In order to make themselves more appealing, the factory girl pretends to be the daughter of a successful businessman, while the chauffeur pretends to be from a wealthy family. Their relationship is fraught with worry and anxiety, because they are confused about their own identities, and have not yet come to terms with themselves and their lives. With the support of the Manufacturers' Association, the film was shot on location at an actual factory, evidencing a prosperous period in Hong Kong's industrial history.
