Laura Tonke
It should be the big day of Rob Becker (Moritz Bleibtreu). The unsuccessful car salesman wanted to be a comedian as a child and now finally has the chance to prove himself at the local comedy club's Openmic evening. He already has the perfect topic ready for his program: Rob recently met the caveman - his imaginary friend from the Stone Age. Since then, Rob has enjoyed exchanging ideas with this ancient caveman and believes that, thanks to his alter ego, he can finally better understand the difference between men and women, the hunters and gatherers. But there is a problem - and that is Claudia Müller (Laura Tonke) and is married to Rob. After Claudia left him in an argument and only 15 minutes before his big performance, Rob dragged himself onto the stage and spontaneously changed his program.
Based on the bestselling childrens book by Daniela Kohl the movie tells the story of six-grader Lotte and her best friend Cheyenne ...
Hans calls his girlfriend Heinz, which tells you everything you need to know about their relationship. They're a typical couple who're stuck in a rut after eight years. Hans works at a copy shop and Heinz is an actress relegated to voicing a cartoon stoplight. On their anniversary, they go to the movies. It's a romance. But the spark on screen just doesn't strike them. When Hans gives Heinz's ex her phone number instead of putting up a fight over her, Heinz' alarm bells go off: How can this be love? They decided to make a list of everything than makes up a real love: Romance, desire, passion, jealousy, drama – deep feelings, in other words. Hans and Heinz methodically start checking off their list and realize: Real life is nothing like the movies.
Five old friends have to prove themselves one last time. 30 years after the hopeful young band Bochums Steine have separated after a disastrous live performance, fatally ill Rainer tries to re-activate his old cronies
After 13 years, Sonja and Marc have separated. The love was lost to them like other people a stick or hat. To sell their weekend home, the two embark on a final trip together. Along the way, they realize that by far not all is said and that they still feel connected to each other - despite all the injuries and blame. When the planned sale is delayed, they have to spend the night in their house. It is their last chance to find answers to all the questions that are better asked late than never.
Mifti is a teenager as beautiful as she is reckless. Mentally unstable, fed up with her dysfunctional family, oblivious to the youthful world, and aware of the sexual magnetism she gives off with her peculiar appearance, she wanders through the dark path of several bohemian adults with questionable lifestyles.
In the summer of 1976, a shared family yard becomes the setting, as the adults bicker over selling the garden and the kids are free to explore the mysterious neighboring lot. Then they hear about a girl that has disappeared...
It's no surprise when Karo is fired. She is loud, over-emotional and egocentric, more so than the average Berliner wise-ass, says her best friend Anna. Karo is not one to give up easily, though: she opts for radical change and goes into therapy. Although her therapist advises her to keep calm, Karo throws herself into it.
Between forests and hills, the river Ahr meanders through a mystical, foggy autumn landscape. Amidst this idyll a man awakens in the middle of a vineyard. He does not know who he is, where he is or how he came to be here. Next to him is a dead young woman lying among the vines. As a foreigner in the secluded town in the Ahr valley he enters an archaic village community, which seems to keep a secret from him.
It is the late 1950s. Flourishing under the economic miracle, Germany grows increasingly apathetic about confronting the horrors of its recent past. Nevertheless, Fritz Bauer doggedly devotes his energies to bringing the Third Reich to justice. One day Bauer receives a letter from Argentina, written by a man who is certain that his daughter is dating the son of Adolph Eichmann. Excited by the promising lead, and mistrustful of a corrupt judiciary system where Nazis still lurk, Bauer journeys to Jerusalem to seek alliance with Mossad, the Israeli secret service. To do so is treason — yet committing treason is the only way Bauer can serve his country.
A model family's happy life unexpectedly goes off the rails when the carefree Hedi, played by Laura Tonke, suddenly starts having panic attacks. First mental illness and then drug dependency – the happiness that these happy-go-lucky thirty-somethings once took for granted suddenly seems unattainable, and their world fragile and uncertain.
A character study as well as a meditation on communication, creativity, and physical space, Take What You Can Carry is a picture of a young woman seen through the interiors she occupies and the company she keeps. A North American living abroad, Lilly aspires to shape an intimate and private place of her own while connecting to the world around her. When she receives a letter from home, it provides the conduit she needs to fuse her transient self with the person she's always known herself to be.
An upstarting film production is abruptly cancelled by the financiers. But the director tries anyway to realize his movie.
Berlin. Greta, 40, architect, mother of a 12-year-old son, recently unemployed. She does everything in her power to keep hanging on in there, torn between the pressure to conform and the spirit of contradiction.
Berlin in the 3rd millenium. Rather by chance Kai Starel gets into the newly founded CC Institute "Carl Celler Culture", where hip creative minds buzz around in bleak spaces and think about company logos with animals. This brings up art, campaigns or something inbetween - and a liaison between the designer queen Rena Yazka (Sabine Timoteo) and Kai, who becomes her model.
'Sunday Girls' is a portrait of four young German actresses: Laura Tonke, Nicolette Krebitz, Katharina Schuettler and Inga Birkenfeld. They are members of a new group of young actresses who try to put their passion for films into practice, away from the mainstream TV market. Their individuality and their will to remain independent is what makes them so interesting... their luck, their fears, their goals, the things that life is made up of... "Of course I'm a little in love with them, that's how all films start." (director RP Kahl)
Armin Steeb is adrift: just finished with school, living with his middle-class parents, clueless about finding work. He tries connecting with a girl, he engages in risky sex with strangers in public toilets, he goes to job interviews. He also sends an anonymous letter to a local Munich newspaper, claiming responsibility for a fatal road accident. He fitfully pursues notoriety as he goes through life nearly without affect. What will it take to get Armin to smile?
Anyone can hold a mini-DV camera. Anyone can get 99 euros in credit. And everyone has already written a five-minute story in school. So everyone is actually prepared to make a 99euro-film. but "99euro-films" is more. It is the proof that German films can also be wild, new, modern, funny, political and entertaining. And all that in 80 minutes. 12 young German filmmakers come together, inspire exciting young actors and go: have an idea and simply film it. Just do it and be independent.
Andreas Brandt is the head of the research department in a pharmaceutical company. He earns enough to build a future with his wife Monica and his daughter Eva. But a merger puts his position in jeopardy. Brandt randomly observes Larssen, who’s responsible for the merger, raping the waitress Vanessa. Instead of helping her, he takes a file which has previously been stolen by Larssen. It contains incriminating evidence against Larssen. Brandt tries to blackmail Larssen, but Larssen is capable to shift the buck back to Brandt. Slowly Brandt’s family becomes involved...
Angel Express is a film about people restlessly seeking for the ultimate experience. Set in late nineties Berlin, it shows images of radical change: Young urban heroes in the glare of flashlights; an environment in which coldness and affection or lust for power and friendship go hand in hand.
Young blonde translator Rebecca lives with her boyfriend ski instructor Marco in a mountain villa owned by her friend, nurse Laura. Rene, local cinema projectionist, steals Marco's car and gets into a car crash with local Theo, whose daughter, after being in coma for a time, dies. Rene suffers from partial short term memory loss and starts a relationship with Laura. Meanwhile Marco is looking for the man who stole his car and Theo - for the man who killed his daughter...
November 1990. Weekend. Three young turk men accompanied by two German women were taking the subway. They were in an exuberant mood and wanted to visit a discotheque. When a group of drunken neo-nazi youngsters entered the train an open confrontation arose. It ended bloody. The film follows the protagonists up to the event (and some time beyond) which took place in Berlin, Germany.
In Essen, four ordinary teenage Death Metal fanatics are looking for the best way to kill time. There are girls, cigarettes, drive-ins and petty larceny but nothing moves the needle.
OSTKREUZ tells the episodic story of 15-year-old Elfie, who literally and metaphorically inhabits a no-man’s-land between the two Germanies shortly after the fall of the Berlin Walll. The film deploys a neorealist aesthetic to reinforce the difficulties confronting the girl, and by inference, Germany.
Inspector Brunetti uncovers, through a series of seemingly unrelated "deaths", a human trafficking operation.
