Lázaro Ramos

In a dystopian future, the Brazilian government decrees a measure that forces black citizens to migrate to Africa in an attempt to return to their origins. Seeing themselves in the center of terror, two cousins take refuge in an apartment, where they debate social and racial issues, and share the same yearning for the change of country.

Staying home became a way of surviving during the COVID-19 pandemic, and days start to become repetitive. Murilo tries to stay sane during life in quarantine.

When executive Ricardo is found shot dead in the seat of his car without suspicion, Inspector Espinosa and police officer Daia are in charge of the case and soon begin to investigate the people closest to the victim. But when everyone involved in the case mysteriously disappears, the situation takes on unexpected proportions.

Staying at home has become a form of survival in times of pandemic and the days seem to repeat itself. Now Murilo tries not to go crazy by touching life from the inside of the house.

The special features 22 real testimonials from people like Mandela, Martin Luther King and Marielle Franco, who fought racism and freedom in favor of justice.

The trajectory of musician and comedian Mussum as vocalist of the group "Os Originais do Samba" and later in cinema and TV as a member of "Os Trapalhões", a group that revolutionized the way of making humor on Brazilian television.

What does Brazilian cinema tell us? What does Brazilian cinema tell us about black actresses and actors? ‘Pressed, Ripped Apart’, a film by Fabio Rodrigues Filho, makes use of archival sources to retrieve the trajectory of black actresses and actors who, between absences and delimited presences, between the fallacy of a racial democracy – based on the harmony among Brazil’s diverse identities – and an erasure of identity, strain the history of Brazilian audiovisual and above all, our own history.

Based on the book of the same name by Solomon Polakiewicz, it tells the story of Maurício, a freshman from the prestigious Federal University of Medicine, son of Cida, a nursing assistant who works hard to see the young man enter college.

The 28-year history of the Olodum Theater Band, Latin America's longest-running black theater company. Created in Salvador in 1990, in partnership with the Olodum Cultural Group, the company was responsible for launching names such as Lázaro Ramos and Érico Brás. Gathering archive images and interviews with Bando members, collaborators and other guests, the group's trajectory is built.

When witnessing a hit, Arandir, a newly married banker, tries to succor the victim, but the man, almost dead, has only time to make one last request: a kiss. Arandir kisses the man, but his act is spotted by his father-in-law Aprígio and photographed by Amado Ribeiro, a tabloid reporter.

São Paulo, 2007. Santana works as a dogcatcher, picking up stray animals. He is a friendly guy, averse to trouble, who has always kept violence away from the doorsteps of his home. One day, he catches a very big dog in a school. Some days later, comes the animal's owner: Babyface, a sociopath ex-cop. The man is furious, considering his dog to be "kidnapped", and demands immediate restitution of his pet. But the dog is not coming back: according to the law, the animal was put to sleep. In a misunderstanding, Babyface argue with Santana, blaming him for his pet's death. From this moment on, Santana's life will be completely changed.

This documentary investigates the aesthetic, political and existential trajectory of emblematic Black Brazilian actor Antônio Pitanga. He career spans over five decades, and he has worked with iconic Brazilian filmmakers Glauber Rocha, Cacá Diegues and Walter Lima Jr. He was a prominent figurehead and outspoken activist during the Brazilian dictatorship, a period of unrest in Brazilian cinema. Pitanga deep dives into the world of Antônio and the history of Brazil. The documentary was directed by his daughter Camila Pitanga, one of widely recognised faces in Brazilian television and cinema right now. The film is also a poem, and a tender ode to fatherhood.

Based on 'Death of a Man in the Balkans (2012)', an original feature film of Miroslav Momcilovic, 'Sorria, Você Está Sendo Filmado' ('Smile, You're Being Filmed') tells the story of a suicide, in only one shot of 80 minutes, from the perspective of a web cam which only the suicidal knew was on, giving the viewer the feeling of watching everything from his window. "From the screenplay to the shooting, we are doing a kind of reality cinema," sets this movie director Daniel Filho.

Follows the unconventional lives of a Brazilian pop artist who got out of the streets to reach stardom and his manager-wife-choreographer.

Laerte, a talented violinist who after failing to be admitted into the OSESP Orchestra is forced to give music classes to teenagers in a public school at Heliopolis. His path is full of difficulties, but the transforming power of music and the friendship arising between the teacher and the students open the door into a new world.

A man, who creates pasts for a living, struggles to find his own past while a mysterious woman takes a dangerous step.

This communist and parliamentarian leader was arrested and tortured, and became famous for having written the "Minimanual of the Urban Guerrilla". Greatest name of the left-wing militancy in Brazil in the 1960s, Carlos Marighella acted in the main political events of Brazil between the 1930s and 1969 and was considered enemy number one of the Brazilian military dictatorship. His life was a great act of resistance and courage.

A film about imagination, in which the protagonist goes on internal journeys around the world, overcoming fears and making new discoveries.

Zézé Gamboa's sardonic historical drama follows a good-hearted, apolitical con man who, on the eve of Angolan independence in the mid-1970s, pulls off a massive swindle at the expense of the Portuguese colonial administration — and soon after finds himself hailed as a hero of the national liberation struggle.

Lado a Lado is a Brazilian telenovela produced and broadcast by Rede Globo from September 10, 2012 to March 8, 2013. Written by Claudia Lage and João Ximenes Braga, with collaborations by Chico Soares, Douglas Tourinho, Fernando Rebello, Vellego Jackie, Nina Crintzs and Maria Camargo, script supervision by Gilberto Braga, directed by Dennis Carvalho and core general direction of Vinicius Coimbra, it starrs Camila Pitanga and Marjorie Estiano as the main characters.

Insensato Coração is a Brazilian telenovela that first aired on Rede Globo in 2011.

Walter is an absent father and husband who works in a hospital without time for his family. His redemption happens when his wife sends him to the birthday cake for her daughter, but she does not know is that during the return trip home, the impossible will happen so that everything goes wrong.

During the Carnival in the historical site of Pelourinho, Salvador da Bahia, we follow the lives of the tenants of a falling-to-pieces tenement house who try to get by using creativity, irony, humor, and music.

When they discover their town lacks funding for a sewage system, Brazilian villagers decide to make a short sci-fi monster movie about the problem.

Duas Caras is a Brazilian television drama that was broadcast by Rede Globo in 2007 and 2008.

1) globalization of violence, violence of globalization? 2) serial killers, social killers? 3) a mine in brazil some murders in new york others in miami how are they connected? 4) "who's putting dynamite at the head of the century" asks tom zé -singing- at the end of the film 5) "cobrador - in god we trust" is an invitation to search the answers to these questions. "cobrador - in god we trust" is an attempt to find the answers to these questions

Cobras & Lagartos is a Brazilian telenovela that was produced and aired by TV Globo from April 24 and November 18, 2006, totaling 179 chapters. Featured Mariana Ximenes, Daniel de Oliveira, Lázaro Ramos, Henri Castelli, Taís Araújo and Carolina Dieckmann in the lead roles. The plot was nominated in 2007 for best actor Emmy for his performance of Lázaro Ramos.

Cafundó is a 35 mm color film which blends fact with fiction in the life of João de Camargo, a former black slave (1858-1942, Sorocaba, Brazil) who, in his old age, works miracles and devotes himself to assisting others in order to attain his freedom. João de Camargo represents the genesis of religious and cultural syncretism in Brazil.

A journey into the psyche of Atanásio, a doorman in Copacabana, confused while attempting to understand his desires and aspirations.

Best friends Deco and Naldinho co-own a cargo boat in Brazil's Salvador da Bahia. They give a ride to a sultry prostitute named Karinna, and soon both men fall prey to her considerable sexual charms, pushing the bounds of their friendship to the limit.

Free adaptation of Machado de Assis's short story "Pai Contra Mãe", having some of Nireu Cavalcanti's 18th Century chronicles as inspiration, the film traces parallels between life in during the slavery period and in modern Brazil.

Eder (Lázaro Ramos) is arrested after confessing the murder of a man. Duca (Darlan Cunha), a 15 years old boy who is Eder's nephew, wants to prove the innocence of his uncle, he's sure that his uncle confessed the crime to protect his girlfriend, Soraya (Deborah Secco), ex-wife of the deceased. Duca also wants to win the heart of Isa (Sophia Reis), a classmate who seems more interested in his best friend, Kid (Renan Gioelli). To be able to prove his theory, Duca gets help from Isa and Kid.

Psychological thriller larded with manga-like animations about the young, poor comic strip illustrator Nina, living with her mean landlady. She sinks further and further into a violent fantasy world.

Alex, Edu, Fred and Beto are four friends who live torn between the role of man in society and the need to be more sensitive. They try to understand the female head and put themselves in the place of the opposite sex. They appear to be very safe, but feel totally lost around safe, independent women.

When a doctor decides to carry out an AIDS prevention program inside Latin America’s largest prison: the Casa de Detenção de São Paulo - Carandiru, he discovers the victim of one of the darkest days in Brazilian History when the State of São Paulo’s Military Police, with the excuse for law enforcement, shot to death 111 people. Based on real facts and on the book written by Dráuzio Varella.

Jobless and insecure to the point where he can't even face himself in the mirror, a terrified Máiquel enters a salon to have his hair died platinum blond after losing a soccer bet to a friend. His new look supplying an unexpected jolt of confidence, Máiquel asks Cledir, the salon employee who died his hair, to join him at the bar in celebration. Taunted by local bully Suel upon arrival at the bar, Máiquel decides to settle the matter by purchasing a rifle and shooting down the loudmouthed Suel in the presence of Suel's young girlfriend. Unexpectedly hailed as a hero by his neighbors and the police, Suel's girlfriend subsequently approaches Máiquel and claims that since he killed Suel, it is now Máiquel's responsibility to care for her. Simultaneously learning that Cledir is pregnant and anticipating a marriage proposal, Máiquel's newfound reputation soon catches up to him as the dubious requests of influential locals begin to take their toll on him.

André, 19, lives in Porto Alegre, Brazil, and works as a photocopier operator. He likes to see his neighbor Sílvia with a pair of binoculars. She works selling clothes. Becoming attracted to her, he tries to get nearer, and goes to her shop to buy something, but finds out that he can't afford it. So he puts the photocopier to other uses, and begins to envisage fishy schemes to earn some money.

A story inspired by the life of one of the most remarkable figures in Brazilian popular culture, João Francisco dos Santos (1900-1976). In turn, bandit, transvestite, street fighter, brothel cook, convict and father to seven adopted children, dos Santos – better known as Madame Satã – was also a notorious gay performer who pushed social boundaries in a volatile time.

The Night Shepherds universe is inhabited by prostitutes, priests, rogues, saint's parents and street vendors. For a very Brazilian people who fight every day for survival and only rely on the solidarity spirit and friendship of each other. The seductive Cabo Martim, the romantic Curió, the noble Massu, the artful Foot of Wind and the Jesuit master live their adventures in four independent episodes, which are completed in their poetry and the strength of each story.

A mother, with her three daughters, exacts revenge on her former fiancé for killing her husband and sons.

Cinderella story of a poor girl that becomes a famous dancer.

This beloved Brazilian parody of Shakespeare in Love tells the story of Miguel's relentless furiculite. For better or worse, it is his aim to conquer every single ass in the county, right up to the toughest of them all: the governor's.