Leander Haußmann
East Berlin, early 1980s: LUDGER is hired by the Stasi to spy on the oppositional arts scene in Prenzlauer Berg. But when he falls in love with the mysterious NATHALIE, he has to choose between a life as a celebrated underground poet and his career as a Stasi agent. A choice that will turn back on him 30 years later..
A lifeguard at Lake Müggel has his hand bitten off and the marks indicate a shark attack. The lake is closed to the public by extending a local festival indefinitely while the city council thinks of what can be done to remove the shark. The public becomes restless having their lake closed for so long and come up with a plan to drive the shark from the lake with large quantities of beer.
Germany in the early 19th century. "Die Vermessung der Welt" follows the two brilliant and eccentric scientists Alexander von Humboldt and Carl Friedrich Gauss on their life paths.
In 1938 Hans Zeisig, an apolitical comedian, impersonator and cabaret actor, flees with a Russian passport (instead of American, which he would have preferred) from Nazi-Berlin, and finds himself in the legendary Hotel Lux, the 'lost paradise' of the Comintern, in Moscow. Everyone believes that Zeisig is a man named Hansen, Hitler's personal astrologer. But Zeisig quickly realizes that he's gone from the frying pan into the fire. In the Hotel Lux he meets his friends Frida and later Meyer again, still passionate communists. For the three idealists an adventure between love and death begins to run his course.
Jan is an absolute heartthrob and a diehard Hertha fan. Katrin is attractive, just as successful and an incorrigible romantic. Chance makes the two the ideal couple. At least almost. Everything would be perfect if the two flagship models of their species did not lapse into primeval behavioral patterns. And so Jan sinks a little too deep in the cleavage of his secretary Melanie, and Katrin can not resist the adventurer Jonathan's lead role.
Ferdinand's father, the president of the residence, can not tolerate a serious relationship between his son and a commoner, and moreover intends to marry him to Lady Milford, the prince's mistress, to increase his own influence at court.
Martin is the ambitious one in the family. He is poised to start on his doctorate, when he is diagnosed with testicular cancer and all his future plans begin to unravel. The removal of one testicle reduces the most immediate threat, but the cancer has already spread and Martin's doctor argues for an operation that would save him, but could also castrate him.
In October 1989, the part of the West Berlin borough of Kreuzberg called SO 36, had been largely shut off by the Wall from the rest of the city for 28 years. A lethargic sub-culture of students, artists, bohemians and barflys had flourished among crumbling buildings. Part of that microcosm is barkeeper Frank, semi-formally called 'Herr Lehmann' by friends and patrons. He hangs out drinking, sports utter disregard for anything beyond SO 36 and lazily pursues an affair with cook Katrin. His lifestyle is gradually disturbed, when his parents show up for a visit, things go awry with Katrin and his best friend Karl starts to act strange. Meanwhile, political turmoil mounts on the other side of the Wall.
A group of kids grow up on the short, wrong (east) side of the Sonnenallee in Berlin, right next to one of the few border crossings between East and West reserved for German citizens. The antics of these kids, their families, of the "West German" friends and relatives who come to visit, and of the East German border guards, all serve to illustrate the absurdity of everyday life on the Sonnenallee, and therefore throughout the former East Germany.
The lone architect Thomas sends his son Nick to his aunt in Munich. But the eleven-year old basketball fan strays rather through Berlin, where the NBA stars are playing. After Nick had been mugged he meets a friendly hairdresser Anna. "Man", the little one thinks, "Daddy needs a wife!" And Anna a man...
Four characters become involved in one dramatic story: Nico has a mission to drive a car containing a live bomb to a specified destination, park the car and escape as quickly as she can. Leo has become his client's target, having carried out a "contract" that unfortunately had already been cancelled. Fabian and Reza want to enjoy themselves without any money, bringing themselves into contact sooner or later with the police. Sooner or later all four will meet up in dramatic circumstances....
Katharina, a successful management consultant, has to face Maren as a new assistant. The young woman is very ambitious but has been employed by junior Boss Grosser to spoil Katharina's career. Despite all circumstances they work perfectly well as a team - and fall in love. Katharina, wife and mother to teenage twins, is shaken up by the new situation. Is she willing to live her life with Maren, an open lesbian?
An eccentric homage to the Rainer Werner Fassbinder days of German filmmaking.
Ein Förderprogramm bringt die beiden Kanckis Gerd und Steinbock in die Obhut von Frauen. Dort sollen sie beweisen, dass sie in der Lage sind sich in die Gesellschaft zu integrieren. Nun bringt Gerd dummerweise einen Barbesitzer um. Damit hat der Ausflug in die Freiheit vorlaeufig ein Ende.
Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite. In contrast with other television crime series, in which killings are practically the primary focus, while Tatort handled homicide cases, the cases handled in the GDR TV's Polizeiruf were more often the more frequent, and less serious, crimes such as domestic violence, extortion, fraud, theft and juvenile delinquency, as well as alcoholism, child abuse and rape. Contrary to Tatort, which concentrated on the primary characters and their private lives, police procedure was the center of attention of Polizeiruf, especially in the earlier episodes. The scriptwriters attached particular importance to representation of the criminal and his state of mind, as well as the context of the crime. Many episodes aimed to teach and enlighten the audience about what does and what doesn't constitute appropriate behaviour and appropriate thought, rather than just to entertain. Polizeiruf was one of the few broadcasts by GDR media in which the real problems and difficulties of the supposedly more advanced socialist society could be displayed and discussed to some extent, albeit in a fictionalized and pedagogicalized environment.
