Leandro Firmino

Rio de Janeiro, during the 90's. Evandro dreams about becoming a great businessman, but ends up entering the world of crime and making an empire out of his criminal organization. His business skills and leadership abilities draw the attention of Morello, a federal police officer with a self-destructive behavior who sees in Evandro a worthy enemy. Two strategists that share the love for danger. The hunt down begins.

8.4/10

On December 19th, 1983, the dream was taken away. The most coveted trophy of all time, the Jules Rimet Cup disappeared from the headquarters of CBF, the Brazilian Football Association. Let me explain: every 4 years FIFA holds a Football World Cup. Back then, only a country that won the Cup three times could keep the trophy for good. This privilege was reserved to Brazil when they won for the 3rd time in 1970. The beautiful trophy was kept as a symbol of superiority in the headquarters of CBF, in Rio de Janeiro. “Jules and Dolores” is a pop comedy that tell us the real, preposterous and unusual story behind this theft.

6.6/10

In the short end of pregnancy, a samba singer sees herself shared between two men that believes to be the father of her baby. Duelling men: a militiaman, a hacker and Shirley, a cross-dresser, best friend of the singer, who really plays the role of head on that family. Dreams, love, jealousy, life and death. Like in our songs.

5.1/10

Rio de Janeiro, in the period in which the Police Pacification Units (PPUs) were beginning to be deployed in the city. Edna (Lilia Cabral) is the mother of Julio (Pedro Nercessian) and Silvio (Fiuk). One day she wakes up desperate to see that Julio just disappeared!

5.3/10

City of God – 10 Years Later investigates what happened to the actors who took part in the award-winning film directed by Fernando Meirelles and Katia Lund. This documentary shows what City of God’s worldwide success meant to their lives. Were the actors prepared for the film’s success? Did the social background of some of them prove stronger than the opportunity that came their way?

6.4/10

The trajectory of the clumsy reporter Agamenon Mendes Pereira, always present in key events of history, his biggest scoops and his eternal love for Isaura, who survives his unexpected travels around the world, in search of news and fame.

2.7/10

Othniel Badaró (Murilo Rosa) is a metallurgist who, after working in a factory for 20 years, is fired. The situation is further complicated because Camila (Gabriela Flores), his wife is pregnant. Disgusted, Othniel decides to cut his own arm and signs his resignation with his own blood. From then it becomes next to Cotton reels (Leandro Firmino da Hora), a film student who lives in the slum and maintains a pirate TV channel. It gets even worse when Othniel have your car stolen.

5.7/10

After being forced into a marriage and enduring a humiliating work routine in the hands of his father-in-law, Zé Araújo becomes the mythical Ojuara, an unconventional hero devoted to debauchery.

6.6/10

Olímpia loves her bosses, Inês and Eduardo. Eduardo loves Inês, his wife, who loves Eduardo, her husband. Inês is a friend of Lígia´s, who loves her husband Cristiano. Cristiano loves Lígia, his wife. Vera loves Cláudio, her husband, who doesnt love Vera. Inês thinks that Eduardo is having an affair with Salete, Cristiano thinks that Lígia is having an affair with Ricco, Vera thinks that Cláudio has an affair with Inês and Eduardo thinks that Inês has an affair with Cláudio. The action takes place in a middle class condo where Olímpia, a clumsy maid, carries out the most unbelievable confusions, making everybody believes that love is a game in which one always cheats.

6.3/10

Cafundó is a 35 mm color film which blends fact with fiction in the life of João de Camargo, a former black slave (1858-1942, Sorocaba, Brazil) who, in his old age, works miracles and devotes himself to assisting others in order to attain his freedom. João de Camargo represents the genesis of religious and cultural syncretism in Brazil.

6.5/10

Cidade de Deus is a shantytown that started during the 1960s and became one of Rio de Janeiro’s most dangerous places in the beginning of the 1980s. To tell the story of this place, the movie describes the life of various characters, all seen by the point of view of the narrator, Buscapé. Buscapé was raised in a very violent environment. Despite the feeling that all odds were against him, he finds out that life can be seen with other eyes...

8.6/10
9.1%

Two young boys, Laranjinha and Acerola, living in Cidade de Deus, one of the most violent neighborhoods in Rio de Janeiro, need some money to go to a concert. The "easiest" (and most dangerous) way to get it is working for some drug-dealers.