Leda Gloria
The village of mayor Peppone and Don Camillo, after much dispute, gets assigned a sister village in Russia. When Peppone and his comrades decide to attend the ceremony on the other side of the iron curtain, Don Camillo wants to join. Peppone is strictly against this but after Don Camillo threatens him to disclose information about an earlier side step the mayor agrees. Don Camillo arranges for false papers: He is now comrade Tarocci. Only Peppone and the other villagers know who he really is. In Russia the agenda includes various cultural events: Ballet, Opera, a fishing competition and various parties...
Don Camillo is now a bishop, Peppone is now a senator, but their rivalry is as fierce as when they were just a village priest, and a village administrator. Don Camillo learns that Peppone is about to promote the building of a communal house on the place of an old, derelict church, and that spurns the old flame. They descend from Rome onto quiet Brescello, and they will agitate their faithful hosts, christians against communists, using all devious ways. Even Christ makes a cameo appearance, when things are going a trifle too far.
Assola is an imaginary village on the border between Italy and France and the borderline crosses the village itself. The French customs agent Ferdinand is always trying to catch the Italian smuggler Giuseppe. Giuseppe discovers that Ferdinand was actually born in Italy and therefore he can't be a French customs agent.
Wealthy teenager Guendalina (Jacqueline Sassard) is a child of divorce. Oberdan (Raf Mattioli), likewise a teenager, is a boy from a blue-collar family. Escaping from the tribulations of her home life, Guendalina creates a dream world of her own, casting Oberdan as her personal Prince Charming. Despite parental objections, girl and boy fall in love. Interestingly enough, the relationship between Guendalina and Oberdan remains pure and chaste throughout their film, which is more than can be said for their parents. their respective parents behave with marked laciviousness. Guendalina marked the return to the screen after a two-year absence by filmmaker Alberto Lattuada, who pursues his characteristic fascination with pubescent sexual yearnings.
Peppone, hardened mayor in Brescello, the small village on the Po river, aspires to become senator. Neither before or after WWII, where he fought against the Germans and fascists, he never went seriously to school, so he needs (at least) a diploma. Believe it or not, don Camillo helps Peppone to pass the examination (with the forecast of moving to Rome) prompting him the solution of geometry's problem. As implicit reward, Peppone writes a composition about "A man I'll never forget": obviously don Camillo, when Peppone was a resistant in WWII, and don Camillo the young military chaplain. Getting the diploma was the first step. The election campaign just started and the two big parties - Christian-democratic and Communist, forgetful of respective favors, settle down an electoral "war of the words", mean tricks (culminating with the famous horny Peppone/Lucifer) and easy propaganda.
An unworthy nephew, with the help of a girl who seduces the young guardian, robs the aunt of the family jewels. He also manages to put the blame for the theft on the caretaker, engaged to a young woman who is actually the woman's natural daughter. The thief also tries to blackmail his aunt by threatening to reveal the truth after so many years, but a commissioner manages to prove the innocence of the suspect and the guilt of his nephew.
"Antonio" leaves his family to live a prosperous life with Cristina. Her family live in a slum where their lives are complicated by young love and jealousy. A letter from a local priest that implicates "Antonio" in the murder of an English nobleman comes to light and soon they are all before the King.
After his battles with the communist mayor Peppone, Don Camillo is sent in exile by his bishop in a remote village. Peppone thought he got the village in his hands. But when the municipality decide to build a dike against the periodic floods, the proprietor of the land refuses. War between the village clans is about to begin. Maybe only the strong hand of the priest could persuade the landlord to change his mind. Will Peppone passed over his pride and send for his enemy?
In a village of the Po valley where the earth is hard and life miserly, the priest and the communist mayor are always fighting to be the head of the community. If in secret, they admired and liked each other, politics still divided them as it is dividing the country. And when the mayor wants his "People's House"; the priest wants his "Garden City" for the poor. Division exist between the richest and the poorest, the pious and the atheists and even between lovers. But if the people are hard as the country, they are good in the bottom of there heart.
Three gorgeous seamstresses meet on the historic steps of the Piazza de Spagna in Rome to discuss one another's love lives.
A combination of a satire on war and a comedy with war as the background. It tells of the ordinary people living on a Naples sidestreet, from 1940 to 1950 under the dominance of the Fascists, the Nazis and then the Allies occupation forces. Primary among the citizens is Gennaro Iovine (Eduard De Filippo)who has a penchant for innocently getting into trouble, and his friend Pasquale (Toto.) The latter is a rail-sweeper who becomes a professional stand-in...a corpse used to conceal contraband...serving jail time for those who don't care to spend the time to do the time...a substitute at a political rally when violence threatens the scheduled speaker
A comedy about a governor who wants a miller's wife and tries to fix a night with her by putting the miller in jail.
A bankrupt aristocrat tries to keep up appearances while his situation worsens. To top it off the life savings given to him by a beggar to invest has been mistakenly claimed by the aristocrat's altruist society for their annual Feast of the Poor.
In this delightful mixture of romance, comedy and music, the director turns back the wheel of time about sixty years and shows the audience an Italy of primitive railroads, high bicycles and the famous "dolce far niente." Taking the visit of a traveling opera company to a small town, where it is scheduled to present "Il Barbiere di Siviglia" and where one of the most important citizens is a retired opera singer, the scenario writer weaves a web of merry complications well calculated to keep the spectators in a happy mood.
