Lee Chamberlin
A father tries to make it as a single parent when his wife walks out on him and the children.
Paris is an American television series that appeared on the CBS television network from September 29, 1979 to January 15, 1980. A crime drama, the show is notable as the first-ever appearance of renowned actor James Earl Jones in a lead role on television and was created by Steven Bochco, who later achieved fame for Hill Street Blues and NYPD Blue, also served as executive producer. The program told the story of Los Angeles Police Captain Woody Paris, who supervised a team of young detectives. The rookie investigators were led by Sergeant Stacy Erickson and included officers Charlie Bogart, Ernesto Villas, and Willie Miller. Hank Garrett portrayed Deputy Chief Jerome Bench, Paris' superior, and, in an unusual turn for police dramas of that era, Paris' home and off-duty life was given considerable attention in the plots, with Lee Chamberlin playing his wife, Barbara. Paris was also shown moonlighting as a professor of criminology at a local university. Although Paris was critically acclaimed for its portrayal of the tension between the professional Paris character and his often impetuous underlings, CBS scheduled the show in one of the worst possible timeslots on a weekly schedule: Saturdays at 10 p.m./9 Central. All three networks debuted new shows for the 1979-80 season in that slot; only ABC's Hart to Hart survived its first 13 weeks. Toward the end of its run, CBS moved it to Tuesdays at 10/9, but to no avail. Edward DeBlasio produced the show for MTM Enterprises, which would unveil, during the next season, executive producer Bochco's landmark Hill Street Blues, on NBC.
Roots: The Next Generations is a television miniseries, introduced in 1979, continuing, from 1882 to the 1960s, the fictionalized story of the family of Alex Haley and their life in Henning, Lauderdale County, Tennessee, USA. This sequel to the 1977 miniseries is based on the last seven chapters of Haley's novel entitled Roots: The Saga of an American Family plus additional material by Haley. Roots: The Next Generations was produced with a budget of $16.6 million, nearly three times as large as that of the original.
Clyde Williams and Billy Foster are a couple of blue-collar workers in Atlanta who have promised to raise funds for their fraternal order, the Brothers and Sisters of Shaka. However, their method for raising the money involves travelling to New Orleans and rigging a boxing match.
Sidney Poitier and Bill Cosby team up in this hilarious misadventure as buddies Steve and Wardell, who head uptown to a swanky nightclub. Unfortunately, thieves hit the club and steal Steve's wallet -- which happens to hold a winning lottery ticket. Poitier also directed this classic 1970s comedy, which co-stars Harry Belafonte as Godfather figure Geechie Dan Beauford and Richard Pryor.
A young wife and mother, bored with day-to-day life in New York City and neglected by her husband, slips into increasingly outrageous fantasies: her mother breaking into the apartment, an explorer's demonstration of tribal fertility music at a party causing strange transformations, and joining terrorists to plant explosives in the Statue of Liberty.
The Electric Company is an educational American children's television series that was produced by the Children's Television Workshop for PBS in the United States. PBS broadcast 780 episodes over the course of its six seasons from October 25, 1971 to April 15, 1977. After it ceased production that year, the program continued in reruns from 1977 to 1985, the result of a decision made in 1975 to produce two final seasons for perpetual use. CTW produced the show at Teletape Studios Second Stage in Manhattan, the first home of Sesame Street. The Electric Company employed sketch comedy and other devices to provide an entertaining program to help elementary school children develop their grammar and reading skills. It was intended for children who had graduated from CTW's flagship program, Sesame Street. Appropriately, the humor was more mature than what was seen there.
