Lee Chang-dong
A portrait of the South Korean screenwriter, director and producer Lee Chang-Dong through his work, this documentary provides a thematic analysis of his films, most of which have been selected for and received awards at the Cannes Film Festival.
Jung-il and Soon-nam were just ordinary parents who raised two lovely kids. It was not until their son Su-ho’s sudden death the family started to break apart, with all the happiness gone at once. While the pain seemed to grow every day, the bereaved families around the family try to console them at their best. Based on the true event of Sewol Ferry disaster which killed more than 300 people in Korea.
Deliveryman Jongsu is out on a job when he runs into Haemi, a girl who once lived in his neighborhood. She asks if he'd mind looking after her cat while she's away on a trip to Africa. On her return she introduces to Jongsu an enigmatic young man named Ben, who she met during her trip. And one day Ben tells Jongsu about his most unusual hobby...
Promising fund manager Jae-hoon is at the brink of losing everything when his company goes bankrupt. Overwhelmed by despair, he takes an impulsive trip to Australia where his wife and son live. As his trip nears its unexpected end, Jae-hoon gets a chance to look back on his life.
An outcast's relationship with her new summer friend is put to the test when the school year begins.
Sent from Seoul to serve in a remote coastal village, a policewoman gets involved in the life of a mysterious teenage girl who is abused by both her father and her grandmother.
After being kidnapped as a small child and raised by the five men who abducted him, a teenage boy is now forced to join their life in crime.
Director Chung Ji-Young criticizes the thought that older directors have difficulties in making certain movies. Actress Yoon Jin-Seo agonizes over her identity as an actress. In 2009, before the movie "Unbowed" was made, they met and planned a documentary about Korean movies, including the processes a Korean movie goes through and difficulites. "Ari Ari the Korean Cinema" is a documentary with interviews of Korean directors, actors and actresses.
Prominent film critic Tony Rayns has long been a supporter of Korean cinema. This film illustrates Rayns’ affection for Korean cinema through interviews of Korean cineastes that have a special affinity for him, including JANG Sun-woo, LEE Chang-dong and HONG Sang-soo among others.
Discover the roots of Korean cinema. A cinema who surprised by the success recorded in the major international festivals. Interviews to five famous Korean directors, to get to know closely the evolution of Korean cinema. Through their words, their pictures and their stories. The Korean cinema has tendency to describe both the society, the past and the modern. The world of west cinema knows these directors through the journey of some of their movies. What do we know about their thoughts, their life, their culture and their way of working? The documentary focus on it.
Grandmother Mi Ja works part-time as a caretaker, and struggles to raise a teen grandson by herself. Despite her tough situation, she speaks softly, dresses fashionably, and approaches the world with child-like curiosity. Enrolling in a poetry class, she endeavors to capture life in verse form, but her simple dream of completing a poem is stalled by the early signs of Alzheimer's disease and the heavy financial and emotional burden of her grandson's shocking wrongdoing.
Young Jinhee is taken by her father to an orphanage near Seoul. He leaves her there never to return, and she struggles to come to grips with her fate. Jinhee desperately believes her father will come back for her and take her on a trip. The film is based on the experiences of the director, an ethnic Korean who was adopted by a French couple in the 1970s.
Sin-ae moves with her son Jun to Miryang, the town where her dead husband was born. As she tries to come to herself and set out on new foundations, another tragic event overturns her life.
When an American woman begins a dangerous relationship with an attractive immigrant worker, in order to save her marriage, she finds her true self.
South Korean cinema is in the throes of a creative explosion where mavericks are encouraged and masters are venerated. But from where has this phenomenon emerged? What is the culture that has yielded this range of filmmakers? With The Nine Lives of Korean Cinema, French critic, writer and documentarian Hubert Niogret provides a broad overview but, nevertheless, an excellent entry point into this unique type of national cinema that still remains a mystery for many people. The product of a troubled social and political history, Korean cinema sports an identity that is unique in much modern film. Niogret's documentary tells of the country's cinematic history - the ups along with the downs - and gives further voice to the artists striving to express their concerns, fears and aspirations.
Oasis is a love story of two young people abandoned by families. A young man released from prison visits the widow of the man he killed drunk-driving. There he meets her daughter, wheelchair bound with cerebral palsy. Will these two lost people find a way to make their relationship work?
In the spring of 1999, a group of old friends gather to celebrate their 20 year reunion. Among the group is Yeong-ho, a cold, unhappy man, whose demeanor puts a damper on the festivities. The seriousness of Yeong-ho"s depression becomes apparent, however, when he climbs a railroad bridge and looks like he might jump. At this crucial moment, memories of seven crucial episodes from Yeong-ho"s past flood his mind.
Returning home and finding his town drastically changed, a former soldier falls in with gangsters.
A biographical film about Jeon Tae-il, a worker who protested labor conditions through self-immolation.
Moon Chae-Ku and his friend Kim Chul try to bring the body of Moon's father back to his native Kwisong Island for burial. Their ferry is intercepted by resentful islanders who will not let the boat dock, because of the father's political activities in the 1950's, informing on Communist sympathizers. Kim Chul, through flashbacks, recalls people and events from his island childhood.
