Leonard Kibrick
Ten years after his retirement from the government, Colonel Steve Austin must again team up with Jaime Sommers to stop a terrorist group. Complicating matters for Austin are his estranged son Michael, who struggles for his father's acceptance as he graduates from flight school, and Jaime, who must cope with her and Steve's past. When Michael is severely injured in a crash, Steve must make the same decision about fitting him with bionics that he had to make with Jaime years ago after her accident.
Race horse owner pays so much attention to business he winds up divorced from his wife. His alimony payments are so steep he plots with his lawyer to get her married off.
After railroad agents forcibly evict the James family from their family farm, Jesse and Frank turn to banditry for revenge.
Rose Sargent, a Roaring '20s singer, becomes a Ziegfeld Follies star as her criminal husband gets deeper in trouble.
Detective Guy Johnson's client, Willie Heywood, is framed for murder. While Guy hides him so he can catch the real killer, both of them are nabbed by the police, tried, convicted and sentenced to jail: Guy for a year with Willie to be executed. On the way to jail, Guy comes across a clue and escapes from the police.
Carlo Roma and his foster-son, Toma, and their friend Beppo, are living a happy fisherman's life in San Francisco until Carlo's widowed sister-in-law, Stella, shows up with her brat-son, Rudolph, and takes over. Poor Toma gets his feelings hurt and the idea he "isn't wanted" and runs away
A press agent for a Broadway actress whose career is going downhill, attempts to get her some publicity by having her adopt two orphans, without her knowledge.
Trouble-prone Billy Peck and his gang descend on a traveling circus that has just hit town, and before long their antics are causing the circus owner all kinds of problems.
A female journalist travels to a new neighborhood after getting a (false) lead and is surprised by what she finds.
A young violin prodigy is assumed kidnapped after he runs away from home.
His role in the plight of an unemployed man (Humphrey Bogart) and his disabled daughter profoundly affects an intractable Irish policeman (Pat O'Brien).
Patsy's working at Rumplemeyer's Donut Shop in Brooklyn. By accident she catches Mr. Rumplemeyer's trousers in the donut machine as he's leaving to pick his niece who's arriving from the old country, so he gives Patsy cab fare and sends her. She forgets her purse, so when she arrives at the immigration office, she can't pay the cabbie, who tells her he'll wait while the meter runs. Inside, Patsy finally finds the high-spirited Lyda, but by then, Patsy has sneaked into the holding area and may need a passport to get out. She hides in Lyda's trunk, but with the cabbie, a suspicious immigration officer, and a traffic cop buzzing around will uncle and niece ever connect?
The gang help Scotty and his grandfather after an obnoxious lunch counter owner forces them to move their lemonade stand.
The gang's treasury is entrusted to Spanky, who accidentally gets it mixed up with his father's money.
A fast-talking boxing manager and the somewhat hapless fighter he manages happen to run into a young man who was a good prizefighter in his day but is now out of the sport and has a drinking problem. They decide to train him for a big match, and in the process find themselves involved in romance, shady characters and a possible kidnapping.
Rich boy Waldo gets his clothes dirty playing football with the gang just before he has to go to his mother's society party. The gang tries to help him clean up.
A magic lamp lets a young couple become kids again and exposes a mean old man who runs his orphanage like a prison.
Our Gang is a series of American comedy short films about a group of poor neighborhood children and their adventures. Created by comedy producer Hal Roach, the series is noted for showing children behaving in a relatively natural way, as Roach and original director Robert F. McGowan worked to film the unaffected, raw nuances apparent in regular children rather than have them imitate adult acting styles. In addition, Our Gang notably put boys, girls, whites and blacks together as equals, something that "broke new ground," according to film historian Leonard Maltin. That had never been done before in cinema, but has since been repeated after the success of Our Gang. The first production at the Roach studio in 1922 was a series of silent short subjects. When Roach changed distributors from Pathé to Metro-Goldwyn-Mayer in 1927, and converted the series to sound in 1929, the series took off. Production continued at the Roach studio until 1938, when the series was sold to MGM, continuing to produce the comedies until 1944. The Our Gang series includes 220 shorts and one feature film, General Spanky, featuring over forty-one child actors. As MGM retained the rights to the Our Gang trademark following their purchase of the production rights, the 80 Roach-produced "talkies" were syndicated for television under the title The Little Rascals beginning in 1955. Both Roach's The Little Rascals package and MGM's Our Gang package have since remained in syndication, with periodic new productions based on the shorts surfacing over the years, including a 1994 Little Rascals feature film released by Universal Pictures.
