Liliana Villaseñor
What does it mean to be a woman working in sound department in the Mexican film industry? Six sound engineers and sound post-producers with amazing careers in this area in México, where some of them have won several Ariel prices for their work, share their answers to this question their dificulties and expectations for the future.
Amanda and Manuel are friends, they hang out during the afternoons, flirt with each other and conceive the idea of turning one of Amanda’s drawings into a stencil to put it on a wall near their school. A romance blooms. When the date for the drawing arrives, Manuel is nowhere to be seen, and nobody knows what happened. Amanda can’t understand this situation.
Rodrigo is a solitary teenager, a king in the private world he shares with his mother. Things change when she takes her new boyfriend home to live. He must decide if he fights for his throne and crushes the happiness of the person he loves the most.
According to the International Institute for Strategic Studies, Mexico became one of the deadliest conflict zones in the world in 2017, second only to Syria. In 2008, the Mexican government sent the army to Chihuahua on the Mexico-Texas border to fight drug traffickers. What seemed like an attempt to control the cartels turned into state-sponsored disappearances and the murder of journalists, human rights activists and civilians. The survivors and those threatened by the conflict pushed at the unwelcoming border of the United States, hoping for asylum. With stunning visual poetry, director Marcela Arteaga weaves together a record of their memories told over the backdrop of the once-vibrant landscape of the Juarez Valley. She also highlights the extraordinary work of Carlos Spector, an immigration lawyer born in El Paso, Texas, who fights to obtain political asylum for those Mexicans fleeing violence.
